Tag: shakespeare

‘L’Étranger, c’est moi’. How can anyone or anything ‘restore’ our communities when we have become a stranger to ourselves.

August 12, 2026

The word ‘stranger in English appears to have either already been a word in Middle English ‘or else’ derived from a word in Old French, itself derived from Latin. It seems to me that the ‘or else’ alternatives might still all account for some common origin, though in Latin not Greek: stranger (n.): late 14c., straunger, … More ‘L’Étranger, c’est moi’. How can anyone or anything ‘restore’ our communities when we have become a stranger to ourselves.

“If love be rough with you, be rough with love. / Prick love for pricking, and you beat love down.—”. A quotation is a thing used again to make it live, not a thing to save and favour in secret. This blog in honour of Sisu Theatre’s production of ‘Mabel’, a dark feminist fantasy on sex/gender and the death of Mercutio.

August 2, 2026

“If love be rough with you, be rough with love. / Prick love for pricking, and you beat love down.—”. A quotation is a thing used again to make it live, not a thing to save and favour in secret. This blog in honour of Sisu Theatre’s production of ‘Mabel’, a dark feminist fantasy on … More “If love be rough with you, be rough with love. / Prick love for pricking, and you beat love down.—”. A quotation is a thing used again to make it live, not a thing to save and favour in secret. This blog in honour of Sisu Theatre’s production of ‘Mabel’, a dark feminist fantasy on sex/gender and the death of Mercutio.

Walking to the ‘The Playhouse’ at Horden from Warren St. to see Hamlet in the First Quarto

May 30, 2026

The walk was short but I didn’t know that when I parked up on Warren Street between Twelfth Street and Eleventh Street (pit villages and towns oft have numbered streets, lined on each sides by redbrick terraces, rather than names – perhaps to emphasise the fact that they housed such numbers of men, in the … More Walking to the ‘The Playhouse’ at Horden from Warren St. to see Hamlet in the First Quarto

The phrase might be ‘a Prince of the Theatre’ used as if royalty alone gave value to things. Yet Ian McKellen is such a Prince because he played Prince Hamlet so many times – the last time in his recent older age. This blog is Part 2 of “The good and the bad in preparing to watch The Tragicall Historie of Hamlet performed by Ensemble 84 at their new theatre in Horden, …

May 22, 2026

The phrase might be ‘a Prince of the Theatre’ used as if royalty alone gave value to things. Yet Ian McKellen is such a Prince because he played Prince Hamlet so many times – the last time in his recent older age. This blog is Part 2 of “The good and the bad in preparing … More The phrase might be ‘a Prince of the Theatre’ used as if royalty alone gave value to things. Yet Ian McKellen is such a Prince because he played Prince Hamlet so many times – the last time in his recent older age. This blog is Part 2 of “The good and the bad in preparing to watch The Tragicall Historie of Hamlet performed by Ensemble 84 at their new theatre in Horden, …

The good and the bad in preparing to watch ‘The Tragicall Historie of Hamlet’ performed by Ensemble 84 at their new theatre in Horden, from the text of the First Quarto publication, conventionally called by editors a ‘bad quarto’? Part 1 – dealing with ‘fears and self-doubts.

May 21, 2026

The good and the bad in preparing to watch The Tragicall Historie of Hamlet performed by Ensemble 84 at their new theatre in Horden, from the text of the First Quarto publication, conventionally called by editors a ‘bad quarto’? Part 1 – dealing with ‘fears and self-doubts. I will be talking about my expectations of … More The good and the bad in preparing to watch ‘The Tragicall Historie of Hamlet’ performed by Ensemble 84 at their new theatre in Horden, from the text of the First Quarto publication, conventionally called by editors a ‘bad quarto’? Part 1 – dealing with ‘fears and self-doubts.

Cashing in on ‘Thy sweet love remembered’:Some preliminary thoughts on Shakespeare’s Sonnet 29 before some historical reflection on its use in queer literary culture in the twentieth century

April 19, 2026

Sonnet 29 is used to provide the title, and is quoted in full as its message, by a non-binary character in prison named by inmates as ‘Mona’ (after Mona Lisa), of John Herbert’s Fortune and Men’s Eyes, an important if not a very good queer play, and in 1971 a minor film, no longer easily … More Cashing in on ‘Thy sweet love remembered’:Some preliminary thoughts on Shakespeare’s Sonnet 29 before some historical reflection on its use in queer literary culture in the twentieth century

And yet, in humans, I know my love as rare / As any they belied with false compare.

March 18, 2026

I am fairly sure I have never received a ‘compliment’ in which I believed that formed itself in words and metaphors, for these things are essentially fictive and their truth at the same remove from simple belief as anything else significant that is still composed of fictions. We can’t live without fictions but we should … More And yet, in humans, I know my love as rare / As any they belied with false compare.

A week of Hamlets: [2] From some perspectives ‘Hamlet’ is a play about taking responsibility for your country.

February 13, 2026

A week of Hamlets: [2] From some perspectives ‘Hamlet’ is a play about taking responsibility for your country. Part 1 of this blog can be found at this link. Yesterday Geoff and I saw, after its first launch, the streamed version of the National Theatre’s most recent Hamlet from the Lyttleton Theatre. The choice of … More A week of Hamlets: [2] From some perspectives ‘Hamlet’ is a play about taking responsibility for your country.

A week of Hamlets: [1] To start, there is a tendency to see Shakespeare’s character Hamlet as a part nightmare dream version of one’s autobiography. Riz Ahmed has won the prize for the finest version of such projects.

February 10, 2026

A week of Hamlets: [1] To start, there is a tendency to see Shakespeare’s character Hamlet as a part nightmare dream version of one’s autobiography. Riz Ahmed has won the prize for the finest version of such projects. For a long time, literary critics have insisted that to see elements of the biographical in the … More A week of Hamlets: [1] To start, there is a tendency to see Shakespeare’s character Hamlet as a part nightmare dream version of one’s autobiography. Riz Ahmed has won the prize for the finest version of such projects.

‘If it be now, ’tis not to come; if it be not to come, it will be now; if it be not now, yet it will come. The readiness is all.’ Hamlet defines the time to designate ‘playtime’.

January 2, 2026

An man ready to play It always amazes how often one can turn to Shakespeare’s Hamlet for assistance in interpreting a WordPress prompt question. Play is a word used as a verb and a related noun and is used so in this question, with the links well established between noun and verb for Hamlet too … More ‘If it be now, ’tis not to come; if it be not to come, it will be now; if it be not now, yet it will come. The readiness is all.’ Hamlet defines the time to designate ‘playtime’.

Extra time. Isn’t that another way of invoking ‘…the respect / That makes calamity of so long life’.

November 21, 2025

Extra time. Isn’t that another way of invoking ‘…the respect / That makes calamity of so long life’. Asking himself whether he had rather ‘be’ or ‘not be’ (in short, die now by his own hand or continue living), Hamlet makes it clear that there is an angle (a ‘respect’) from which having ‘extra time’ would … More Extra time. Isn’t that another way of invoking ‘…the respect / That makes calamity of so long life’.

Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This blog is an attempt to prepare myself to see a revival of Chekhov’s ‘The Seagull’ at The Lyceum Theatre, Edinburgh on Wednesday 29th October at 2.30 p.m.

October 28, 2025

Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This truth is embedded in the reflexive nature of Chekhov’s great play The Sea-Gull. In Act IV of The Sea-Gull, we hear of the stage in a country estate’s garden that in Act I … More Innocence is not the condition of childhood- rather it is inability to control the heart or stop it from being overwhelmed. This blog is an attempt to prepare myself to see a revival of Chekhov’s ‘The Seagull’ at The Lyceum Theatre, Edinburgh on Wednesday 29th October at 2.30 p.m.