Should we start much earlier than we do learning about ‘Life, the littleness of it’. Do little books about littleness in enlarged contexts need prizes or forgetting? This is a blog on Emma Cline (2026) ‘Switzy’.

September 20, 2026

Should we start much earlier than we do learning about ‘Life, the littleness of it’.[1] Do little books about littleness in enlarged contexts need prizes or forgetting? Do little books about littleness in enlarged contexts need prizes? This is a blog on Emma Cline (2026) Switzy London, London, Chatto & Windus (Penguin). In a final … More Should we start much earlier than we do learning about ‘Life, the littleness of it’. Do little books about littleness in enlarged contexts need prizes or forgetting? This is a blog on Emma Cline (2026) ‘Switzy’.

Durham city lacks the cultural vibration of constant reinterpretations of great works that a living professional theatre company gives any city.

September 19, 2026

What’s one thing that would instantly improve your city? Durham city lacks the cultural vibration of constant reinterpretations of great works that a living professional theatre company gives any city. I am using this graphic of the Empty Space of the Gala Theatre in Durham to denote a wider absence, brautiful theayre though it is: … More Durham city lacks the cultural vibration of constant reinterpretations of great works that a living professional theatre company gives any city.

As I said in an earlier blog, some books say we are already switching lives with a ‘fictional character’ in order to survive. The absolute best and most comprehensive writing of our time must ask, as Marlon James allows his characters to do, ‘Why am I writing this shit?’ Is it because our characters switch to fictional form so often? This is a blog on Marlon James (2026) ‘The Disappearers’.

September 18, 2026

As I said in an earlier blog, some books say we are already switching lives with a ‘fictional character’ in order to survive. The absolute best and most comprehensive writing of our time must ask, as Marlon James allows his characters to do, ‘Why am I writing this shit?’1 Is it because our characters switch … More As I said in an earlier blog, some books say we are already switching lives with a ‘fictional character’ in order to survive. The absolute best and most comprehensive writing of our time must ask, as Marlon James allows his characters to do, ‘Why am I writing this shit?’ Is it because our characters switch to fictional form so often? This is a blog on Marlon James (2026) ‘The Disappearers’.

‘Life-hacks’ is yet another example of itself, a way of pretending to understand a more complex explanation of the process by which human understanding of a problem and its solution is reached and implemented. It is also perhaps a ‘democratisation’ of that understanding, – creating a term more clearly understood by more people in a rising generation.

September 17, 2026

Did I have to look up that idiomatic term ‘life-hacks‘ because of my age and slow adaptation to computer technology? Perhaps that is the case but it soon dawned upon me that the term ‘Life-hacks’ is yet another example of itself, a way of pretending to understand a more complex explanation of the process by … More ‘Life-hacks’ is yet another example of itself, a way of pretending to understand a more complex explanation of the process by which human understanding of a problem and its solution is reached and implemented. It is also perhaps a ‘democratisation’ of that understanding, – creating a term more clearly understood by more people in a rising generation.

Do I write what people actually want to read? The issue here is not whether writing can be called writing only because it is read by someone, even if only by yourself, but whether writing appeals to what those people,or person, think that they want.

September 16, 2026

There is, of course, an important and inalienable link being writing and reading, for nothing that is written isn’t from its inception being read, even if only by its writer who assesses as they proceed that the writing is satisfactory to them or its intended audience. The standards of reading judgement vary of course and … More Do I write what people actually want to read? The issue here is not whether writing can be called writing only because it is read by someone, even if only by yourself, but whether writing appeals to what those people,or person, think that they want.

‘Making time to fill with self-care / Leaves no time still to stand and stare’: Help me W.H. Davies!

September 15, 2026

Making time to fill with self-care Leaves no time still to stand and stare: Help me W.H. Davies! I have no great love for W.H. Davies’ poem Leisure, but it feels relevant to this question, opening up the terrible gap in time that cultural ideologies create around words so that a question like our prompt … More ‘Making time to fill with self-care / Leaves no time still to stand and stare’: Help me W.H. Davies!

Back to the Booker longlist with wishful predictions before shortlist on 22nd.

September 14, 2026

Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. Update. Daily writing prompt Do you think everything happens for a reason? View all responses Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. The shortlist is on 22nd September. THIS IS MY … More Back to the Booker longlist with wishful predictions before shortlist on 22nd.

‘Don’t get me into some philosophical bullshit about lie versus fiction. Fiction is creation. Lie is distortion. One don’t have a fucking thing to do with the other’. Words from Marlon James ‘The Disappearers’ (2026).

September 13, 2026

Sometimes our prompts invite us to validate a proposition that, to say the lest, is questionable and is, at the most a deliberate untruth. Look at this question, for instance: ‘If you had to switch lives with a fictional character for a week, who would you choose?’. It starts with a conditional phrase, ‘If you … More ‘Don’t get me into some philosophical bullshit about lie versus fiction. Fiction is creation. Lie is distortion. One don’t have a fucking thing to do with the other’. Words from Marlon James ‘The Disappearers’ (2026).

Without Satan, Milton’s poetry would be bereft of the means of a story and even more bereft of the nuanced glance of life turned into a kind of song where contraries separate and come together in conflict and eternal bondage that poetry is, and is ever condemned and blessed to be at its best.

September 12, 2026

To like the ‘villain more than the hero’ is not an eccentric thing at all, neither is it a thing to be confessed, for without this trope of literature and literary readings it is doubtful story-telling or even the more numinous concept poetry as means of artistic and humane expression could exist at all. Usually … More Without Satan, Milton’s poetry would be bereft of the means of a story and even more bereft of the nuanced glance of life turned into a kind of song where contraries separate and come together in conflict and eternal bondage that poetry is, and is ever condemned and blessed to be at its best.

Who is paying for your cheap air travel?

September 11, 2026

The ‘best tip’ idiomatic phrase is usually a shorthand for allowing people who can afford to spend more of their private income to spend considerably less. Out of this fascination for cheapness for the relatively well endowed financially comes the fact that the true costs of environmentally polluting practices are not paid by those who … More Who is paying for your cheap air travel?

Stories that stay mainly in one place can often travel further imaginatively – dimensions in space, time and the imagination of mobility in the storytelling. This is a blog on the film ‘Pressure’ directed and edited by Anthony Maras and written by Maras and David Haig, based on Haig’s 2014 stage play.

September 10, 2026

What’s the longest trip you’ve ever taken? View all responses Stories that stay mainly in one place can often travel further imaginatively – using  dimensions in outward and inward space, time and the motility of focal choice in the  the storytelling. This is a blog on the film Pressure directed and edited by Anthony Maras … More Stories that stay mainly in one place can often travel further imaginatively – dimensions in space, time and the imagination of mobility in the storytelling. This is a blog on the film ‘Pressure’ directed and edited by Anthony Maras and written by Maras and David Haig, based on Haig’s 2014 stage play.

Should I choose a week of his life which offered no return to a present in which I had no faith in myself? Being Sydney Carton being …?

September 9, 2026

Should I choose a week of his life which offered no return to a present in which I had no faith in myself? Being Sydney Carton being …? Much lies behind my answer: many liesIndeed!Lies informed my life till that timeWhen weeks could not be spent in hearing criesI’d rather leave unheard: in fact that … More Should I choose a week of his life which offered no return to a present in which I had no faith in myself? Being Sydney Carton being …?