The complex gendering of men and nets: a fantasy reflection on a recent exhibition at the City Art Gallery Edinburgh seen on 1th August 2021 with the assistance of Dealbhan le Eileanach’s (2019) Donald Smith: The Paintings of an Islander Stornaway, Isle of Lewis, Acair Books. There is a brilliant virtual tour of the exhibition … More The complex gendering of men and nets: a fantasy reflection on a recent exhibition at the City Art Gallery Edinburgh seen on 1th August 2021 with the assistance of Dealbhan le Eileanach’s (2019) ‘Donald Smith: The Paintings of an Islander’.

‘Most of your sculptures are site-specific. The one you’re producing in Frankfurt is for the Schirn Rotunda, which is a special yet difficult space’.[1] The new extension to the old Fruitmarket, Edinburgh is ‘a special yet difficult space’. How does Karla Black make site-specific interventions here? Exhibition 7th July to 24th October 2021 Karla Black … More ‘Most of your sculptures are site-specific. The one you’re producing in Frankfurt is for the Schirn Rotunda, which is a special yet difficult space’. The new extension to the old Fruitmarket, Edinburgh is ‘a special yet difficult space’. How does Karla Black make site-specific interventions here? Exhibition 7th July to 24th October 2021 ‘Karla Black sculptures (2001-2021) details for a retrospective’.

‘Any graveyard is full of stories’.[1] Attending an event and reading James Robertson News of the Dead Hamish Hamilton, Penguin Random House. Two very unequal experiences. MAY CONTAIN SPOILERS, and it matters in this book. Attending literary events can be a delight or it can be a trial. I felt this one to be the … More ‘Any graveyard is full of stories’. Attending an event and reading James Robertson ‘News of the Dead’

‘“But again, the text MIGHT be taken seriously. And yet again, the boats are so dignified that the total effect cannot be neo-dada … perhaps the whole thing is really a poem about fishing boats, in a kind of triple wrapping of semi-transparent disguise”’.[1] Reflecting on the City art Gallery, Edinburgh’s mounting of an innovative … More ‘“But again, the text MIGHT be taken seriously. And yet again, the boats are so dignified that the total effect cannot be neo-dada … perhaps the whole thing is really a poem about fishing boats, in a kind of triple wrapping of semi-transparent disguise”’. Reflecting on the City art Gallery, Edinburgh’s mounting of an innovative exhibition of the work of Ian Hamilton Finlay. How seriously should we take it?

‘… his art passed out of fashion and into that dark hinterland of obscurity’.[1] Reflecting on an attempt by the City art Gallery, Edinburgh to revalue some of the lost traditions which help us to see why Charles H. Mackie should be seen as a great Scottish painter. With reference to, amongst other things, Pat … More ‘… his art passed out of fashion and into that dark hinterland of obscurity’. Reflecting on an attempt by the City art Gallery, Edinburgh to revalue some of the lost traditions which help us to see why Charles H. Mackie should be seen as a great Scottish painter. With reference to, amongst other things, Pat Clark (2016) ‘People, Places & Piazzas: The Life & Art of Charles H. Mackie’

Old Men in Love: Shakespeare’s Sonnet 34 Why didst thou promise such a beauteous day, And make me travel forth without my cloak, To let base clouds o’ertake me in my way, Hiding thy bravery in their rotten smoke? ‘Tis not enough that through the cloud thou break, To dry the rain on my storm-beaten … More Old Men in Love: Shakespeare’s Sonnet 34

‘Eventually, I landed on Frantz Fanon. … In my disavowing I forgot who I was in the white frame of reference. The truth was that the Soli of 2003 was black’. [1]  Getting implicated in a complicated story of intersectional oppressions: a reflection on Mohamed Abdulkarim Ali (2019) Angry Queer Somali Boy: A Complicated Memoir, … More ‘Eventually, I landed on Frantz Fanon. … In my disavowing I forgot who I was in the white frame of reference. The truth was that the Soli of 2003 was black’.  Getting implicated in a complicated story of intersectional oppressions: a reflection on Mohamed Abdulkarim Ali (2019) ‘Angry Queer Somali Boy: A Complicated Memoir’.

‘  …“second place” pretty much summed up how I felt about myself and my life – that it had been a near miss requiring just as much effort as victory but with that victory always and forever somehow denied me, by a force that I could only describe as the force of pre-eminence’. [1]  A … More ‘  …“second place” pretty much summed up how I felt about myself and my life – that it had been a near miss requiring just as much effort as victory but with that victory always and forever somehow denied me, by a force that I could only describe as the force of pre-eminence’. [1]  A reflection on Rachel Cusk (2021) ‘Second Place’.

‘Because Peadar loved to dance’.[1] ‘As if, having done the worst thing to each other, we could do no further harm, or any, really. And there was safety in that. Like the old world of my childhood. And, in this strange atmosphere, the shades of Peadar and my mother were somehow given a sort of … More ‘Because Peadar loved to dance’. A reflection on the production of Blueberry Hill released online by Traverse Theatre Edinburgh for the festival, a wonderful realisation of Sebastian Barry (2017) ‘On Blueberry Hill'(Directed by Jim Culleton starring Niall Buggy as ‘Christy’ & David Ganly as ‘PJ’).

A blog reflecting on a Futurelearn Course led by Sarah Stewart:Zoroastrianism: History, Religion, and Belief,  SOAS University of London, & Sarah Stewart (ed.) [2013] The Everlasting Flame: Zoroastrianism in History and Imagination, SOAS, University of London with The British Library & I.B. Tauris, London, New York, the catalogue of a SOAS exhibitionIn Brunei and London … More A blog reflecting on a Futurelearn Course led by Sarah Stewart: ‘Zoroastrianism: History, Religion, and Belief’,  SOAS University of London, & Sarah Stewart (ed.) [2013] ‘The Everlasting Flame: Zoroastrianism in History and Imagination’.

‘A.       He doesn’t read me, and I doesn’t read myself. I doesn’t read or write’. What does it mean to re-create the unread in the fragments of really lived lives? A ‘reading’ of Nadifa Mohamed (2021) The Fortune Men Penguin Viking, Random House, London The quotation in my title comes from the trial in court … More BOOKER SHORTLIST: ‘A.  He doesn’t read me, and I doesn’t read myself. I doesn’t read or write’. What does it mean to re-create the unread in the fragments of really lived lives? A ‘reading’ of Nadifa Mohamed (2021) ‘The Fortune Men’.