I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.
I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s (2025) short stories in The American No London, Abacus Books. This blog is mainly on his Oscar for A Last Season The American No is a new set of short stories by … More I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.


![‘For the Mesopotamians, truth was not contained ….’: was their culture such a one that norms existed alongside happily alongside their contradiction, and repression was unnecessary. This blog reflects on a first reading of Selena Wisnom [2025] ‘The Library of Ancient Wisdom: Mesopotamia and the Making of History’.](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/04/alexanderpope1-2x4568442028372895439-1.jpg?resize=365%2C365&ssl=1)



![‘When I were five, I wore a plastic sword’: my child hero then, not Hugh MacDiarmid’s hero in his ‘Hymn to Lenin’ [but confused with Shakespeare’s ‘Richard III’ in my childish brain].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/image-70.png?resize=365%2C365&ssl=1)


![‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now Yomi Sode’s ‘Manorism’ [2025].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/20250314_1618552760751617397570621.jpg?resize=365%2C365&ssl=1)

