‘The teeming commercial life of the street had its own sensuality. … most people in these streets were men. …/ …. he was like a child surrounded by things he dearly wanted, an almost unimaginable richness of them’.[1] A blog on critical treatment of ‘The Magician’ (2021) by Colm Tóibín, London, Viking (Penguin Books).
‘The teeming commercial life of the street had its own sensuality. … most people in these streets were men. Thomas derived such pleasure from observing them …/ …. he was like a child surrounded by things he dearly wanted, an almost unimaginable richness of them’.[1] The resurrection of imagined queer lives of famous writers of … More ‘The teeming commercial life of the street had its own sensuality. … most people in these streets were men. …/ …. he was like a child surrounded by things he dearly wanted, an almost unimaginable richness of them’.[1] A blog on critical treatment of ‘The Magician’ (2021) by Colm Tóibín, London, Viking (Penguin Books).
![‘The teeming commercial life of the street had its own sensuality. … most people in these streets were men. …/ …. he was like a child surrounded by things he dearly wanted, an almost unimaginable richness of them’.[1] A blog on critical treatment of ‘The Magician’ (2021) by Colm Tóibín, London, Viking (Penguin Books).](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-61.png?resize=358%2C365&ssl=1)
![LIVERPOOL VISIT 5: ‘It’s not that easy being green.’[1] (Kermit the Frog) This is a blog on why it is not easy to un-obscure the meaning of and story of David Lowery’s The Green Knight.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-56.png?resize=365%2C365&ssl=1)
![LIVERPOOL VISIT 4: ‘They narrate fragments of a psychic life we cannot reassemble for ourselves. It is hard, sometimes impossible, to figure out what kind of life Freud is painting slices of’.[1] This is a blog on a visit to the Tate Liverpool, on Thursday 30th September 2021. The primary purpose was to see a retrospective exhibition ‘Lucian Freud: Real Lives’.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-42.png?resize=365%2C365&ssl=1)

![LIVERPOOL VISIT 2: ‘… often described as a painter’s painter’.[1] A visit to the Walker Gallery, Liverpool on Wednesday 29th September 2021 to see a retrospective exhibition ‘Sickert: A Life in Art’. References to the catalogue of same name by Charlotte Keenan McDonald.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-16.png?resize=365%2C365&ssl=1)
![LIVERPOOL VISIT 1: ‘Mother was also a kind of weaver’.[1] This reviews the ‘Artist Room: Louise Bourgeois’ exhibition at Tate Liverpool. In lieu of there being a catalogue a fictional autobiography of Bourgeois by Jean Frémon (translated by Cole Swenson) [2018] ‘Now, Now, Louison’ is used.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-6.png?resize=365%2C365&ssl=1)
![‘Plutarch reports that Philip [King of Macedonia and father of Alexander to-be ‘the Great’] saw [these men] “mingled together” – the word Plutarch selects has erotic overtones” … moved by the thought of the erastai and erômenoi embracing in death’.[1] This is a blog reflecting on ‘The Sacred Band’ by James Romm (2021).](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image.png?resize=365%2C365&ssl=1)




