‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

‘Stop saying words, my sister whispered back. I want to hear the story’.[1] The paradox may be that we express our identity in words and names not in the process of telling and hearing our stories. I think Ali Smith thinks that may be true of the configuration of sex/gender too. This is a blog  … More ‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

How could we do without the most annoying and ubiquitous of all the tropes in fiction; ‘the quest’.

Some tropes are of such long established availability that they are, of themselves, self-mocking. The quest is one such, although I think you have to avoid slippage in calling everything a quest, like the great epics of Archaic Greece, for you cannot quest, or look for, something whose qualities are in some part already known, … More How could we do without the most annoying and ubiquitous of all the tropes in fiction; ‘the quest’.

This is a blog in preparation for an event in Edinburgh this coming Sunday as Colm Tóibín and Philippe Sands remember the Dirty Warriors that led the countries of Argentina and Chile and ‘disappeared’ their opponents. I want to know more about why all this matters so urgently again, now!

This is a blog in preparation for an event in Edinburgh this coming Sunday with Colm Tóibín and Philippe Sands. the essence of my interest lies in the following quotation. ‘The generals were in power then, and nobody stayed out late, even though the cafés and bars in the street around us remained open, eerily … More This is a blog in preparation for an event in Edinburgh this coming Sunday as Colm Tóibín and Philippe Sands remember the Dirty Warriors that led the countries of Argentina and Chile and ‘disappeared’ their opponents. I want to know more about why all this matters so urgently again, now!

‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’ This is a blog on Rebecca Perry (2026) ‘May We Feed The King’.

‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’[1] The threat of something excessive that will break through the fabric covering it, scattering every thread (even of narrative) that holds it together is only one of the indicators of worlds that fall … More ‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’ This is a blog on Rebecca Perry (2026) ‘May We Feed The King’.

Apparently the word ‘coincidence’ was possibly used earliest by Sir Thomas Browne, and thus is better left to rest in his Baroque prose as another supposed certainty in a world that is more uncertain than that.

Apparently the word ‘coincidence’ was possibly used earliest by Sir Thomas Browne, and thus is better left to rest in his Baroque prose as another supposed certainty in a world that is more uncertain than that. Statue of Browne in Norwich by ell brown – https://www.flickr.com/photos/ell-r-brown/4582394924/sizes/o/in/photostream/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=25718189 The Online Etymological Website tells … More Apparently the word ‘coincidence’ was possibly used earliest by Sir Thomas Browne, and thus is better left to rest in his Baroque prose as another supposed certainty in a world that is more uncertain than that.

Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. Update.

Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July The question is open. Each year I set out to read at least some of the books. Here is the list for this year, which I will update as I progress through my reading and responses: 2026 Booker Longlist … More Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. Update.

Agathe, the first-person narrator of ‘The Vivisectors’ tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , such that either its parts looked like statues standing independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. This is a blog on Missouri Williams (2026) ‘The Vivisectors’.

Some books can be read till their end but still not be ‘finished’. Agathe, the first-person narrator of The Vivisectors tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. Perhaps you … More Agathe, the first-person narrator of ‘The Vivisectors’ tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , such that either its parts looked like statues standing independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. This is a blog on Missouri Williams (2026) ‘The Vivisectors’.

Do we need ‘conspiracy theory’ because we find trust in short supply? August 20th Day Seven in Edinburgh Highlights: 1. Pleasance Dome 10, ‘Moth and Dog Are Dying to Get Out’, a play exploring the relationship of two boys, their  coming out and the confrontation of distrust and ‘conspiracy’ involved (The Fringe Festival); 2. NW Room, Jem Calder & Derek Owusu (The  Book Festival) & Courtyard Theatre Édouard Louis (The Book Festival).

What’s a conspiracy theory you actually find believable? Do we need ‘conspiracy theory’ because we find trust in short supply? August 20th Day Seven in Edinburgh Highlights: 1. Pleasance Dome 10, Moth and Dog Are Dying to Get Out, a play exploring the relationship of two boys, their  coming out and the confrontation of distrust … More Do we need ‘conspiracy theory’ because we find trust in short supply? August 20th Day Seven in Edinburgh Highlights: 1. Pleasance Dome 10, ‘Moth and Dog Are Dying to Get Out’, a play exploring the relationship of two boys, their  coming out and the confrontation of distrust and ‘conspiracy’ involved (The Fringe Festival); 2. NW Room, Jem Calder & Derek Owusu (The  Book Festival) & Courtyard Theatre Édouard Louis (The Book Festival).

Are all historical events meant to be witnessed, and /or is ‘witnessing’ essential to making ‘events’ historical? August 18th Day Six in Edinburgh: Envisaging Buggers, A wandering Hannah Arendt & Men Hanging Together.

Are all historical events meant to be witnessed, and /or is ‘witnessing’ essential to making ‘events’ historical? August 18th Day Six in Edinburgh Highlights: 1. Buggers, a play exploring the relationship of Francis Bacon and George Dyer (The Fringe Festival); 2. Traverse Theatre Mrs. Stern Wanders the Prussian State Library (the Fringe) & Lyceum Theatre … More Are all historical events meant to be witnessed, and /or is ‘witnessing’ essential to making ‘events’ historical? August 18th Day Six in Edinburgh: Envisaging Buggers, A wandering Hannah Arendt & Men Hanging Together.

August 18th Day Five In Edinburgh Highlights: 1. National Galleries of Scotland Modern One ‘Gwen John: Strange Beauties’ (The Art Festival); 2. Traverse Theatre ‘Supposing:’ (the Fringe). Very few ‘fictional worlds’ worth their creation and recreation would be ‘fun to vacation in’! Try the world of Cassandra under the threat of a Reform government.

August 18th Day Five In Edinburgh Highlights: 1. National Galleries of Scotland Modern One Gwen John: Strange Beauties (The Art Festival); 2. Traverse Theatre Supposing: (the Fringe). Very few ‘fictional worlds’ worth their creation and recreation would be ‘fun to vacation in’! Try the world of Cassandra under the threat of a Reform government. The … More August 18th Day Five In Edinburgh Highlights: 1. National Galleries of Scotland Modern One ‘Gwen John: Strange Beauties’ (The Art Festival); 2. Traverse Theatre ‘Supposing:’ (the Fringe). Very few ‘fictional worlds’ worth their creation and recreation would be ‘fun to vacation in’! Try the world of Cassandra under the threat of a Reform government.

The best books show that erasure is not an option but seeing all events as a part of a dynamic process to which we change our response, or even find atonemt for, is. August 17th Day Four in Edinburgh : At the Book Festival thinking about Two Queer books about transition and our response to it (Kae Tempest & Dean Atta), and accepting a New Cemetery with Simon Armitage.

The best books show that erasure is not an option but seeing all events as a part of a dynamic process to which we change our response, or even find atonemt for, is. August 17th Day Four in Edinburgh : At the Book Festival thinking about Two Queer books about transition and our response to … More The best books show that erasure is not an option but seeing all events as a part of a dynamic process to which we change our response, or even find atonemt for, is. August 17th Day Four in Edinburgh : At the Book Festival thinking about Two Queer books about transition and our response to it (Kae Tempest & Dean Atta), and accepting a New Cemetery with Simon Armitage.

Lets make it: ‘Can you See me Now!’ — August 16th Day Three In Edinburgh: Visibilising Fools, Queer Life, Voids & the queer comedy in queer lives.

Lats make my tatto: Can you See me Now!, such as I designed it below! This is a blog on August 16th Day Three In Edinburgh Highlights: . David Wilson Lear’s Fool at Olive Studio, Greenside at George Street (The Fringe); 2. Catherine Opie: To Be Seen  at the Royal Academy of Scotland, Princes Street … More Lets make it: ‘Can you See me Now!’ — August 16th Day Three In Edinburgh: Visibilising Fools, Queer Life, Voids & the queer comedy in queer lives.