Tag: writing

I wish for that ‘extent of subtleties’ Virginia Woolf discerned in Vita Sackville-West’s ‘Passenger to Teheran’: ‘the sly, brooding thinking, evading Vita. The whole book is full of nooks and crannies, the very intimate things one says in print’.

March 16, 2026

I wish for that ‘extent of subtleties’ Virginia Woolf discerned in Vita Sackville-West’s Passenger to Teheran: ‘the sly, brooding thinking, evading Vita. The whole book is full of nooks and crannies, the very intimate things one says in print’. [1] You glance at the photograph of Vita Sackville-West, taken on her own camera en route … More I wish for that ‘extent of subtleties’ Virginia Woolf discerned in Vita Sackville-West’s ‘Passenger to Teheran’: ‘the sly, brooding thinking, evading Vita. The whole book is full of nooks and crannies, the very intimate things one says in print’.

Why we look at a ‘two-dimensional’ picture but watch a picture that contains movement.  The possible role of attentional features of vision.

March 13, 2026

Why we look at a ‘two-dimensional’ picture but watch a picture that contains movement.  The possible role of attentional features of vision. It seems entirely innocent to us to talk about ‘watching’ a film, TV or a ‘movie’ but we don’t often distinguish ‘watxhibg’ from a rather passive act of looking at or gazing at … More Why we look at a ‘two-dimensional’ picture but watch a picture that contains movement.  The possible role of attentional features of vision.

I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: ‘Threads of Life’ and Yin Xiuzhen: ‘Heart to Heart’ at the Hayward Gallery.

March 7, 2026

I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: Threads of Life and Yin Xiuzhen: Heart to Heart at the Hayward Gallery seen on the morning of the 5th March 2026. This is a prompt question response and a reflection on the dual exhibition currently … More I learned last what I ought to have learned first: that things connect most when they separate. Transit, Transition & Transfusion: Chiharu Shiota: ‘Threads of Life’ and Yin Xiuzhen: ‘Heart to Heart’ at the Hayward Gallery.

Does life bear telling, when what matters in life is inenarrable!

March 2, 2026

I have always loved words that fox the mind, Words of the archaic or rare-used kind. My life-story is inenarrable. I can’t tell you stuff I’m not capable Of telling either if I’m deficient In apt terms, or secretly efficient In hiding things I dare not let you see In case perchance you think badly … More Does life bear telling, when what matters in life is inenarrable!

The last thing you learned OUGHT always to be to distrust the learning that refuses to be open to change. Some thoughts about Kirill Serebrennikov’s film ‘The Student’.

March 1, 2026

The last thing you learned OUGHT always to be to distrust the learning that refuses to be open to change. Some thoughts about Kirill Serebrennikov’s film The Student. What if you discovered that every truth you will; ever need, sufficient to contest any other truth, except its own contradictions from the same source, was in … More The last thing you learned OUGHT always to be to distrust the learning that refuses to be open to change. Some thoughts about Kirill Serebrennikov’s film ‘The Student’.

When Wordsworth said that ‘perhaps’ he did ‘not want’ a Redeemer as a refuge, did he think this was a job he could do for himself. That indeed would be a DIY project to wonder at! This is a blog on the book by Colum McCann with Diane Foley (2024) ‘American Mother’ as a book of redemption through story-telling art.

February 26, 2026

Wordsworth was sometimes called an Egoist in religion, usually from an an extrapolation from the following ‘evidence’, although but from a sub-clause in his case against Unitarianism and plea for the staid doctrines of the Established Church. The Unitarian Henry Crabb Robinson in his 1812 journal reported that Wordsworth told him that: “I can feel … More When Wordsworth said that ‘perhaps’ he did ‘not want’ a Redeemer as a refuge, did he think this was a job he could do for himself. That indeed would be a DIY project to wonder at! This is a blog on the book by Colum McCann with Diane Foley (2024) ‘American Mother’ as a book of redemption through story-telling art.

This blog is about a debut novel that, in my view, examines deliberate and / or necessary complications of what we mean by ‘being clear’, especially in the pursuit of physical satisfaction to selves full of yearning. You may guess this concerns an art that takes aspiring men and boys mainly as its subject matter, the debut novel being ‘Jean’ by Madeleine Dunnigan.

February 25, 2026

This blog is about a debut novel that, in my view, examines deliberate and / or necessary complications of what we mean by ‘being clear’, especially in the pursuit of physical satisfaction to selves full of yearning. You may guess this concerns an art that takes aspiring men and boys mainly as its subject matter, … More This blog is about a debut novel that, in my view, examines deliberate and / or necessary complications of what we mean by ‘being clear’, especially in the pursuit of physical satisfaction to selves full of yearning. You may guess this concerns an art that takes aspiring men and boys mainly as its subject matter, the debut novel being ‘Jean’ by Madeleine Dunnigan.

The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s ‘Queer as Folklore: The Hidden History of Myths and Monsters’.

February 23, 2026

The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s (2024) ‘Queer as Folklore: The Hidden History of Myths and Monsters‘, Manchester, Manchester University Press. Sacha Coward is a beautiful man (even dressed as a Nordic mer-creature) and … More The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s ‘Queer as Folklore: The Hidden History of Myths and Monsters’.

‘quibus ille viros, quibus excitat urbes;’. It bores me that we still think of men as stuff to be excited by targeted hate, and targeted hate alone

February 14, 2026

It is an ancient theme, as ancient as the first epics of war between tribes and peoples that certainly precede Homer but refined by the Romans into a dream of men as made of steel, flexed into active form by fire. Hence though Homer’s The Iliad mourns war in telling of it, Vergil’s The Aeneid … More ‘quibus ille viros, quibus excitat urbes;’. It bores me that we still think of men as stuff to be excited by targeted hate, and targeted hate alone

If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ (trans. John Lambert, 2026).London, Harvill, Vintage.

February 7, 2026

If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ … More If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ (trans. John Lambert, 2026).London, Harvill, Vintage.