Since Iris Murdoch we no longer have the right to centre our narratives on questions about a morally good person, for that demands consistency. Lets’s instead show how a satifying person in fiction is one who bears their inconsistency. On Edith Hall (2026) ‘Medea: A life’.
What does it mean to be a good person? View all responses Since Iris Murdoch we no longer have the right to centre our narratives on questions about a morally good person, for that demands consistency. Lets’s instead show how a satifying person in fiction is one who bears their inconsistency. ‘… determined to make … More Since Iris Murdoch we no longer have the right to centre our narratives on questions about a morally good person, for that demands consistency. Lets’s instead show how a satifying person in fiction is one who bears their inconsistency. On Edith Hall (2026) ‘Medea: A life’.





![How can a drama about men and their relation to work take on, and does it need to, the belief of its central character that a ‘man who is not married is living an unnatural life.’[1] Some personal, and otherwise, reflection on reading Robert Tressell before seeing the Ensemble ’84 production of ‘The Ragged Trousered Philanthropists’: Part Two, being on homosocial groups and heterosexual marriage.](https://i0.wp.com/livesteven.com/wp-content/uploads/2026/09/slide5.jpg?resize=365%2C365&ssl=1)




