Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

Yesterday I put online an admiring blog on the new (well!, newly translated to be accurate) biography of Louise Bourgeois (see it at this link) which in this translation is entitled Knife-Woman: The Life of Louise Bourgeois. There is no photograph of the artwork referenced by the title (‘Femme-Couteau’) which is meant to connote knfe … More Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’. New Haven & London, … More Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

From irresponsibility to organized competitive play (and / or choreographed display).

When I was but a child, the sport that filled those small flickering monochrome and then early colour TV screens was wrestling. It was killed off as a ‘sport’ when it was revealed that most of it was engineered for purposes of exciting spectators with over-exaggerated characters (‘Big Daddy’ and ‘Giant Haystacks’ for instance) with … More From irresponsibility to organized competitive play (and / or choreographed display).

‘In it to win it’: How did the verb ‘to win’ take on the expression of  magical thinking: ‘The sense of “exert effort” in early Middle English faded into “earn (things of value) through effort”‘

I queue in a local One-Stop every Saturday because it is the only place I can use my Saturday only pre-paid collection card for The Guardian. Shops like this have garish counters now, festooned with various kinds of prize lottery tickets, each numbered and behind it an assistant who acts to sell these and pay … More ‘In it to win it’: How did the verb ‘to win’ take on the expression of  magical thinking: ‘The sense of “exert effort” in early Middle English faded into “earn (things of value) through effort”‘

There is a point in reading trees, not just as somewhere – buried in the sense of the word or the product we call ‘paper’ – that contains writing. They bear the scars of human presence and the latter’s need to appropriate nature with alien systems of possession.

In an earlier answer to this question I concentrated on ambiguities in the word ‘read’, wherein I inferred (rather than stating directly perhaps) that just because our eyes pass over text, they cannot be really said to ‘read’ that text. I used a passage from a yet to be published book to show that reading … More There is a point in reading trees, not just as somewhere – buried in the sense of the word or the product we call ‘paper’ – that contains writing. They bear the scars of human presence and the latter’s need to appropriate nature with alien systems of possession.

The passage of time

Start with etymology: Don’t neglect this passage, as you read on:Wherein mere time passes idly, like scumUpon the surface of still waters stirred By just alighted coots. They pass us byLike lives, like deaths unreflecting horsemenContemplate at one wise poet’s grey slate, Whilst under stills, the turbulent currentsPlay tuneful ditties and dirges both. SpendMore time … More The passage of time

‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

Have you ever felt that so much depended on a reading of what is in front of you? I have just made a first reading – fast and furious – through the proof text of a novel not due for publication until, I think, September 2026, Derek Owusu’s The Recovery House, which will be published … More ‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

From making myself feel better by expressing my suffering to finding a means of redress for a grievance.

In reading this question, the contemporary and most frequent use of the word ‘complaint’ will be uppermost, which is mainly related to an expression of grievance or satisfaction leading to seeking a means of redress from the person or institution providing those goods or services which are found faulty or dangerous. It is part of … More From making myself feel better by expressing my suffering to finding a means of redress for a grievance.

Ask that question to Daedalus? Would he uninvent the Labyrinth? In Seamus Sullivan’s bold debut novel his character, Persephone, the (part-time) Greek  Goddess of the Underworld, informs her prominent subject, the dead Daedalus, that, ‘Heroism isn’t strength or bravery,…. It’s the conviction in your innermost heart that the entire story is about you’. This blog discusses a superlative addition to much of the chatty mess that is the novel focused on sex/gender in Greek mythological heroes: Seamus Sullivan (2025) ‘Daedalus Is Dead’.

Ask that question to Daedalus? Would he uninvent the Labyrinth? In Seamus Sullivan’s bold debut novel his character, Persephone, the (part-time) Greek  Goddess of the Underworld, informs her prominent subject, the dead Daedalus, that, ‘Heroism isn’t strength or bravery,…. It’s the conviction in your innermost heart that the entire story is about you’. This blog … More Ask that question to Daedalus? Would he uninvent the Labyrinth? In Seamus Sullivan’s bold debut novel his character, Persephone, the (part-time) Greek  Goddess of the Underworld, informs her prominent subject, the dead Daedalus, that, ‘Heroism isn’t strength or bravery,…. It’s the conviction in your innermost heart that the entire story is about you’. This blog discusses a superlative addition to much of the chatty mess that is the novel focused on sex/gender in Greek mythological heroes: Seamus Sullivan (2025) ‘Daedalus Is Dead’.

Let us not refuse ‘to accept the dynamic in love that breaks through barriers and boundaries set by normative standards’.

Oh what a tangled web is this prompt question! Even if we discount the current fashion in invoking the word ‘positive’ all the time, the question seems loaded. What is the implication? Is it that given the chance, people will write about a ‘negative example’ of where they’ve felt loved? It seems impossible then to … More Let us not refuse ‘to accept the dynamic in love that breaks through barriers and boundaries set by normative standards’.

‘Sour leisure’ gives ‘sweet leave’: but to do what?

‘Leisure’ is one of those few words that has not much change its range of meaning from its etymological origins – although the analogy with ‘pleasure’, and the adoption of a spelling change from that association is interesting. leisure (n.)c. 1300, leisir, “free time, time at one’s disposal,” also (early 14c.) “opportunity to do something, chance, … More ‘Sour leisure’ gives ‘sweet leave’: but to do what?

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) The Wolf of Whindale, London. Is it conceivable that, asked to choose an animal you like, you would choose one you consider yourself to be like. There is no certain link or even line of … More ‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.