‘Making time to fill with self-care / Leaves no time still to stand and stare’: Help me W.H. Davies!

Making time to fill with self-care Leaves no time still to stand and stare: Help me W.H. Davies! I have no great love for W.H. Davies’ poem Leisure, but it feels relevant to this question, opening up the terrible gap in time that cultural ideologies create around words so that a question like our prompt … More ‘Making time to fill with self-care / Leaves no time still to stand and stare’: Help me W.H. Davies!

In Dean Atta’s first novel intended for adults, ‘Big Man’, the protagonist, Big, explains to new entrants to his profession of Diversity, Equality, and Inclusion (DEI) workers and consultants why he is doing the ‘job he is doing right now and why’, without mentioning salary: ‘Big told the twenty somethings he enjoyed being freelance because he was neither a boss nor an employee’. This blog is really about Dean Atta (2026) ‘Big Man’ London, Cipher Press.

If the salary was the same, what job would you be doing right now and why? In Dean Atta’s first novel intended for adults, ‘Big Man’, the protagonist, Big, explains to new entrants to his profession of Diversity, Equality, and Inclusion (DEI) workers and consultants why he is doing the ‘job he is doing right … More In Dean Atta’s first novel intended for adults, ‘Big Man’, the protagonist, Big, explains to new entrants to his profession of Diversity, Equality, and Inclusion (DEI) workers and consultants why he is doing the ‘job he is doing right now and why’, without mentioning salary: ‘Big told the twenty somethings he enjoyed being freelance because he was neither a boss nor an employee’. This blog is really about Dean Atta (2026) ‘Big Man’ London, Cipher Press.

Let’s concentrate on the word ‘raised’ and its rather frightening semantic history, to unpack the assumptions behind answering about how any actions of mine or their mode of occurrence differ from those I was supposedly ‘raised’ to do or not do them.

I am turning to the Online Etymological Dictionary today again for this prompt question, although the issues behind any use of the verb ‘raise’ are largely about its implication that the subject of a the transitive verb (see below) ‘raise’ is always in all the examples I can think of (but I’d love to be … More Let’s concentrate on the word ‘raised’ and its rather frightening semantic history, to unpack the assumptions behind answering about how any actions of mine or their mode of occurrence differ from those I was supposedly ‘raised’ to do or not do them.

Obviously, for me, most of screen time is taken up by WordPress, and sister app Jetpack (on my mobile): ‘feeling bad’ is often its subject because it is about using my time for registering or reflecting, consolidating, and furthering personal learning.

As always, the title is the only way the answer to this prompt will get expressed. The rest becomes a test case and example of what that title’ means in practice. The aim is to extend my learning to state how I prepare to use time in that process – by planned theatre or arts … More Obviously, for me, most of screen time is taken up by WordPress, and sister app Jetpack (on my mobile): ‘feeling bad’ is often its subject because it is about using my time for registering or reflecting, consolidating, and furthering personal learning.

The ease of modern ‘travel’ can hardly be inspired. Only when ‘travel’ equates to ‘travail’ (hard labour and unforeseen difficulty) does it require that input of strong breath from without.

For some travel will always be made to include hard work and uncertainties If you test an AI searcher like Co-Pilot on the origins of the word ‘travel’ these days, you get something like this (what I got today): The validity of some of those sources used by the AI tool can be queried but … More The ease of modern ‘travel’ can hardly be inspired. Only when ‘travel’ equates to ‘travail’ (hard labour and unforeseen difficulty) does it require that input of strong breath from without.

A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt.

A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt. A habit, implies that splendid queer philosopher, Walter … More A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt.

‘Build it and they will come’: But, since change is the only constant in our lives, never demand ‘loyalty’ from anyone in any context, just honesty and openness.

‘Build it and they will come’: But, since change is the only constant in our lives, never demand ‘loyalty’ from anyone in any context, just honesty and openness. The website Idiom Origins has a brilliant page on the sentence I use in my title, ‘build it and they will come‘: discussing both its original source, … More ‘Build it and they will come’: But, since change is the only constant in our lives, never demand ‘loyalty’ from anyone in any context, just honesty and openness.

‘You’re in Denial!’… ‘I’m not!’ … ‘Now you’re denying you’re in Denial!’ With apologies to ‘The Golden Girls’ from which this exchange comes, let’s think about the struggle involved in learning always to ‘know’ things one ought to know.

You’re in Denial!’… ‘I’m not!’ … ‘Now you’re denying you’re in Denial!’ With apologies to ‘The Golden Girls‘ from which this exchange comes, let’s think about the struggle involved in learning always to ‘know’; things one ought to know. And make the decision I did: ‘Do not always trust denials, but do not always disbelieve … More ‘You’re in Denial!’… ‘I’m not!’ … ‘Now you’re denying you’re in Denial!’ With apologies to ‘The Golden Girls’ from which this exchange comes, let’s think about the struggle involved in learning always to ‘know’ things one ought to know.

The institutionalisation of social-distancing! Does it make a difference to the kind, quality or measurement of social distance?

The two terms in my title are near enough in appearance. However Wikipedia defines and discusses them separately. Social distancing is the name given to a public health measure, called for by government or other authority to prevent the spread of air-borne communicable diseases, practiced widely during the Covid-19 pandemic. Social distance is a descriptive … More The institutionalisation of social-distancing! Does it make a difference to the kind, quality or measurement of social distance?

The threat of involuntary laughter – a release of tension or a weapon.

The threat of involuntary laughter – a release of tension or a weapon. Asked to define the issue in which a person laughs AT another person, or type of person, my AI Co-Pilot comes up with two categories, one a symptom of mental disturbance (katagelasticism) , the other a supposedly common emotional strategy for managing … More The threat of involuntary laughter – a release of tension or a weapon.

I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: ‘Threads of Life’ and Yin Xiuzhen: ‘Heart to Heart’ at the Hayward Gallery.

I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: Threads of Life and Yin Xiuzhen: Heart to Heart at the Hayward Gallery seen on the morning of the 5th March 2026. This is a prompt question response and a reflection on the dual exhibition currently … More I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: ‘Threads of Life’ and Yin Xiuzhen: ‘Heart to Heart’ at the Hayward Gallery.