Did I promise myself to remain authentic to, or at least return to that standard when I strayed, in a world stained with the self-interest of the few to the disadvantage of the many. Doesn’t Anish Kapoor do that as an artist?

Did I promise myself to remain authentic to, or at least return to that standard when I strayed, in a world stained with the self-interest of the few to the disadvantage of the many. Doesn’t Anish Kapoor do that as an artist? Ralph Rugoff asks Anish Kapoor in his interview with the artist, whether art’s … More Did I promise myself to remain authentic to, or at least return to that standard when I strayed, in a world stained with the self-interest of the few to the disadvantage of the many. Doesn’t Anish Kapoor do that as an artist?

This blog contains all I have to say of the experience of David Hare’s ‘Grace Pervades’ playing at the Haymarket Theatre (seen by me on 9th July at 14.30) and all I have to say about the experience of Simon Stone’s ‘The Oresteia’ playing at the Bridge Theatre (seen by me on 8th July at 19.00) at the moment at least with regard to the last named: for about the latter there will be more. The excuse it addresses is this one: “that since theatre is the basis of theatrical art, no drama in it could ever be anything more nor less than ‘theatrical'”.

This blog contains all I have to say of the experience of David Hare’s ‘Grace Pervades’ playing at the Haymarket Theatre (seen by me on 9th July at 14.30) and all I have to say about the experience of Simon Stone’s ‘The Oresteia’ playing at the Bridge Theatre (seen by me on 8th July at … More This blog contains all I have to say of the experience of David Hare’s ‘Grace Pervades’ playing at the Haymarket Theatre (seen by me on 9th July at 14.30) and all I have to say about the experience of Simon Stone’s ‘The Oresteia’ playing at the Bridge Theatre (seen by me on 8th July at 19.00) at the moment at least with regard to the last named: for about the latter there will be more. The excuse it addresses is this one: “that since theatre is the basis of theatrical art, no drama in it could ever be anything more nor less than ‘theatrical'”.

Is it all in the detail? Finding some significance of one’s own in major art exhibitions

What do we do to make our time in a major art gallery exhibition significant? In a recent blog (in full at this link) I started thinking about some mental and emotional linking themes that seem to me to relate two extremely different major art exhibitions that I needed, at I felt I needed, to … More Is it all in the detail? Finding some significance of one’s own in major art exhibitions

A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt.

A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt. A habit, implies that splendid queer philosopher, Walter … More A habit, implies that splendid queer aesthetic philosopher, Walter Pater, must, by its very nature, sully the claim that it has improved your life. If so, could it be because a habit like a cloak enfolds and hides the body of healthy action, and lets it corrupt.

There is life in the old portrait yet! A visit to the Laing Art Gallery’s reframing of the ‘Herbert Smith Freehills Kramer Portrait Award Show 2025’

There is life in the old portrait yet! A visit to the Laing Art Gallery’s reframing of the ‘Herbert Smith Freehills Kramer Portrait Award Show 2025‘ This blog follows on from yesterday’s which reported a visit to The Hatton Gallery to see their new exhibition Lines of Action (see it at this link). The day-trip … More There is life in the old portrait yet! A visit to the Laing Art Gallery’s reframing of the ‘Herbert Smith Freehills Kramer Portrait Award Show 2025’

Reframing your Lines of Action: Is Art a way a doing this?

Reframing is defined simply enough in a mental health page at this link. Here’;s the opening. For me, the power in it lies in the avoidance of the oft used but poor term ‘positive reframing’, which assumes that negativity is only and merely a mindset and not a reality in the external factors of people’s … More Reframing your Lines of Action: Is Art a way a doing this?

Let’s pretend we can get in the mind (or guts) of great artists, and consider how Anish Kapoor might translate the question, ‘What’s a time you followed your gut and it turned out to be exactly right?’ This is a blog preparing to see his new exhibition at the Hayward Gallery.

Let’s pretend we can get in the mind of great artists, and consider how Anish Kapoor might translate the question, ‘What’s a time you followed your gut and it turned out to be exactly right?’ This is a blog preparing to see his new exhibition at the Hayward Gallery. Following your gut to their source: … More Let’s pretend we can get in the mind (or guts) of great artists, and consider how Anish Kapoor might translate the question, ‘What’s a time you followed your gut and it turned out to be exactly right?’ This is a blog preparing to see his new exhibition at the Hayward Gallery.

I used to believe theatre was about an actor playing a role. In preparation for Simon Stone’s ‘Oresteia’.

I suppose I am determined not to prepare in some small way for things I see on theatre. This is another installment of the preparation for my July 8-9th trip, for which the schedule again is thus, together with the surrounding commentary from an earlier blog on another event (the whole is at this link): … More I used to believe theatre was about an actor playing a role. In preparation for Simon Stone’s ‘Oresteia’.

When the subject is ‘seeing’, why exclude visual art, for that too allows us to ‘see’ in more than ways that are entirely visual. This blog is an explanation of why I go to art exhibitions. This is almost the same as explaining why I feel a need to prepare myself to see them. The pleasures and perils of researched prescience is however a subject in itself. This blog anticipates seeing the new ‘Zurbarán’ Exhibition at 12.00 midday to 13.30 (about) on Thursday 9th July. Will it change my world?

Explaining why I go to art exhibitions is almost the same as explaining why I feel a need to prepare myself to see them. The pleasures and perils of researched prescience is however a subject in itself. This blog anticipates seeing the new Zurbarán ExWhen the subject is ‘seeing’, why exclude visual art, for that … More When the subject is ‘seeing’, why exclude visual art, for that too allows us to ‘see’ in more than ways that are entirely visual. This blog is an explanation of why I go to art exhibitions. This is almost the same as explaining why I feel a need to prepare myself to see them. The pleasures and perils of researched prescience is however a subject in itself. This blog anticipates seeing the new ‘Zurbarán’ Exhibition at 12.00 midday to 13.30 (about) on Thursday 9th July. Will it change my world?

In ‘Grace Pervades’, the character named Henry Irving, based on the great actor-manager says to Ellen Terry, ‘I await eagerly to see what you will do next. It’s always different’. She replies ‘Then how can it always be perfect?’ The answer to that might be the answer to the question: ‘If you could instantly master any skill, what would it be?’

In Grace Pervades, the character named Henry Irving, based on the great actor-manager says to Ellen Terry, ‘I await eagerly to see what you will do next. It’s always different’. She replies ‘Then how can it always be perfect?’ The answer to that might be the answer to the question: ‘If you could instantly master … More In ‘Grace Pervades’, the character named Henry Irving, based on the great actor-manager says to Ellen Terry, ‘I await eagerly to see what you will do next. It’s always different’. She replies ‘Then how can it always be perfect?’ The answer to that might be the answer to the question: ‘If you could instantly master any skill, what would it be?’

There is no need for magical thinking in order to find art ‘that you wish you could experience again for the first time’. Visit art enough and it must reinvent itself. This is a blog on preparing to visit London again for an art-binge-fest

It is time for another looking forward period and for some events preparing myself – where appropriate material exists for doing so (a play-script or catalogue already purchase). In those latter cases, I will blog in preparation, Here to announce my schedule (with Geoffee and Baz left behind for one night at home), under this … More There is no need for magical thinking in order to find art ‘that you wish you could experience again for the first time’. Visit art enough and it must reinvent itself. This is a blog on preparing to visit London again for an art-binge-fest