That which we fear we lock away, drown or bury,  if we can and, hopefully, forever (or perhaps until Time catches up with desire at least). “Close it down, Danni. Put a dust sheet over the piano. Bolt the shutters. Turn the key”.  This is a blog on Rose Tremain (2026) ‘The Housekeeper’.

What’s a book or movie that genuinely scared you? View all responses That which we fear we lock away, drown or bury, if we can and, hopefully, forever (or perhaps until Time catches up with desire at least). This is precisely what Max de Winter does with the body and memory of his first wife Rebecca … More That which we fear we lock away, drown or bury,  if we can and, hopefully, forever (or perhaps until Time catches up with desire at least). “Close it down, Danni. Put a dust sheet over the piano. Bolt the shutters. Turn the key”.  This is a blog on Rose Tremain (2026) ‘The Housekeeper’.

The world of ‘The Perfect Gentleman; or, Etiquette and Eloquence’ of 1860 USA.

Which book’s world would be the absolute worst to live in? The world of ‘The Perfect Gentleman; or, Etiquette and Eloquence’ of 1860 USA. In 1860’s New York, the ‘manners’ of a New York ‘Gentleman’ may well have aped those of Old England, it being understood tht by then the word ‘gentle’ in ‘gentleman’ had … More The world of ‘The Perfect Gentleman; or, Etiquette and Eloquence’ of 1860 USA.

Seeing the author Ibtisam Azem [trans. Sinan Antoon] (2026 {first published in Arabic 2011}) speak of ‘The Sleep Thief’ [Sheffield, etc., And Other Stories] at The People’s Bookshop, Durham: Part Two.

In an interview Ibtisam Azem says of The  Sleep Thief that the novel is’fragmented and experimental, with surreal elements, references to Greek mythology, inner voices, the grotesque, and satire. Some of these elements may not sit easily with some readers, … perhaps because they do not expect to encounter them in Palestinian literature, because there … More Seeing the author Ibtisam Azem [trans. Sinan Antoon] (2026 {first published in Arabic 2011}) speak of ‘The Sleep Thief’ [Sheffield, etc., And Other Stories] at The People’s Bookshop, Durham: Part Two.

The most underrated skill is that which creates poly-mytho-factive worlds using the skills of curation, collage and, sometimes, the best of scholarship. A first blog on the joy of beginning to read Edith Hall, ‘Medea: A Life’, taking as an example Medea’s plea to help from her goddess-mother, Eidyia.

What’s the most underrated life skill? View all responses The most underrated skill is that which creates poly-mytho-factive worlds using the skills of curation, collage and, sometimes, the best of scholarship. A first blog on the joy of beginning to read Edith Hall (2026) Medea: A Life, New Haven & London, Yale University Press, taking … More The most underrated skill is that which creates poly-mytho-factive worlds using the skills of curation, collage and, sometimes, the best of scholarship. A first blog on the joy of beginning to read Edith Hall, ‘Medea: A Life’, taking as an example Medea’s plea to help from her goddess-mother, Eidyia.

How can a drama about men and their relation to work take on, and does it need to, the belief of its central character that a ‘man who is not married is living an unnatural life.’[1] Some personal, and otherwise, reflection on reading Robert Tressell before seeing the Ensemble ’84 production of ‘The Ragged Trousered Philanthropists’: Part Two, being on homosocial groups and heterosexual marriage.

The genie grants you a wish. What is it? View all responses How can a drama about men and their relation to work take on, and does it need to, the belief of its central character that a ‘man who is not married is living an unnatural life.’[1] Some personal and otherwise reflection on reading … More How can a drama about men and their relation to work take on, and does it need to, the belief of its central character that a ‘man who is not married is living an unnatural life.’[1] Some personal, and otherwise, reflection on reading Robert Tressell before seeing the Ensemble ’84 production of ‘The Ragged Trousered Philanthropists’: Part Two, being on homosocial groups and heterosexual marriage.

How can a drama be created out of the fate of a boy who ‘acquired a knowledge of decorative painting and design, and graining and signwriting’ from the fag-end of a remnant of pre-capitalist values, and the sad shadows of that system that followed it. Some personal and otherwise reflection on reading Robert Tressell before seeing the Ensemble ’84 production of ‘The Ragged Trousered Philanthropists’: Part One,being ‘My Dad’.

What’s the most underrated life skill? View all responses How can a drama be created out of the fate of a boy who ‘acquired a knowledge of decorative painting and design, and graining and signwriting’ from the fag-end of a remnant of pre-capitalist values, and the sad shadows of that system that followed it. Some … More How can a drama be created out of the fate of a boy who ‘acquired a knowledge of decorative painting and design, and graining and signwriting’ from the fag-end of a remnant of pre-capitalist values, and the sad shadows of that system that followed it. Some personal and otherwise reflection on reading Robert Tressell before seeing the Ensemble ’84 production of ‘The Ragged Trousered Philanthropists’: Part One,being ‘My Dad’.

I am reading Tressell’s ‘The Ragged Trousered Philanthropists’. I have my idea for my business now!

If you could start a new business right now, what would it be? View all responses I am reading Tressell’s The Ragged Trousered Philanthropists at the moment in preparation for seeing a dramatisation of it at the Horden Playhouse next week by Ensemble 84. In it capitalism is called by Owen, the Socialist hero, as … More I am reading Tressell’s ‘The Ragged Trousered Philanthropists’. I have my idea for my business now!

As I said in an earlier blog, some books say we are already switching lives with a ‘fictional character’ in order to survive. The absolute best and most comprehensive writing of our time must ask, as Marlon James allows his characters to do, ‘Why am I writing this shit?’ Is it because our characters switch to fictional form so often? This is a blog on Marlon James (2026) ‘The Disappearers’.

As I said in an earlier blog, some books say we are already switching lives with a ‘fictional character’ in order to survive. The absolute best and most comprehensive writing of our time must ask, as Marlon James allows his characters to do, ‘Why am I writing this shit?’1 Is it because our characters switch … More As I said in an earlier blog, some books say we are already switching lives with a ‘fictional character’ in order to survive. The absolute best and most comprehensive writing of our time must ask, as Marlon James allows his characters to do, ‘Why am I writing this shit?’ Is it because our characters switch to fictional form so often? This is a blog on Marlon James (2026) ‘The Disappearers’.

Do I write what people actually want to read? The issue here is not whether writing can be called writing only because it is read by someone, even if only by yourself, but whether writing appeals to what those people,or person, think that they want.

There is, of course, an important and inalienable link being writing and reading, for nothing that is written isn’t from its inception being read, even if only by its writer who assesses as they proceed that the writing is satisfactory to them or its intended audience. The standards of reading judgement vary of course and … More Do I write what people actually want to read? The issue here is not whether writing can be called writing only because it is read by someone, even if only by yourself, but whether writing appeals to what those people,or person, think that they want.

Back to the Booker longlist with wishful predictions before shortlist on 22nd.

Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. Update. Daily writing prompt Do you think everything happens for a reason? View all responses Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. The shortlist is on 22nd September. THIS IS MY … More Back to the Booker longlist with wishful predictions before shortlist on 22nd.

‘Don’t get me into some philosophical bullshit about lie versus fiction. Fiction is creation. Lie is distortion. One don’t have a fucking thing to do with the other’. Words from Marlon James ‘The Disappearers’ (2026).

Sometimes our prompts invite us to validate a proposition that, to say the lest, is questionable and is, at the most a deliberate untruth. Look at this question, for instance: ‘If you had to switch lives with a fictional character for a week, who would you choose?’. It starts with a conditional phrase, ‘If you … More ‘Don’t get me into some philosophical bullshit about lie versus fiction. Fiction is creation. Lie is distortion. One don’t have a fucking thing to do with the other’. Words from Marlon James ‘The Disappearers’ (2026).

Although you never ever regret reading Colm Tóibín’s books, you may regret ‘The Bridge’ for raising the hope that ‘A Long Winter’ for his queer hero, Miquel (the finest of them all) never ends.

Colm Tóibín is a true writer of the heart but not from it, except in as much as hearts seem to beat on when there reasons for doing so, in the myth that the heart is the centre of emotional attachments or longing for such have not yet been initiated or have long gone. Later … More Although you never ever regret reading Colm Tóibín’s books, you may regret ‘The Bridge’ for raising the hope that ‘A Long Winter’ for his queer hero, Miquel (the finest of them all) never ends.