This is a blog in preparation for an event in Edinburgh this coming Sunday as Colm Tóibín and Philippe Sands remember the Dirty Warriors that led the countries of Argentina and Chile and ‘disappeared’ their opponents. I want to know more about why all this matters so urgently again, now!

This is a blog in preparation for an event in Edinburgh this coming Sunday with Colm Tóibín and Philippe Sands. the essence of my interest lies in the following quotation. ‘The generals were in power then, and nobody stayed out late, even though the cafés and bars in the street around us remained open, eerily … More This is a blog in preparation for an event in Edinburgh this coming Sunday as Colm Tóibín and Philippe Sands remember the Dirty Warriors that led the countries of Argentina and Chile and ‘disappeared’ their opponents. I want to know more about why all this matters so urgently again, now!

‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’ This is a blog on Rebecca Perry (2026) ‘May We Feed The King’.

‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’[1] The threat of something excessive that will break through the fabric covering it, scattering every thread (even of narrative) that holds it together is only one of the indicators of worlds that fall … More ‘The seams are pulled tight, the threads will surely begin to break. But is it, if they’re honest, not a little thrilling?’ This is a blog on Rebecca Perry (2026) ‘May We Feed The King’.

Agathe, the first-person narrator of ‘The Vivisectors’ tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , such that either its parts looked like statues standing independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. This is a blog on Missouri Williams (2026) ‘The Vivisectors’.

Some books can be read till their end but still not be ‘finished’. Agathe, the first-person narrator of The Vivisectors tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. Perhaps you … More Agathe, the first-person narrator of ‘The Vivisectors’ tells us that she has ‘never been good at …bringing disparate events into a cohesive narrative’ , such that either its parts looked like statues standing independently, thus to be gazed at or mixed up as if they were an ‘inchoate mass’. This is a blog on Missouri Williams (2026) ‘The Vivisectors’.

I used to worry about finding out that a novel was not ‘for me’. But you don’t have to like writing just because, in its own terms, it is good. This is a blog on Gwendoline Riley (2026) ‘The Palm House’. It starts by defining that strangeness in the novel that is precisely ‘not the kind of strangeness for me’ anymore.

I used to worry about finding out that a novel was not ‘for me’. But you don’t have to like writing just because in its own terms, it is good. This is a blog on Gwendoline Riley (2026) The Palm House London, Picador. It starts by defining that strangeness in the novel that is precisely … More I used to worry about finding out that a novel was not ‘for me’. But you don’t have to like writing just because, in its own terms, it is good. This is a blog on Gwendoline Riley (2026) ‘The Palm House’. It starts by defining that strangeness in the novel that is precisely ‘not the kind of strangeness for me’ anymore.

The answer to whether one is a ‘lifelong learner’ is the title of the latest novel by Kae Tempest, namely ‘Having Spent Life Seeking’: as for what we seek to learn is it this? – ‘How to get by without ever getting anywhere, when getting through a minute was infinite; but every ending achieved was still only the beginning’.

The answer to whether one is a ‘lifelong learner’ is the title of the latest novel by Kae Tempest, namely ‘Having Spent Life Seeking’: as for what we seek to learn is it this? – ‘How to get by without ever getting anywhere, when getting through a minute was infinite; but every ending achieved was still … More The answer to whether one is a ‘lifelong learner’ is the title of the latest novel by Kae Tempest, namely ‘Having Spent Life Seeking’: as for what we seek to learn is it this? – ‘How to get by without ever getting anywhere, when getting through a minute was infinite; but every ending achieved was still only the beginning’.

Édouard Louis shows us that ‘happiness’ may be the result only of ‘social determinism’ succeeding in its function to ‘condition the person’ you are. This is a blog on Édouard Louis (2026) ‘Collapse’, London, Harvill.

Édouard Louis shows us that ‘happiness’ may be the result only of ‘social determinism’ succeeding in its function to ‘condition the person’ you are. [1] This is a blog on Édouard Louis (2026) Collapse [Trans Tash Aw], London, Harvill. This piece probably relates to what I have tried to say in blogs about earlier books. The … More Édouard Louis shows us that ‘happiness’ may be the result only of ‘social determinism’ succeeding in its function to ‘condition the person’ you are. This is a blog on Édouard Louis (2026) ‘Collapse’, London, Harvill.

Self-confidence is an illusion, as the best novels tell you. Try for resilience and the drive to move on. First of all think more deeply about what selves are. ‘The Guardian’ entitles its review of Douglas Stuart (2026) ‘John of John’ with the sentence ‘No man is an island’, but the reference to John Donne belittles a work in which islands are not only a metonymy for alienated isolation and loneliness but also a container for non-communicating multiple selves of the same kind.

Self-confidence is an illusion, as the best novels tell you. Try for resilience and the drive to move on. First of all think more deeply about what selves are. The Guardian entitles its review of Douglas Stuart (2026) John of John, London, Picador with the sentence ‘No man is an island’, but the reference to … More Self-confidence is an illusion, as the best novels tell you. Try for resilience and the drive to move on. First of all think more deeply about what selves are. ‘The Guardian’ entitles its review of Douglas Stuart (2026) ‘John of John’ with the sentence ‘No man is an island’, but the reference to John Donne belittles a work in which islands are not only a metonymy for alienated isolation and loneliness but also a container for non-communicating multiple selves of the same kind.

How to ‘finish’ a book. Is it the same thing as ‘reading’ a book.

How to ‘finish’ a book. Is it the same thing as ‘reading’ a book. When I was a child, I was obsessed with having to finish a book. It was a measure of the endurance, fortitude or passion (with varying degrees of drive and amounts of compulsion enforced from some internalised diktat or standard) to … More How to ‘finish’ a book. Is it the same thing as ‘reading’ a book.

Maybe life, at bottom, is quicksand! Comparing Henrietta Moraes’ life ‘to quicksand, deadly calm on the surface but inherently untrustworthy beneath’, Dom Moraes, her third husband is said by Darren Coffield to have ‘worshipped the shifting sand she walked on’.[1] That worship wasn’t quite that of a lasting religion and when it changed it disappeared from sight like a body sunken into quicksand does. However, Darren Coffield allows Henrietta Moraes to speak to us, if fitfully, again. This blog is a reflection on Darren Coffield (2026) Hen: Mistress of Mayhem Cheltenham, The History Press.

Maybe life, at bottom, is quicksand! Comparing Henrietta Moraes’ life ‘to quicksand, deadly calm on the surface but inherently untrustworthy beneath’, Dom Moraes, her third husband is said by Darren Coffield to have ‘worshipped the shifting sand she walked on’.[1] That worship wasn’t quite that of a lasting religion and when it changed it disappeared … More Maybe life, at bottom, is quicksand! Comparing Henrietta Moraes’ life ‘to quicksand, deadly calm on the surface but inherently untrustworthy beneath’, Dom Moraes, her third husband is said by Darren Coffield to have ‘worshipped the shifting sand she walked on’.[1] That worship wasn’t quite that of a lasting religion and when it changed it disappeared from sight like a body sunken into quicksand does. However, Darren Coffield allows Henrietta Moraes to speak to us, if fitfully, again. This blog is a reflection on Darren Coffield (2026) Hen: Mistress of Mayhem Cheltenham, The History Press.

I read this book and it changes you. This blog considers the short stories in Colm Tóibín (2026) ‘The News From Dublin’.

I read this book and it changes you. ‘In his preface to The Spoils of Poynton, Henry James talks about this idea of a “germ”, what he called “a mere floating particle in the stream of talk”, something that “has the virus of suggestion”. Life, as James would have it, is “all inclusion and confusion”, just as art is … More I read this book and it changes you. This blog considers the short stories in Colm Tóibín (2026) ‘The News From Dublin’.

If a work of art in words is worth reading, you will have never finally or completely read it – you will always be reading it. Deciding to continue reading ‘All My Sons’ by Arthur Miller in preparation for seeing Ivo Van Hove’s version of it live-streamed on 16th April 2026.

If a work of art in words is worth reading, you will have never finally or completely read it – you will always be reading it. Deciding to continue reading ‘All My Sons’ by Arthur Miller in preparation for seeing Ivo Van Hove’s version of it live-streamed on 16th April 2026. The reason I am … More If a work of art in words is worth reading, you will have never finally or completely read it – you will always be reading it. Deciding to continue reading ‘All My Sons’ by Arthur Miller in preparation for seeing Ivo Van Hove’s version of it live-streamed on 16th April 2026.

In Michael Clune’s 2025 novel ‘Pan’ the narrator sees that sometimes what we think of as negative, like the black ‘fly-tree’ he sees traced in a window pane’ and determines to be ‘Pan’s insight’, exists out there irrespective of our thoughts and strategies to deal with them, because, perhaps: “You can’t change the way you are”.

In Michael Clune’s 2025 novel Pan, the narrator sees that sometimes what we think of as negative, like the black ‘fly-tree’ he sees traced in a window pane’ and determines to be ‘Pan’s insight’, exists out there irrespective of our thoughts and strategies to deal with them, because, perhaps: “You can’t change the way you … More In Michael Clune’s 2025 novel ‘Pan’ the narrator sees that sometimes what we think of as negative, like the black ‘fly-tree’ he sees traced in a window pane’ and determines to be ‘Pan’s insight’, exists out there irrespective of our thoughts and strategies to deal with them, because, perhaps: “You can’t change the way you are”.