Going to see The Odyssey today to see how Odysseus fared when he visited the dining room of Polyphemus, the Cyclops. Here is Euripides’ take on it, in the words of Odysseus [ΟΔΥΣΣΕΥΣ], speaking to the Chorus on one of the few extant ‘Satyr’ plays – which played together with a fare of a tragic … More How about dining with Polyphemus, the Cyclops – the Euripides version
Let’s assume that ‘who we are’ can release an agency that shapes us beyond ‘who we are and were’ into some refined or reconfigured version of that self in the near or distant future. However, it can only do this by its response to experience. Do novelists deal with the kind of problem any more? … More Let’s assume that ‘who we are’ can release an agency that shapes us beyond ‘who we are and were’ into some refined or reconfigured version of that self in the near or distant future. However, it can only do this by its response to experience. Do novelists deal with the kind of problem any more?
The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which … More The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which demands your self-control. I think I learned this from Adam Nicolson’s characterisation of Samuel Taylor Coleridge in his ‘The Making of Poetry’ (2019)
John Dyer, the hero of Nicholas Shakespeare (2026) Frame 37, London, Harvill, uses the phrase, ‘… nothing ever disappears completely, and when it returns it does so in exaggerated form’. It is so very nearly an echo of the many ways in which Sigmund Freud described ‘the return of the repressed’.[1] However, it would be … More Memes are sometimes nothing more than rhythms in the memory. John Dyer, the hero of Nicholas Shakespeare (2026) ‘Frame 37’, uses the phrase, ‘… nothing ever disappears completely, and when it returns it does so in exaggerated form’. This blog considers whether it is the purpose of ‘good stories’ to locate the source of truth of an incomprehensible universe, but to continually suggest that this truth runs like ‘a non-verbal poetry’ with a ‘rhythm that feels fresh’ and might wake us up ‘to the unspoken part of the universe’ around us.
The phrase might be ‘a Prince of the Theatre’ used as if royalty alone gave value to things. Yet Ian McKellen is such a Prince because he played Prince Hamlet so many times – the last time in his recent older age. This blog is Part 2 of “The good and the bad in preparing … More The phrase might be ‘a Prince of the Theatre’ used as if royalty alone gave value to things. Yet Ian McKellen is such a Prince because he played Prince Hamlet so many times – the last time in his recent older age. This blog is Part 2 of “The good and the bad in preparing to watch The Tragicall Historie of Hamlet performed by Ensemble 84 at their new theatre in Horden, …
The good and the bad in preparing to watch The Tragicall Historie of Hamlet performed by Ensemble 84 at their new theatre in Horden, from the text of the First Quarto publication, conventionally called by editors a ‘bad quarto’? Part 1 – dealing with ‘fears and self-doubts. I will be talking about my expectations of … More The good and the bad in preparing to watch ‘The Tragicall Historie of Hamlet’ performed by Ensemble 84 at their new theatre in Horden, from the text of the First Quarto publication, conventionally called by editors a ‘bad quarto’? Part 1 – dealing with ‘fears and self-doubts.
This questions prompts something less than an answer to it from me and something more than the kind of cool response, opinion seeking prompts are won’t to expect. First of all, the assumption that anyone and everyone will agree on what is a ‘classic book’, or even what ‘classic’ means in this respect just doesn’t … More Are there truly literature charts like there are pop charts? Is rating a ‘classic’ book (over or under the consensus level) the vain game I think it is? Is the term ‘classic’ already playing that vain game?
I met a poet in my favourite left bookshop yesterday, The People’s Bookshop in Durham City, and bought his book, Blooming Us. I was searching for more books by Bryher and he knew, as might be expected in someone intensely interested in the poetic movement called Imagism, of Bryher’s sometime lover, H.D. (Hilda Doolittle). I … More I know what ‘gives pleasure’ can never be simple. Let’s consider how we react to the effect of words working together to evoke vision, sound, sensation and tangled meanings.
‘boustrophedon, one of the loveliest words in the English language, …’. If only the aims of life were not so ‘chopped up’, end-stopped and linear, we might realise that ‘in our minds’ are ‘only sinuous furrows of thought’. [1] This blog reflects on Yann Martel’s novel, ‘Son of Nobody’. Of course, writing is about giving … More ‘boustrophedon, one of the loveliest words in the English language, …’. If only the aims of life were not so ‘chopped up’, end-stopped and linear, we might realise that ‘in our minds’ are ‘only sinuous furrows of thought’. This blog reflects on Yann Martel’s novel, ‘Son of Nobody’.
In the seventeenth century educated persons kept commonplace books where things they heard or read could be stored for use or as a momento of the use they had already served, and might, if remembered in this way, serve again. Sometimes they consisted of practical guides to a task, like a recipe, although it was … More ‘The world was all before them, where to choose?’ or ‘The earth is all before me … I cannot miss my way’. Looking for direction: how to use a quotation about using a quotation for guidance, and the perils of the freedom to choose!
Sonnet 29 is used to provide the title, and is quoted in full as its message, by a non-binary character in prison named by inmates as ‘Mona’ (after Mona Lisa), of John Herbert’s Fortune and Men’s Eyes, an important if not a very good queer play, and in 1971 a minor film, no longer easily … More Cashing in on ‘Thy sweet love remembered’:Some preliminary thoughts on Shakespeare’s Sonnet 29 before some historical reflection on its use in queer literary culture in the twentieth century
Being a ‘character from a book’ may be not be enough, unless you can also re-write your own story. A case study of the brilliant TV series,’The Other Bennet Sister’. There are clear reasons for wanting to be, if anyone in Jane Austen’s Pride and Prejudice, Mary Bennet, but perhaps very ‘other’ than Austen wrote her, … More Being a ‘character from a book’ may be not be enough, unless you can also re-write your own story. A case study of the brilliant TV series,’The Other Bennet Sister’.
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