Although you never ever regret reading Colm Tóibín’s books, you may regret ‘The Bridge’ for raising the hope that ‘A Long Winter’ for his queer hero, Miquel (the finest of them all) never ends.

Colm Tóibín is a true writer of the heart but not from it, except in as much as hearts seem to beat on when there reasons for doing so, in the myth that the heart is the centre of emotional attachments or longing for such have not yet been initiated or have long gone. Later … More Although you never ever regret reading Colm Tóibín’s books, you may regret ‘The Bridge’ for raising the hope that ‘A Long Winter’ for his queer hero, Miquel (the finest of them all) never ends.

In Dean Atta’s first novel intended for adults, ‘Big Man’, the protagonist, Big, explains to new entrants to his profession of Diversity, Equality, and Inclusion (DEI) workers and consultants why he is doing the ‘job he is doing right now and why’, without mentioning salary: ‘Big told the twenty somethings he enjoyed being freelance because he was neither a boss nor an employee’. This blog is really about Dean Atta (2026) ‘Big Man’ London, Cipher Press.

If the salary was the same, what job would you be doing right now and why? In Dean Atta’s first novel intended for adults, ‘Big Man’, the protagonist, Big, explains to new entrants to his profession of Diversity, Equality, and Inclusion (DEI) workers and consultants why he is doing the ‘job he is doing right … More In Dean Atta’s first novel intended for adults, ‘Big Man’, the protagonist, Big, explains to new entrants to his profession of Diversity, Equality, and Inclusion (DEI) workers and consultants why he is doing the ‘job he is doing right now and why’, without mentioning salary: ‘Big told the twenty somethings he enjoyed being freelance because he was neither a boss nor an employee’. This blog is really about Dean Atta (2026) ‘Big Man’ London, Cipher Press.

Mainly, the only regret I find when I have read a book is that I can’t read it again ‘for the first time’, but it passes! A last day at Edinburgh Book Festival 30th August 2026.

Mainly, the only regret I find when I have read a book is that I can’t read it again ‘for the first time’, but it passes! A last day at Edinburgh Book Festival 30th August 2026. I must have been somewhere near Dunbar when I took the photograph from the train that was fast moving … More Mainly, the only regret I find when I have read a book is that I can’t read it again ‘for the first time’, but it passes! A last day at Edinburgh Book Festival 30th August 2026.

‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

‘Stop saying words, my sister whispered back. I want to hear the story’.[1] The paradox may be that we express our identity in words and names not in the process of telling and hearing our stories. I think Ali Smith thinks that may be true of the configuration of sex/gender too. This is a blog  … More ‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

This is a blog in preparation for an event in Edinburgh this coming Sunday as Colm Tóibín and Philippe Sands remember the Dirty Warriors that led the countries of Argentina and Chile and ‘disappeared’ their opponents. I want to know more about why all this matters so urgently again, now!

This is a blog in preparation for an event in Edinburgh this coming Sunday with Colm Tóibín and Philippe Sands. the essence of my interest lies in the following quotation. ‘The generals were in power then, and nobody stayed out late, even though the cafés and bars in the street around us remained open, eerily … More This is a blog in preparation for an event in Edinburgh this coming Sunday as Colm Tóibín and Philippe Sands remember the Dirty Warriors that led the countries of Argentina and Chile and ‘disappeared’ their opponents. I want to know more about why all this matters so urgently again, now!

‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’ This is a blog on Rebecca Perry (2026) ‘May We Feed The King’.

‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’[1] The threat of something excessive that will break through the fabric covering it, scattering every thread (even of narrative) that holds it together is only one of the indicators of worlds that fall … More ‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’ This is a blog on Rebecca Perry (2026) ‘May We Feed The King’.

Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. Update.

Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July The question is open. Each year I set out to read at least some of the books. Here is the list for this year, which I will update as I progress through my reading and responses: 2026 Booker Longlist … More Do Booker winners become so for a reason? The 2026 Longlist came out on 28 July. Update.

Agathe, the first-person narrator of ‘The Vivisectors’ tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , such that either its parts looked like statues standing independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. This is a blog on Missouri Williams (2026) ‘The Vivisectors’.

Some books can be read till their end but still not be ‘finished’. Agathe, the first-person narrator of The Vivisectors tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. Perhaps you … More Agathe, the first-person narrator of ‘The Vivisectors’ tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , such that either its parts looked like statues standing independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. This is a blog on Missouri Williams (2026) ‘The Vivisectors’.

Do we need ‘conspiracy theory’ because we find trust in short supply? August 20th Day Seven in Edinburgh Highlights: 1. Pleasance Dome 10, ‘Moth and Dog Are Dying to Get Out’, a play exploring the relationship of two boys, their  coming out and the confrontation of distrust and ‘conspiracy’ involved (The Fringe Festival); 2. NW Room, Jem Calder & Derek Owusu (The  Book Festival) & Courtyard Theatre Édouard Louis (The Book Festival).

What’s a conspiracy theory you actually find believable? Do we need ‘conspiracy theory’ because we find trust in short supply? August 20th Day Seven in Edinburgh Highlights: 1. Pleasance Dome 10, Moth and Dog Are Dying to Get Out, a play exploring the relationship of two boys, their  coming out and the confrontation of distrust … More Do we need ‘conspiracy theory’ because we find trust in short supply? August 20th Day Seven in Edinburgh Highlights: 1. Pleasance Dome 10, ‘Moth and Dog Are Dying to Get Out’, a play exploring the relationship of two boys, their  coming out and the confrontation of distrust and ‘conspiracy’ involved (The Fringe Festival); 2. NW Room, Jem Calder & Derek Owusu (The  Book Festival) & Courtyard Theatre Édouard Louis (The Book Festival).

Are all historical events meant to be witnessed, and /or is ‘witnessing’ essential to making ‘events’ historical? August 18th Day Six in Edinburgh: Envisaging Buggers, A wandering Hannah Arendt & Men Hanging Together.

Are all historical events meant to be witnessed, and /or is ‘witnessing’ essential to making ‘events’ historical? August 18th Day Six in Edinburgh Highlights: 1. Buggers, a play exploring the relationship of Francis Bacon and George Dyer (The Fringe Festival); 2. Traverse Theatre Mrs. Stern Wanders the Prussian State Library (the Fringe) & Lyceum Theatre … More Are all historical events meant to be witnessed, and /or is ‘witnessing’ essential to making ‘events’ historical? August 18th Day Six in Edinburgh: Envisaging Buggers, A wandering Hannah Arendt & Men Hanging Together.

The best books show that erasure is not an option but seeing all events as a part of a dynamic process to which we change our response, or even find atonemt for, is. August 17th Day Four in Edinburgh : At the Book Festival thinking about Two Queer books about transition and our response to it (Kae Tempest & Dean Atta), and accepting a New Cemetery with Simon Armitage.

The best books show that erasure is not an option but seeing all events as a part of a dynamic process to which we change our response, or even find atonemt for, is. August 17th Day Four in Edinburgh : At the Book Festival thinking about Two Queer books about transition and our response to … More The best books show that erasure is not an option but seeing all events as a part of a dynamic process to which we change our response, or even find atonemt for, is. August 17th Day Four in Edinburgh : At the Book Festival thinking about Two Queer books about transition and our response to it (Kae Tempest & Dean Atta), and accepting a New Cemetery with Simon Armitage.

Lets make it: ‘Can you See me Now!’ — August 16th Day Three In Edinburgh: Visibilising Fools, Queer Life, Voids & the queer comedy in queer lives.

Lats make my tatto: Can you See me Now!, such as I designed it below! This is a blog on August 16th Day Three In Edinburgh Highlights: . David Wilson Lear’s Fool at Olive Studio, Greenside at George Street (The Fringe); 2. Catherine Opie: To Be Seen  at the Royal Academy of Scotland, Princes Street … More Lets make it: ‘Can you See me Now!’ — August 16th Day Three In Edinburgh: Visibilising Fools, Queer Life, Voids & the queer comedy in queer lives.