‘Does size matter?’ And other questions raised by the lack of cognitive scripts in genderqueer queer lives: Why we need to look again at a lost queer American novelist – Glenway Wescott, with a focus on the then unpublished story ‘A Visit to Priapus’ in Wescott, G. ‘A Visit to Priapus and Other Stories’ (2013)
‘Does size matter?’ And other questions raised by the lack of cognitive scripts in genderqueer queer lives: Why we need to look again at a lost queer American novelist – Glenway Wescott, with a focus on the then unpublished story A Visit to Priapus in Wescott, G. (ed. Jerry Rosco with Wendy Moffat foreword) A … More ‘Does size matter?’ And other questions raised by the lack of cognitive scripts in genderqueer queer lives: Why we need to look again at a lost queer American novelist – Glenway Wescott, with a focus on the then unpublished story ‘A Visit to Priapus’ in Wescott, G. ‘A Visit to Priapus and Other Stories’ (2013)


![‘This book contains dead people. / …/ Caution: This work contains traces of eulogy. /[1]: The artistic triumph and psychic conversion of the psychological ‘symptom’ in Salena Godden’s ‘Mrs Death Misses Death’ (2021). Will change @salenagodden if requested.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-67.png?resize=365%2C365&ssl=1)
![‘The teeming commercial life of the street had its own sensuality. … most people in these streets were men. …/ …. he was like a child surrounded by things he dearly wanted, an almost unimaginable richness of them’.[1] A blog on critical treatment of ‘The Magician’ (2021) by Colm Tóibín, London, Viking (Penguin Books).](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-61.png?resize=358%2C365&ssl=1)
![LIVERPOOL VISIT 5: ‘It’s not that easy being green.’[1] (Kermit the Frog) This is a blog on why it is not easy to un-obscure the meaning of and story of David Lowery’s The Green Knight.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-56.png?resize=365%2C365&ssl=1)
![LIVERPOOL VISIT 4: ‘They narrate fragments of a psychic life we cannot reassemble for ourselves. It is hard, sometimes impossible, to figure out what kind of life Freud is painting slices of’.[1] This is a blog on a visit to the Tate Liverpool, on Thursday 30th September 2021. The primary purpose was to see a retrospective exhibition ‘Lucian Freud: Real Lives’.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-42.png?resize=365%2C365&ssl=1)

![LIVERPOOL VISIT 2: ‘… often described as a painter’s painter’.[1] A visit to the Walker Gallery, Liverpool on Wednesday 29th September 2021 to see a retrospective exhibition ‘Sickert: A Life in Art’. References to the catalogue of same name by Charlotte Keenan McDonald.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-16.png?resize=365%2C365&ssl=1)
![LIVERPOOL VISIT 1: ‘Mother was also a kind of weaver’.[1] This reviews the ‘Artist Room: Louise Bourgeois’ exhibition at Tate Liverpool. In lieu of there being a catalogue a fictional autobiography of Bourgeois by Jean Frémon (translated by Cole Swenson) [2018] ‘Now, Now, Louison’ is used.](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image-6.png?resize=365%2C365&ssl=1)
![‘Plutarch reports that Philip [King of Macedonia and father of Alexander to-be ‘the Great’] saw [these men] “mingled together” – the word Plutarch selects has erotic overtones” … moved by the thought of the erastai and erômenoi embracing in death’.[1] This is a blog reflecting on ‘The Sacred Band’ by James Romm (2021).](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/10/image.png?resize=365%2C365&ssl=1)

