Tag: writing

Memories clutter but are dangerous to seek to clear out sometimes.

January 12, 2026

Source: https://observer.co.uk/culture/books/article/the-sunday-poem-burning-car-by-andrew-mcmillan I suppose even physical clutter is the residue of memories, sometimes transmuted into obsessional and repetitive images – the better if repeated with a kind of nuance that varies each token from others in its type of memory. I use the words type and token as in philosophical metaphysics, explained in the link … More Memories clutter but are dangerous to seek to clear out sometimes.

The plea for improved ‘communication styles’ still needs to take into account the fact that the ‘truth’ is not always a ‘compromise’ between ‘opinions’.

January 11, 2026

Professor Anne Rasmussen at Kings College London Professor Anne Rasmussen wrote a blog on the Kings College London website in July 2025 summarising the results of a study by herself with Tobias Heide-Jorgensen and Gregory Eady (University of Copenhagen), using AI generated models of online post types that had qualities deemed to ‘more productive’ of … More The plea for improved ‘communication styles’ still needs to take into account the fact that the ‘truth’ is not always a ‘compromise’ between ‘opinions’.

You mostly remember the road trip you didn’t take only because the ‘other one’ is an illusion, ‘knowing how way leads on to way!’

January 8, 2026

You mostly remember the road trip you didn’t take only because the ‘other one’ is an illusion, ‘knowing how way leads on to way!’ First, let’s read the poem by Robert Frost once again! It is a well-trod road trip – by us and so many more. Two roads diverged in a yellow wood,And sorry … More You mostly remember the road trip you didn’t take only because the ‘other one’ is an illusion, ‘knowing how way leads on to way!’

You can’t breathe? Let me sell you some ‘air’. You have no money. That means you have no ‘demand’ for our air supply effectively. Can I sell your relatives a funeral?

January 7, 2026

Our ideas of what might be sold at a cost that allows for profit to its investors, rather than just payment for the technicians that discover and refine it from sources, has been deeply influenced by water. Consider this blog post (full post linked here) which posits that some people already pay to breathe air, … More You can’t breathe? Let me sell you some ‘air’. You have no money. That means you have no ‘demand’ for our air supply effectively. Can I sell your relatives a funeral?

Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.

January 6, 2026

The white literary establishment once considered itself to be colour-blind, dealing equally with all writing free of categories such as ‘Black writing’, as distinguished from ‘White writing’, neither of which this establishment considered valid categorisations of the written literary text. For a literary biographer however it may be possible to tell the story of black … More Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.

You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior, even between reader and writer. This blog uses as a case study Timothy O’Grady (2025) ‘Monaghan’.

December 27, 2025

You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior. Talking about his inspiration in writing To Anthony Cummins … More You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior, even between reader and writer. This blog uses as a case study Timothy O’Grady (2025) ‘Monaghan’.

Who are the biggest influences in my life will be probably be both my emergent identity and its destiny!

December 24, 2025

My answer to this prompt question is vague, isn’t it? It deliberately employs an archaic usage of the word ‘who’ that has no clear referent but nevertheless does not explicitly ask a question? It is differentiated from tje conventional usage in the following Ai supplied dictionary definition: The archaic usage isn’t  quite complete for even … More Who are the biggest influences in my life will be probably be both my emergent identity and its destiny!

It was this blog, of course! It is on Peter Jefferies & Gregory Jusdanis ‘Alexandrian Sphinx: The Hidden Life of Constantine Cavafy’.

December 20, 2025

It was this blog, of course! How to write on a life, whose archival raw material is ‘marked by two conspicuous gaps – the relative absence of material regarding Constantine’s erotic life and his views of Muslim Egyptians’.[1] This is a blog on Peter Jefferies & Gregory Jusdanis Alexandrian Sphinx: The Hidden Life of Constantine … More It was this blog, of course! It is on Peter Jefferies & Gregory Jusdanis ‘Alexandrian Sphinx: The Hidden Life of Constantine Cavafy’.

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.

November 28, 2025

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’.[1]  This beautiful, moving and comic line from Bryan Washington’s Palaver rhymes with one of his chosen epigrams for the novel by Akira the Hustler (ハスラーアキラ, Hasurā Akira) : ‘Our days are demarcated in the repetition of little goodbyes’. Prompt questions are so encouraging of … More ‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.

Where is my favourite place? It is a ‘place’ we construct by inviting (perhaps even willing) the senses to respond as if they were elsewhere – in some other space and time than the present, rather than somewhere in the present function of the neural mechanisms of the brain. Hence my favourite place has no agency except that I can form within it – beware relying on it as if it had such power!

November 26, 2025

Where is my favourite place?  It is a place we construct by inviting (perhaps even willing) the senses to respond as if they were elsewhere – in some other space and time than the present, rather than somewhere in the present function of the neural mechanisms of the brain.  Hence my favour place has no … More Where is my favourite place? It is a ‘place’ we construct by inviting (perhaps even willing) the senses to respond as if they were elsewhere – in some other space and time than the present, rather than somewhere in the present function of the neural mechanisms of the brain. Hence my favourite place has no agency except that I can form within it – beware relying on it as if it had such power!