Please NOTE: I attempted a reading of this poem in a later blog (see this link) Did I need a proof of this it would be the winner of the National Poetry Award poem, The Gathering, by Partridge Boswell: The GatheringAbove my meditating head, a record herd of god’s tiny cowsgrazes on the blank page … More A great poet is unique: witness Partridge Boswell.
Say No! Why should we give way and surrender all of our Delusions for the sake of order! ‘We are not asking for permission to belong any more, not from a silent universe …’ [1] The delusory command to ‘Abandon all Delusions all You who enter here’ and Processing who will ‘Pass’ Examination of their … More Say No! Why should we give way and surrender all of our Delusions for the sake of order! ‘We are not asking for permission to belong any more, not from a silent universe …’ The delusory command to ‘Abandon all Delusions all You who enter here’ and Processing who will ‘Pass’ Examination of their abandonment of delusion is so delusory in Jenni Fagan (2026) ‘The Delusions’.
The threat of involuntary laughter – a release of tension or a weapon. Asked to define the issue in which a person laughs AT another person, or type of person, my AI Co-Pilot comes up with two categories, one a symptom of mental disturbance (katagelasticism) , the other a supposedly common emotional strategy for managing … More The threat of involuntary laughter – a release of tension or a weapon.
The meaning of the weather depends on what its changes mean to you, your community, your present and your future! This blog is about seeing the Opera North production of ‘Peter Grimes’ at the Theatre Royal Newcastle at 7.00 p.m Friday 20th March 2026. Theatre Royal. Awaiting the performance I prepared myself as always to … More The meaning of the weather depends on what its changes mean to you, your community, your present and your future. This blog is about seeing the Opera North production of ‘Peter Grimes’ at the Theatre Royal Newcastle at 7.00 p.m Friday 20th March 2026.
I am fairly sure I have never received a ‘compliment’ in which I believed that formed itself in words and metaphors, for these things are essentially fictive and their truth at the same remove from simple belief as anything else significant that is still composed of fictions. We can’t live without fictions but we should … More And yet, in humans, I know my love as rare / As any they belied with false compare.
Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study: Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, … More Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study: Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, forefront ‘the expression of character, not of personal feeling, …’.
I wish for that ‘extent of subtleties’ Virginia Woolf discerned in Vita Sackville-West’s Passenger to Teheran: ‘the sly, brooding thinking, evading Vita. The whole book is full of nooks and crannies, the very intimate things one says in print’. [1] You glance at the photograph of Vita Sackville-West, taken on her own camera en route … More I wish for that ‘extent of subtleties’ Virginia Woolf discerned in Vita Sackville-West’s ‘Passenger to Teheran’: ‘the sly, brooding thinking, evading Vita. The whole book is full of nooks and crannies, the very intimate things one says in print’.
Why we look at a ‘two-dimensional’ picture but watch a picture that contains movement. The possible role of attentional features of vision. It seems entirely innocent to us to talk about ‘watching’ a film, TV or a ‘movie’ but we don’t often distinguish ‘watxhibg’ from a rather passive act of looking at or gazing at … More Why we look at a ‘two-dimensional’ picture but watch a picture that contains movement. The possible role of attentional features of vision.
I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: Threads of Life and Yin Xiuzhen: Heart to Heart at the Hayward Gallery seen on the morning of the 5th March 2026. This is a prompt question response and a reflection on the dual exhibition currently … More I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: ‘Threads of Life’ and Yin Xiuzhen: ‘Heart to Heart’ at the Hayward Gallery.
I have always loved words that fox the mind, Words of the archaic or rare-used kind. My life-story is inenarrable. I can’t tell you stuff I’m not capable Of telling either if I’m deficient In apt terms, or secretly efficient In hiding things I dare not let you see In case perchance you think badly … More Does life bear telling, when what matters in life is inenarrable!
The last thing you learned OUGHT always to be to distrust the learning that refuses to be open to change. Some thoughts about Kirill Serebrennikov’s film The Student. What if you discovered that every truth you will; ever need, sufficient to contest any other truth, except its own contradictions from the same source, was in … More The last thing you learned OUGHT always to be to distrust the learning that refuses to be open to change. Some thoughts about Kirill Serebrennikov’s film ‘The Student’.
The following blog comes from so many parts of my life but the immediate trigger was reading – only just in Chapter 1 still – James H. Rubin’s (1994) Manet’s Silence and the Poetics of Bouquets, London, Reaktion Books (with his portrait of Mallarmé on the cover) where I came across a reproduction of The … More I never was an absinthe drinker – quite!
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