Futurelearn Assignment 3: Playing with Poetry: Creative Writing and Poetics:  The University of Newcastle Australia TASK: Go to press Go to a local news page like mine, or something bigger like The Sydney Morning Herald or The New York Times (no need to subscribe to any of them) and pick out phrases or words that catch your eye and paste … More Futurelearn Assignment 3: Playing with Poetry: Creative Writing and Poetics:  The University of Newcastle Australia – TASK: Go to press.

CONTAINS SPOILERS. Be aware if you like to read your novels unaware. This great book is on the SHORTLIST ‘She herself has been taken by surprise at how much it matters to her, this buried question from long ago. … that particular stone never seems to find a resting place, no matter how often it’s … More BOOKER SHORTLIST: ‘She herself has been taken by surprise at how much it matters to her, this buried question from long ago. … that particular stone never seems to find a resting place, no matter how often it’s turned’. A novelist examines the constantly returning inadequately repressed content in the body of individuals, families and nations. A reflection on Damon Galgut (2021) ‘The Promise’

An exercise in Part 4 of the FutureLearn course ‘ In Part 4 you are introduced to Avestan, the script in which the Zoroastrian sacred texts are writtenZoroastrianism: History, Religion, and Belief SOAS University of London It is read from right to left.

A reprint of Virginia Woolf’s essay in the book accompanying the exhibition Challenging Convention: Gwen John, Laura Knight, Vanessa Bell & Dod Proctor says, of the paintings by the writer’s sister, with regard to what these pictures tell you about their artist: ‘Their reticence is inviolable’. Even about the subjects she chooses to paint Woolf … More ‘Their reticence is inviolable’. ‘(W)hat has [she] got to say about it? Nothing’. [1] Does the stress on the silence of paintings matter when the painters are women rather than men? And, if so, why? Reflecting on the Newcastle-upon-Tyne Laing Gallery’s 2021 exhibition, dedicated to Amy Barker.

The University of Glasgow Task for MOOC: Write a ca. 500-word text to explore the strategies of those fighting for women’s suffrage in the US between the 1870s-1910s, reflecting specifically on the following questions: Was the case for women’s suffrage argued in terms of women’s status as a specific type of citizen (e.g., motherhood), or … More A Global History of Sex and Gender: Bodies and Power in the Modern World Assignment

A Global History of Sex and Gender: Bodies and Power in the Modern World The University of Glasgow Recovering Queer Lives – one not finished yet. My husband with his permission Who is your individual, where are they from and when were they alive? How did they understand their sexuality? What was their experience of … More FutureLearn course: Geoff Martin Born 24th April 1941

Your assignment: A surprisingly large number of poems are, in the end, about poetry. Write your own. Submitted by Steve Bamlett This is just playful. #The Lament of a Poem that won’t get written# This poem will failTo suck the marrowout of long gnaw’d bone. Yet with wagging tailMakes a helpless showof varying tone. Without a … More Assignment 1 on FutureLearn course:

‘In this darkness, words were foolish things’. [1] A novel that reflects on words unsaid and/or unsayable in some past queer lives. Jonathan Lee’s (2021) The Great Mistake London, Granta Publications. Jonathan Lee is a British writer who now lives in New York. How did we lose him and why? When he was interviewed by … More ‘In this darkness, words were foolish things’. A novel that reflects on words unsaid and/or unsayable in some past queer lives. Jonathan Lee’s (2021) ‘The Great Mistake’

TASK: Write a short promotional text about the work. You can also copy messages directly from real ads you see every day. The ‘most radical sculpture of classic modernism’ has a tendency to keep turning up as endlessly even if it isn’t literally ‘endless’. Giovanni Solari, an engineer, says it is the only example of … More Pop Art Ads: An exercise from the Centre Pompidou ‘Pop Art’ course: https://www.futurelearn.com/courses/pop-art/1/steps/894830

‘Perhaps street art is simply a more resonant form for a generation not so beguiled by Great Men: less burdened with classical allusions, less permanent, more dynamic, more democratic.’ [1] Reflecting on Alex von Tunzelmann (2021) Fallen Idols: Twelve Statues That Made History London, Headline Publishing Group Statues make history in the most active sense … More ‘Perhaps street art is simply a more resonant form for a generation not so beguiled by Great Men: less burdened with classical allusions, less permanent, more dynamic, more democratic.’ Reflecting on Alex von Tunzelmann (2021) ‘Fallen Idols: Twelve Statues That Made History’