Without Satan, Milton’s poetry would be bereft of the means of a story and even more bereft of the nuanced glance of life turned into a kind of song where contraries separate and come together in conflict and eternal bondage that poetry is, and is ever condemned and blessed to be at its best.

To like the ‘villain more than the hero’ is not an eccentric thing at all, neither is it a thing to be confessed, for without this trope of literature and literary readings it is doubtful story-telling or even the more numinous concept poetry as means of artistic and humane expression could exist at all. Usually … More Without Satan, Milton’s poetry would be bereft of the means of a story and even more bereft of the nuanced glance of life turned into a kind of song where contraries separate and come together in conflict and eternal bondage that poetry is, and is ever condemned and blessed to be at its best.

I think I will choose as ‘a quote that perfectly describes my life’ Robert Browning’s ‘Feeling for foot-hold through a blank profound, …’

Since nothing is certain, we aren’t likely, any of us to get hold of truth and keep hold of it. The sands shift and what looks a solid foothold in the mountainside crumbles when asked to bear the weight of a person already in doubt of it, falling more from lack of any faith that … More I think I will choose as ‘a quote that perfectly describes my life’ Robert Browning’s ‘Feeling for foot-hold through a blank profound, …’

The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which demands your self-control. I think I learned this from Adam Nicolson’s characterisation of Samuel Taylor Coleridge in his ‘The Making of Poetry’ (2019)

The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which … More The best advice is to be aware of and distrust the impulse, or the advice of others, that you be always in control of what you say and do, for it too often means that you surrender yourself to the controlling ideologies of the status quo, which is, often as not, embodied by that which demands your self-control. I think I learned this from Adam Nicolson’s characterisation of Samuel Taylor Coleridge in his ‘The Making of Poetry’ (2019)

I know what ‘gives pleasure’ can never be simple. Let’s consider how we react to the effect of words working together to evoke vision, sound, sensation and tangled meanings.

I met a poet in my favourite left bookshop yesterday, The People’s Bookshop in Durham City, and bought his book, Blooming Us. I was searching for more books by Bryher and he knew, as might be expected in someone intensely interested in the poetic movement called Imagism, of Bryher’s sometime lover, H.D. (Hilda Doolittle). I … More I know what ‘gives pleasure’ can never be simple. Let’s consider how we react to the effect of words working together to evoke vision, sound, sensation and tangled meanings.

Domestication or anthropomorphism: do people ‘make the worst pets’? Some thoughts derived from Thomas Gray’s ‘Ode on the Death of a Favorite Cat, Drowned in a Tub of Gold Fishes’.

Domestication or anthropomorphism: do people ‘make the worst pets’? Some thoughts derived from Thomas Gray’s ‘Ode on the Death of a Favorite Cat, Drowned in a Tub of Gold Fishes’. Do you know the poem I refer to in my title? It is by Thomas Gray (he of the infamous Elegy in a Country Churchyard), … More Domestication or anthropomorphism: do people ‘make the worst pets’? Some thoughts derived from Thomas Gray’s ‘Ode on the Death of a Favorite Cat, Drowned in a Tub of Gold Fishes’.

At five, I still wanted to know that I would grow up, period. And not come to a full stop.

Whilst we like to think children have no conception of death, the evidence seems to be that from the age of 5 upwards, children begin to develop an idea of death as and end, of worldly life at least, though their views of this still contain elements of magical thinking as to cause of death … More At five, I still wanted to know that I would grow up, period. And not come to a full stop.

Does life bear telling, when what matters in life is inenarrable!

I have always loved words that fox the mind, Words of the archaic or rare-used kind. My life-story is inenarrable. I can’t tell you stuff I’m not capable Of telling either if I’m deficient In apt terms, or secretly efficient In hiding things I dare not let you see In case perchance you think badly … More Does life bear telling, when what matters in life is inenarrable!

What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s ‘Plastic’.

What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s Plastic. Perhaps the most intriguing poetry publication of this year is Matthew Rice’s volume, a narrative in a series of lyrics each dedicated to a single passing minute of a 12 hour night shift in a … More What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s ‘Plastic’.

Memories clutter but are dangerous to seek to clear out sometimes.

Source: https://observer.co.uk/culture/books/article/the-sunday-poem-burning-car-by-andrew-mcmillan I suppose even physical clutter is the residue of memories, sometimes transmuted into obsessional and repetitive images – the better if repeated with a kind of nuance that varies each token from others in its type of memory. I use the words type and token as in philosophical metaphysics, explained in the link … More Memories clutter but are dangerous to seek to clear out sometimes.

This is a blog on Murdoch’s Queer Poetry. Is it a layer of Queer History or the record of  a Psychosocial Anomaly? It is based on Iris Murdoch (ed. Anne Rowe, Miles Leeson, Rachel Hirschler & Frances White) [2025] ‘Poems from an Attic: Selected Poems 1936 – 1995’

One line in a poem of complicated love between women, written to Brigid Brophy, by Iris Murdoch reads: ‘Don’t  make of sex a basic category’. To her journal she committed the following reflection about herself: ‘It’s no good being a female queer, one must be a male one’: This is a blog on Murdoch’s Queer … More This is a blog on Murdoch’s Queer Poetry. Is it a layer of Queer History or the record of  a Psychosocial Anomaly? It is based on Iris Murdoch (ed. Anne Rowe, Miles Leeson, Rachel Hirschler & Frances White) [2025] ‘Poems from an Attic: Selected Poems 1936 – 1995’

To the memory of John Burnside and in dear friendship for Joanne, I contemplate. the poet’s posthumous lines: ‘and everything they loved / is erstwhile, in the empire of forgetting: / …’

To the memory of John Burnside and in dear friendship for Joanne, I contemplate. the poet’s posthumous lines: ‘and everything they loved / is erstwhile, in the empire of forgetting: /  …’ [*] There is nothing that once were the objects of our lives that can be remembered in their entirety, hence the fact that … More To the memory of John Burnside and in dear friendship for Joanne, I contemplate. the poet’s posthumous lines: ‘and everything they loved / is erstwhile, in the empire of forgetting: / …’