I have always loved words that fox the mind, Words of the archaic or rare-used kind. My life-story is inenarrable. I can’t tell you stuff I’m not capable Of telling either if I’m deficient In apt terms, or secretly efficient In hiding things I dare not let you see In case perchance you think badly … More Does life bear telling, when what matters in life is inenarrable!
The last thing you learned OUGHT always to be to distrust the learning that refuses to be open to change. Some thoughts about Kirill Serebrennikov’s film The Student. What if you discovered that every truth you will; ever need, sufficient to contest any other truth, except its own contradictions from the same source, was in … More The last thing you learned OUGHT always to be to distrust the learning that refuses to be open to change. Some thoughts about Kirill Serebrennikov’s film ‘The Student’.
The following blog comes from so many parts of my life but the immediate trigger was reading – only just in Chapter 1 still – James H. Rubin’s (1994) Manet’s Silence and the Poetics of Bouquets, London, Reaktion Books (with his portrait of Mallarmé on the cover) where I came across a reproduction of The … More I never was an absinthe drinker – quite!
Wordsworth was sometimes called an Egoist in religion, usually from an an extrapolation from the following ‘evidence’, although but from a sub-clause in his case against Unitarianism and plea for the staid doctrines of the Established Church. The Unitarian Henry Crabb Robinson in his 1812 journal reported that Wordsworth told him that: “I can feel … More When Wordsworth said that ‘perhaps’ he did ‘not want’ a Redeemer as a refuge, did he think this was a job he could do for himself. That indeed would be a DIY project to wonder at! This is a blog on the book by Colum McCann with Diane Foley (2024) ‘American Mother’ as a book of redemption through story-telling art.
This blog is about a debut novel that, in my view, examines deliberate and / or necessary complications of what we mean by ‘being clear’, especially in the pursuit of physical satisfaction to selves full of yearning. You may guess this concerns an art that takes aspiring men and boys mainly as its subject matter, … More This blog is about a debut novel that, in my view, examines deliberate and / or necessary complications of what we mean by ‘being clear’, especially in the pursuit of physical satisfaction to selves full of yearning. You may guess this concerns an art that takes aspiring men and boys mainly as its subject matter, the debut novel being ‘Jean’ by Madeleine Dunnigan.
The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s (2024) ‘Queer as Folklore: The Hidden History of Myths and Monsters‘, Manchester, Manchester University Press. Sacha Coward is a beautiful man (even dressed as a Nordic mer-creature) and … More The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s ‘Queer as Folklore: The Hidden History of Myths and Monsters’.
The Radio Times tracked down the designer of the shoes made specifically for J.K Rowing and shown above as Sophia Webster. If you had to design shoes for J.K. Rowling then why not base them on the golden snitch, a quidditich game ball which sounds, at least, a thoroughly gendered item with no non-binary aspect … More Binary Sexing or engendering magical thinking.
It is an ancient theme, as ancient as the first epics of war between tribes and peoples that certainly precede Homer but refined by the Romans into a dream of men as made of steel, flexed into active form by fire. Hence though Homer’s The Iliad mourns war in telling of it, Vergil’s The Aeneid … More ‘quibus ille viros, quibus excitat urbes;’. It bores me that we still think of men as stuff to be excited by targeted hate, and targeted hate alone
If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ … More If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ (trans. John Lambert, 2026).London, Harvill, Vintage.
What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s Plastic. Perhaps the most intriguing poetry publication of this year is Matthew Rice’s volume, a narrative in a series of lyrics each dedicated to a single passing minute of a 12 hour night shift in a … More What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s ‘Plastic’.
Yesterday I put online an admiring blog on the new (well!, newly translated to be accurate) biography of Louise Bourgeois (see it at this link) which in this translation is entitled Knife-Woman: The Life of Louise Bourgeois. There is no photograph of the artwork referenced by the title (‘Femme-Couteau’) which is meant to connote knfe … More Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.
Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’. New Haven & London, … More Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.
