Obviously, for me, most of screen time is taken up by WordPress, and sister app Jetpack (on my mobile): ‘feeling bad’ is often its subject because it is about using my time for registering or reflecting, consolidating, and furthering personal learning.

As always, the title is the only way the answer to this prompt will get expressed. The rest becomes a test case and example of what that title’ means in practice. The aim is to extend my learning to state how I prepare to use time in that process – by planned theatre or arts … More Obviously, for me, most of screen time is taken up by WordPress, and sister app Jetpack (on my mobile): ‘feeling bad’ is often its subject because it is about using my time for registering or reflecting, consolidating, and furthering personal learning.

The ease of modern ‘travel’ can hardly be inspired. Only when ‘travel’ equates to ‘travail’ (hard labour and unforeseen difficulty) does it require that input of strong breath from without.

For some travel will always be made to include hard work and uncertainties If you test an AI searcher like Co-Pilot on the origins of the word ‘travel’ these days, you get something like this (what I got today): The validity of some of those sources used by the AI tool can be queried but … More The ease of modern ‘travel’ can hardly be inspired. Only when ‘travel’ equates to ‘travail’ (hard labour and unforeseen difficulty) does it require that input of strong breath from without.

How about dining with Polyphemus, the Cyclops – the Euripides version

Going to see The Odyssey today to see how Odysseus fared when he visited the dining room of Polyphemus, the Cyclops. Here is Euripides’ take on it, in the words of Odysseus [ΟΔΥΣΣΕΥΣ], speaking to the Chorus on one of the few extant ‘Satyr’ plays – which played together with a fare of a tragic … More How about dining with Polyphemus, the Cyclops – the Euripides version

Did I promise myself to remain authentic to, or at least return to that standard when I strayed, in a world stained with the self-interest of the few to the disadvantage of the many. Doesn’t Anish Kapoor do that as an artist?

Did I promise myself to remain authentic to, or at least return to that standard when I strayed, in a world stained with the self-interest of the few to the disadvantage of the many. Doesn’t Anish Kapoor do that as an artist? Ralph Rugoff asks Anish Kapoor in his interview with the artist, whether art’s … More Did I promise myself to remain authentic to, or at least return to that standard when I strayed, in a world stained with the self-interest of the few to the disadvantage of the many. Doesn’t Anish Kapoor do that as an artist?

This blog contains all I have to say of the experience of David Hare’s ‘Grace Pervades’ playing at the Haymarket Theatre (seen by me on 9th July at 14.30) and all I have to say about the experience of Simon Stone’s ‘The Oresteia’ playing at the Bridge Theatre (seen by me on 8th July at 19.00) at the moment at least with regard to the last named: for about the latter there will be more. The excuse it addresses is this one: “that since theatre is the basis of theatrical art, no drama in it could ever be anything more nor less than ‘theatrical'”.

This blog contains all I have to say of the experience of David Hare’s ‘Grace Pervades’ playing at the Haymarket Theatre (seen by me on 9th July at 14.30) and all I have to say about the experience of Simon Stone’s ‘The Oresteia’ playing at the Bridge Theatre (seen by me on 8th July at … More This blog contains all I have to say of the experience of David Hare’s ‘Grace Pervades’ playing at the Haymarket Theatre (seen by me on 9th July at 14.30) and all I have to say about the experience of Simon Stone’s ‘The Oresteia’ playing at the Bridge Theatre (seen by me on 8th July at 19.00) at the moment at least with regard to the last named: for about the latter there will be more. The excuse it addresses is this one: “that since theatre is the basis of theatrical art, no drama in it could ever be anything more nor less than ‘theatrical'”.

This blog uses Elizabeth Strout (2026) ‘The Things We Never Say’ as a test case for a thesis based on the difficulty of erasing trends from history. In it, the narrator says that Artie Dam, thinks his despair at the ‘state of the world’ relates to the hopeless hope that a dangerous right-wing demagogue does not win an American election fought(and won by the wrong person)  in the background of the narrative yet influential within it. However: ‘because he had studied history. He was aware that in all human existence there had never been a time where people were not killing one another, and why he had not been affected by this as strongly throughout his life as he was these days he could not understand’. As he gets home and removes his sailing boots he suddenly understands that his despair had another more primary cause: ‘It was an accretion of loneliness; …’.

This blog uses Elizabeth Strout (2026) The Things We Never Say London, Viking / Penguin as a test case for a thesis based on the difficulty of erasing trends from history. In it, the narrator says that Artie Dam, thinks his despair at the ‘state of the world’ relates to the hopeless hope that a … More This blog uses Elizabeth Strout (2026) ‘The Things We Never Say’ as a test case for a thesis based on the difficulty of erasing trends from history. In it, the narrator says that Artie Dam, thinks his despair at the ‘state of the world’ relates to the hopeless hope that a dangerous right-wing demagogue does not win an American election fought(and won by the wrong person)  in the background of the narrative yet influential within it. However: ‘because he had studied history. He was aware that in all human existence there had never been a time where people were not killing one another, and why he had not been affected by this as strongly throughout his life as he was these days he could not understand’. As he gets home and removes his sailing boots he suddenly understands that his despair had another more primary cause: ‘It was an accretion of loneliness; …’.

A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt.

A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt. A habit, implies that splendid queer philosopher, Walter … More A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt.

Invited to imagine ‘your life’ as a book, the convenient thing about what you’d call a ‘chapter’ in it, is that it ends and pauses before another chapter begins. Is that because your life changed at some point or because, after the event, you want to write it as if it had?

One of the great beauties of writing an autobiography, a written story of the life you have passed thus far, is that, in writing it, you have the advantage of interpreting it, or any part of it, with a different view of what it all means now, or should as far as you are concerned … More Invited to imagine ‘your life’ as a book, the convenient thing about what you’d call a ‘chapter’ in it, is that it ends and pauses before another chapter begins. Is that because your life changed at some point or because, after the event, you want to write it as if it had?

Reframing your Lines of Action: Is Art a way a doing this?

Reframing is defined simply enough in a mental health page at this link. Here’;s the opening. For me, the power in it lies in the avoidance of the oft used but poor term ‘positive reframing’, which assumes that negativity is only and merely a mindset and not a reality in the external factors of people’s … More Reframing your Lines of Action: Is Art a way a doing this?

Did Thomas Carlyle ever say: ‘Tennyson was a man solitary and sad, dwelling in an element of gloom, carrying a bit of chaos about him’.

Alfred Tennyson and Thomas Carlyle in a good representayion of the walled garden to 5 Cheyne Road the home of Thomas and Jane Carlyle., now visitable as ‘Carlyles’s House’ Thomas Carlyle, so little read today, was thought a Sage by those of his own time, and whether the quotation given above (from the usual dodgy … More Did Thomas Carlyle ever say: ‘Tennyson was a man solitary and sad, dwelling in an element of gloom, carrying a bit of chaos about him’.

The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which demands your self-control. I think I learned this from Adam Nicolson’s characterisation of Samuel Taylor Coleridge in his ‘The Making of Poetry’ (2019)

The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which … More The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which demands your self-control. I think I learned this from Adam Nicolson’s characterisation of Samuel Taylor Coleridge in his ‘The Making of Poetry’ (2019)