Tag: book-review

Should we ever regret taking the risk of giving a straight answer to a queer question? In her new novel, ‘My Year in Paris with Gertrude Stein: a fiction’, Deborah Levy examines, amongst other things why: ‘Stein had put so much in the way. In the way of understanding. She did not believe in it’. The narrator of the novel continually asks: ‘What is it?’ of numerous ‘its’ that are so often getting lost to good, ill or mixed ends. What’s wrong with being always understood?

April 26, 2026

Should we ever regret taking the risk of not giving a straight answer to a queer question? In My Year in Paris with Gertrude Stein: a fiction, Deborah Levy examines, amongst other things why: ‘Stein had put so much in the way. In the way of understanding. She did not believe in it’. [1] The … More Should we ever regret taking the risk of giving a straight answer to a queer question? In her new novel, ‘My Year in Paris with Gertrude Stein: a fiction’, Deborah Levy examines, amongst other things why: ‘Stein had put so much in the way. In the way of understanding. She did not believe in it’. The narrator of the novel continually asks: ‘What is it?’ of numerous ‘its’ that are so often getting lost to good, ill or mixed ends. What’s wrong with being always understood?

‘Man measured his words like food and decided what was worth opening his mouth for’. Words and food in Derek Owusu (2026) ‘Hunger Pains’ for The Reading Agency Quick Reads.

April 18, 2026

‘Man measured his words like food and decided what was worth opening his mouth for’.[1] No-one measures his words like Derek Owusu, and no writer has pursued the link between food and the ‘matter’ that is, as in Hamlet (Act 2, Scene 2, 204ff.), ‘Words, words, words’, (whether spoken or written) like him since Shakespeare. … More ‘Man measured his words like food and decided what was worth opening his mouth for’. Words and food in Derek Owusu (2026) ‘Hunger Pains’ for The Reading Agency Quick Reads.

I read this book and it changes you. This blog considers the short stories in Colm Tóibín (2026) ‘The News From Dublin’.

April 10, 2026

I read this book and it changes you. ‘In his preface to The Spoils of Poynton, Henry James talks about this idea of a “germ”, what he called “a mere floating particle in the stream of talk”, something that “has the virus of suggestion”. Life, as James would have it, is “all inclusion and confusion”, just as art is … More I read this book and it changes you. This blog considers the short stories in Colm Tóibín (2026) ‘The News From Dublin’.

‘… but that was in another country; / And besides the wench is dead.’ Let’s make our diversity our common unity and not ‘other’ those of ‘another country’, if that was ever possible. An answer based on a case study reading of the novel by James Baldwin, ‘Another Country’.

April 3, 2026

… but that was in another country; / And besides the wench is dead.’ Let’s make our diversity our common unity and not ‘other’ those of ‘another country’, if that was ever possible. An answer based on a case study reading of the novel by James Baldwin, Another Country. This will turn into an answer … More ‘… but that was in another country; / And besides the wench is dead.’ Let’s make our diversity our common unity and not ‘other’ those of ‘another country’, if that was ever possible. An answer based on a case study reading of the novel by James Baldwin, ‘Another Country’.

Being a ‘character from a book’ may be not be enough, unless you can also re-write your own story. A case study of the brilliant TV series,’The Other Bennet Sister’.

April 2, 2026

Being a ‘character from a book’ may be not be enough, unless you can also re-write your own story. A case study of the brilliant TV series,’The Other Bennet Sister’. There are clear reasons for wanting to be, if anyone in Jane Austen’s Pride and Prejudice, Mary Bennet, but perhaps very ‘other’ than Austen wrote her, … More Being a ‘character from a book’ may be not be enough, unless you can also re-write your own story. A case study of the brilliant TV series,’The Other Bennet Sister’.

Say No! Why should we give way and surrender all of our Delusions for the sake of order! ‘We are not asking for permission to belong any more, not from a silent universe …’ The delusory command to ‘Abandon all Delusions all You who enter here’ and Processing who will ‘Pass’ Examination of their abandonment of delusion is so delusory in Jenni Fagan (2026) ‘The Delusions’.

March 25, 2026

Say No! Why should we give way and surrender all of our Delusions for the sake of order! ‘We are not asking for permission to belong any more, not from a silent universe …’ [1] The delusory command to ‘Abandon all Delusions all You who enter here’ and Processing who will ‘Pass’ Examination of their … More Say No! Why should we give way and surrender all of our Delusions for the sake of order! ‘We are not asking for permission to belong any more, not from a silent universe …’ The delusory command to ‘Abandon all Delusions all You who enter here’ and Processing who will ‘Pass’ Examination of their abandonment of delusion is so delusory in Jenni Fagan (2026) ‘The Delusions’.

Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study: Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, forefront ‘the expression of character, not of personal feeling, …’.

March 17, 2026

Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study: Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, … More Each day I wish I could find the will to write things ‘technically harder’ than is the norm in order to give me significantly ‘better practice’ in writing. This blog examines as a case study: Rupert Brooke’s one-act play: ‘Lithuania’ to show whether he could, as Maurice Bowra claims he wanted to in writing it, forefront ‘the expression of character, not of personal feeling, …’.

In Michael Clune’s 2025 novel ‘Pan’ the narrator sees that sometimes what we think of as negative, like the black ‘fly-tree’ he sees traced in a window pane’ and determines to be ‘Pan’s insight’, exists out there irrespective of our thoughts and strategies to deal with them, because, perhaps: “You can’t change the way you are”.

March 14, 2026

In Michael Clune’s 2025 novel Pan, the narrator sees that sometimes what we think of as negative, like the black ‘fly-tree’ he sees traced in a window pane’ and determines to be ‘Pan’s insight’, exists out there irrespective of our thoughts and strategies to deal with them, because, perhaps: “You can’t change the way you … More In Michael Clune’s 2025 novel ‘Pan’ the narrator sees that sometimes what we think of as negative, like the black ‘fly-tree’ he sees traced in a window pane’ and determines to be ‘Pan’s insight’, exists out there irrespective of our thoughts and strategies to deal with them, because, perhaps: “You can’t change the way you are”.

When Wordsworth said that ‘perhaps’ he did ‘not want’ a Redeemer as a refuge, did he think this was a job he could do for himself. That indeed would be a DIY project to wonder at! This is a blog on the book by Colum McCann with Diane Foley (2024) ‘American Mother’ as a book of redemption through story-telling art.

February 26, 2026

Wordsworth was sometimes called an Egoist in religion, usually from an an extrapolation from the following ‘evidence’, although but from a sub-clause in his case against Unitarianism and plea for the staid doctrines of the Established Church. The Unitarian Henry Crabb Robinson in his 1812 journal reported that Wordsworth told him that: “I can feel … More When Wordsworth said that ‘perhaps’ he did ‘not want’ a Redeemer as a refuge, did he think this was a job he could do for himself. That indeed would be a DIY project to wonder at! This is a blog on the book by Colum McCann with Diane Foley (2024) ‘American Mother’ as a book of redemption through story-telling art.

The fallacy of wanting to be, or imagining yourself being, for a restricted time, ‘someone else’ reveals why the silliest decision you will ever make is to ‘be yourself’.

February 21, 2026

The internet is full of quasi-psychology that is, whilst sometimes pretending to be folklore, about ‘being yourself, with a plethora of websites offering tips about how to be yourself. These tips rarely extend beyond recommended changes of behaviour or attitude to ‘self’, although they often include that time hallowed impossible injunction to ‘know yourself’. This … More The fallacy of wanting to be, or imagining yourself being, for a restricted time, ‘someone else’ reveals why the silliest decision you will ever make is to ‘be yourself’.

‘Sometimes home is a place you have to discover or construct’. (p. 170). This blog is a reflection on a memoir by Mark Haddon (2026) ‘Leaving Home’.

February 20, 2026

‘Sometimes home is a place you have to discover or construct’ [1]. This blog is a reflection on a memoir by Mark Haddon (2026)’Leaving Home’, London, Chatto & Windus. I have blogged on Mark Haddon before, use the links to read these blogs if you wish: on the first chapter of The Porpoise, on The … More ‘Sometimes home is a place you have to discover or construct’. (p. 170). This blog is a reflection on a memoir by Mark Haddon (2026) ‘Leaving Home’.

If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ (trans. John Lambert, 2026).London, Harvill, Vintage.

February 7, 2026

If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ … More If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ (trans. John Lambert, 2026).London, Harvill, Vintage.