I used to believe theatre was about an actor playing a role. In preparation for Simon Stone’s ‘Oresteia’.

June 23, 2026

I suppose I am determined not to prepare in some small way for things I see on theatre. This is another installment of the preparation for my July 8-9th trip, for which the schedule again is thus, together with the surrounding commentary from an earlier blog on another event (the whole is at this link): … More I used to believe theatre was about an actor playing a role. In preparation for Simon Stone’s ‘Oresteia’.

The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which demands your self-control. I think I learned this from Adam Nicolson’s characterisation of Samuel Taylor Coleridge in his ‘The Making of Poetry’ (2019)

June 22, 2026

The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which … More The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which demands your self-control. I think I learned this from Adam Nicolson’s characterisation of Samuel Taylor Coleridge in his ‘The Making of Poetry’ (2019)

I don’t believe in tips for life, let alone top ones, and am circumspect about success as a thing to be realised. Consider Wordsworth as he must have felt in Alfoxden in 1797.

June 20, 2026

I don’t believe in tips for life, let alone top ones, and am circumspect about success as a thing to be realised. Consider Wordsworth as he must have felt in Alfoxden in 1797. Wordsworth in Darkness by Tom Hammick from Adam Nicholson (2019) The Making of Poetry: Coleridge,  the Wordsworths and Their Year of Marvels … More I don’t believe in tips for life, let alone top ones, and am circumspect about success as a thing to be realised. Consider Wordsworth as he must have felt in Alfoxden in 1797.

“And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh abomination, or maketh a lie: but they which are written in the Lamb’s book of life.” – Revelation 21:27

June 19, 2026

“And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh abomination, or maketh a lie: but they which are written in the Lamb’s book of life.” – Revelation 21:27 A 14th century tapestry picturing St. John of Patmos awarded the vision of the New Jerusalem by God (photograph by Octave … More “And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh abomination, or maketh a lie: but they which are written in the Lamb’s book of life.” – Revelation 21:27

Édouard Louis shows us that ‘happiness’ may be the result only of ‘social determinism’ succeeding in its function to ‘condition the person’ you are. This is a blog on Édouard Louis (2026) ‘Collapse’, London, Harvill.

June 18, 2026

Édouard Louis shows us that ‘happiness’ may be the result only of ‘social determinism’ succeeding in its function to ‘condition the person’ you are. [1] This is a blog on Édouard Louis (2026) Collapse [Trans Tash Aw], London, Harvill. This piece probably relates to what I have tried to say in blogs about earlier books. The … More Édouard Louis shows us that ‘happiness’ may be the result only of ‘social determinism’ succeeding in its function to ‘condition the person’ you are. This is a blog on Édouard Louis (2026) ‘Collapse’, London, Harvill.

When the subject is ‘seeing’, why exclude visual art, for that too allows us to ‘see’ in more than ways that are entirely visual. This blog is an explanation of why I go to art exhibitions. This is almost the same as explaining why I feel a need to prepare myself to see them. The pleasures and perils of researched prescience is however a subject in itself. This blog anticipates seeing the new ‘Zurbarán’ Exhibition at 12.00 midday to 13.30 (about) on Thursday 9th July. Will it change my world?

June 17, 2026

Explaining why I go to art exhibitions is almost the same as explaining why I feel a need to prepare myself to see them. The pleasures and perils of researched prescience is however a subject in itself. This blog anticipates seeing the new Zurbarán ExWhen the subject is ‘seeing’, why exclude visual art, for that … More When the subject is ‘seeing’, why exclude visual art, for that too allows us to ‘see’ in more than ways that are entirely visual. This blog is an explanation of why I go to art exhibitions. This is almost the same as explaining why I feel a need to prepare myself to see them. The pleasures and perils of researched prescience is however a subject in itself. This blog anticipates seeing the new ‘Zurbarán’ Exhibition at 12.00 midday to 13.30 (about) on Thursday 9th July. Will it change my world?

I’d tell him: everybody thinks each day full of nothing in particular, but you can construct your day differently! This is a blog on Ira Sach’s Peter Hujar’s Day.

June 16, 2026

I’d tell him: everybody thinks each day full of nothing in particular, but you can construct your day differenly! This is a blog on Ira Sach’s Peter Hujar’s Day The sub-title to Peter Bradshaw’s review in The Guardian of Ira Sach’s masterpiece Peter Hujar’s Day is: ‘Whishaw is not tested by this verbatim retelling of … More I’d tell him: everybody thinks each day full of nothing in particular, but you can construct your day differently! This is a blog on Ira Sach’s Peter Hujar’s Day.

Controlled exclusion rarely also controls colonisation of the other: the meaning of setting (and building) borders and boundaries.

June 15, 2026

Controlled exclusion rarely also controls setting (and building) colonisation of the other: the meaning of borders and boundaries. Building the West Bank Wall in 2004 Let’s begin by thinking about that adjective ‘healthy’ as applied to ‘boundaries’. If a boundary can be ‘healthy’ can it also be ‘unhealthy’? We rarely if ever hear of setting … More Controlled exclusion rarely also controls colonisation of the other: the meaning of setting (and building) borders and boundaries.

In ‘Grace Pervades’, the character named Henry Irving, based on the great actor-manager says to Ellen Terry, ‘I await eagerly to see what you will do next. It’s always different’. She replies ‘Then how can it always be perfect?’ The answer to that might be the answer to the question: ‘If you could instantly master any skill, what would it be?’

June 14, 2026

In Grace Pervades, the character named Henry Irving, based on the great actor-manager says to Ellen Terry, ‘I await eagerly to see what you will do next. It’s always different’. She replies ‘Then how can it always be perfect?’ The answer to that might be the answer to the question: ‘If you could instantly master … More In ‘Grace Pervades’, the character named Henry Irving, based on the great actor-manager says to Ellen Terry, ‘I await eagerly to see what you will do next. It’s always different’. She replies ‘Then how can it always be perfect?’ The answer to that might be the answer to the question: ‘If you could instantly master any skill, what would it be?’

Inspiration is a word that should be less used. Today, be open to be breathed into by an ensemble.

June 13, 2026

Inspiration is a word that should be less used. Today, be open to be breathed into by an ensemble. Alan Cummings & David Morrissey Today is dominated by a blend of thoughts about inspiring drama. Last night Geoff and I completed watching the Channel 4 series Tip Toe, wherein a company of TV actors goes … More Inspiration is a word that should be less used. Today, be open to be breathed into by an ensemble.

Memes are sometimes nothing more than rhythms in the memory. John Dyer, the hero of Nicholas Shakespeare (2026) ‘Frame 37’, uses the phrase, ‘… nothing ever disappears completely, and when it returns it does so in exaggerated form’.  This blog considers whether it is the purpose of ‘good stories’ to locate the source of truth of an incomprehensible universe, but to continually suggest that this truth runs like ‘a non-verbal poetry’ with a ‘rhythm that feels fresh’ and might wake us up ‘to the unspoken part of the universe’ around us.

June 12, 2026

John Dyer, the hero of Nicholas Shakespeare (2026) Frame 37, London, Harvill, uses the phrase, ‘… nothing ever disappears completely, and when it returns it does so in exaggerated form’.  It is so very nearly an echo of the many ways in which Sigmund Freud described ‘the return of the repressed’.[1] However, it would be … More Memes are sometimes nothing more than rhythms in the memory. John Dyer, the hero of Nicholas Shakespeare (2026) ‘Frame 37’, uses the phrase, ‘… nothing ever disappears completely, and when it returns it does so in exaggerated form’.  This blog considers whether it is the purpose of ‘good stories’ to locate the source of truth of an incomprehensible universe, but to continually suggest that this truth runs like ‘a non-verbal poetry’ with a ‘rhythm that feels fresh’ and might wake us up ‘to the unspoken part of the universe’ around us.