Cashing in on ‘Thy sweet love remembered’:Some preliminary thoughts on Shakespeare’s Sonnet 29 before some historical reflection on its use in queer literary culture in the twentieth century
Sonnet 29 is used to provide the title, and is quoted in full as its message, by a non-binary character in prison named by inmates as ‘Mona’ (after Mona Lisa), of John Herbert’s Fortune and Men’s Eyes, an important if not a very good queer play, and in 1971 a minor film, no longer easily … More Cashing in on ‘Thy sweet love remembered’:Some preliminary thoughts on Shakespeare’s Sonnet 29 before some historical reflection on its use in queer literary culture in the twentieth century










