The most annoying trope in fictional or non-fictional art is that which pretends that that at the end of the book, everything is resolved. This is a blog on ’38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia’ by Phillipe Sands which ends in the same ambiguity with which it started, like life itself. Part 2 of a 2 part blog series.
In the Epilogue to his book 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia (2026, First paperback edition [first publ. in hardback, 2025], London, Weidenfeld & Nicholson) Phillipe Sands recounts attending a literary festival to promise an earlier book in Valparaiso and being addressed by a reader who had personal … More The most annoying trope in fictional or non-fictional art is that which pretends that that at the end of the book, everything is resolved. This is a blog on ’38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia’ by Phillipe Sands which ends in the same ambiguity with which it started, like life itself. Part 2 of a 2 part blog series.









