Can ‘principles define how you live’ if you live in the world as it is. This blog looks at this by examining a recent (and edited) play text of George Bernard Shaw’s ‘Mrs Warren’s Profession’, which we see live-streamed on 23rd October at the Gala Theatre Durham.

Can ‘principles define how you live’, if you live in the world as it is. This blog looks at this by examining a recent (and edited) play text of George Bernard Shaw’s ‘Mrs Warren’s Profession’, which we see live-streamed on 23rd October at the Gala Theatre Durham. Geoff and I will be seeing this play … More Can ‘principles define how you live’ if you live in the world as it is. This blog looks at this by examining a recent (and edited) play text of George Bernard Shaw’s ‘Mrs Warren’s Profession’, which we see live-streamed on 23rd October at the Gala Theatre Durham.

Seeing the Gary Clarke Company embody the way that history in which my husband and me were involved flashes before our eyes – intense pleasure, pain and the value of contemplating past darkness in times moving apace to times of potentially greater darkness.

Seeing the Gary Clarke Company embody the way that history in which my husband and me were involved flashes before our eyes – intense pleasure, pain and the value of contemplating past darkness in times moving apace to times of potentially greater darkness. The publicity told us that ‘Detention is a powerful new dance theatre … More Seeing the Gary Clarke Company embody the way that history in which my husband and me were involved flashes before our eyes – intense pleasure, pain and the value of contemplating past darkness in times moving apace to times of potentially greater darkness.

It brings ‘a tear of joy’ finding truth in fiction and authenticity in mere performance. Here is an example: Liz Duffy Adams’ ‘Born with Teeth’; Reflections after reading the text.

It brings ‘a tear of joy’ finding truth in fiction and authenticity in mere performance. Here is an example: Liz Duffy Adams’ Born with Teeth; Reflections after reading the text. In an earlier blog post at this link, I  said that I would revisit Liz Duffy Adams play Born with Teeth once I had chance … More It brings ‘a tear of joy’ finding truth in fiction and authenticity in mere performance. Here is an example: Liz Duffy Adams’ ‘Born with Teeth’; Reflections after reading the text.

As always I searched for material to illustrate my blogs. Here is an example: Seeing Liz Duffy Adams’ ‘Born With Teeth’ in a production at Wyndham’s Theatre.

As always I searched for material to illustrate my blogs. Here is an example: Seeing (before reading) Liz Duffy Adams’ Born With Teeth in a production at Wyndham’s Theatre, Charing Cross Road, London on the 20th August 2025, 2.30 p.m. The photographs from the production are taken from: Photos: Born With Teeth starring Ncuti Gatwa … More As always I searched for material to illustrate my blogs. Here is an example: Seeing Liz Duffy Adams’ ‘Born With Teeth’ in a production at Wyndham’s Theatre.

Being curious about questions you never thought you’d ask! A way of preparing to see a new play: seeing James Graham’s ‘Make It Happen’ at The Festival Theatre Edinburgh on the 9 August 2025, 2.30 p.m.

Being curious about questions you never thought you’d ask! Can the ghost of an eighteenth-century Scottish liberal moral philosopher save capitalism from its own contradictions and from the reputation cast back on him by neoliberal followers from Margaret Thatcher to Fred ‘The Shred’ Goodwin, the notorious Chief Executive of the Royal Bank of Scotland and … More Being curious about questions you never thought you’d ask! A way of preparing to see a new play: seeing James Graham’s ‘Make It Happen’ at The Festival Theatre Edinburgh on the 9 August 2025, 2.30 p.m.

Retiring? Never and always simultaneously and repetitively is the only answer, however contradictory that is!

In the Elizabethan theatre a secluded space off stage and curtained, or otherwise partitioned off, and called a ‘tiring house’ acted as as a place in which actors went when they left the stage on which they performed their role or roles: it served two purposes. It was a place in which actors changed their … More Retiring? Never and always simultaneously and repetitively is the only answer, however contradictory that is!

The one thing I cannot live without is art – however raw its raw materials. Uncluttering the classic stage: Lear, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025.

The one thing I cannot live without is theatre – however raw its raw materials. Uncluttering the classic stage: ‘Lear’, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025. Bcck in the old days at Honley Grammar School, my friend Ann will remember that we … More The one thing I cannot live without is art – however raw its raw materials. Uncluttering the classic stage: Lear, a production of The National Theatre of Scotland at the Traverse Theatre seen 2.30-3.30 p.m. Saturday 7th June 2025.

In the theatre we sit ‘there without moving. But under us all moved, and moved us, gently, up and down, and from side to side’. ‘Krapp’s Last Tape’ stuns and ‘moves’ me.

The stages of a long ovation: Gary Oldman honours his audience as Krapp. I am starting this blog in the train home from seeing Gary Oldman in Krapp’s Last Tape in York Theatre Royal. It is a strange thing trying to find the one phrase or sentence of action or speech that stays with you … More In the theatre we sit ‘there without moving. But under us all moved, and moved us, gently, up and down, and from side to side’. ‘Krapp’s Last Tape’ stuns and ‘moves’ me.

It’s all bananas: theatre posters and Samuel Beckett’s ‘Krapp’s Last Tape’.

It’s all bananas: theatre posters and Samuel Beckett’s ‘Krapp’s Last Tape’. The poster for the rather famous production starring Rich Cluchey; the lower photograph is Cluchey in the role Tomorrow I am going to see Krapp’s Last Tape at York Theatre Royal. The show booked up a long time ago but I managed to get … More It’s all bananas: theatre posters and Samuel Beckett’s ‘Krapp’s Last Tape’.

Samuel Beckett was as meticulous about writing his stage directions as he was in writing poetic prose, and contingent character-based exclamations, of the monologues and dialogues spoken on the stage. How radically will Gary Oldman dare, if at all, to rewrite both the stage directions and words of Beckett’s spoken by him as ‘Krapp’.

Gary Oldman viewing the auditorium of the York Theatre Royal, on whose stage he opened performance last night for the first time of the play by Samuel Beckett, under his own direction, Krapp’s Last Tape. I see it at 7.30 p.m. on 22nd April. Photograph from theatre website: see https://www.yorktheatreroyal.co.uk/latest/gary-oldman-stars-in-samuel-becketts-krapps-last-tape-at-york-theatre-royal/ I will see Gary Oldman … More Samuel Beckett was as meticulous about writing his stage directions as he was in writing poetic prose, and contingent character-based exclamations, of the monologues and dialogues spoken on the stage. How radically will Gary Oldman dare, if at all, to rewrite both the stage directions and words of Beckett’s spoken by him as ‘Krapp’.

Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls’: “you see we have to share something. If there’s nothing else, we’ll have to share our guilt”. A funny thing happened to me when I went to see Stephen Daldry’s production at the Sunderland Empire on 8th April 2024.

Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls‘: “you see we have to share … More Good theatre is a shared experience but what is shared can only be decided by negotiation of our responsibility to all of its collaborators – writers, directorial staff, actors, the theatre and the audience. J.B. Priestley has his strange inspector (of what we ask) say in ‘An Inspector Calls’: “you see we have to share something. If there’s nothing else, we’ll have to share our guilt”. A funny thing happened to me when I went to see Stephen Daldry’s production at the Sunderland Empire on 8th April 2024.

My head is in a shed after seeing Northern Rascals play out their wondrous multi-genre and multidisciplinary art form in their current touring production that ended in Bishop Auckland Town Hall last night.

My head is in a shed after seeing Northern Rascals play out their wondrous multi-genre and multidisciplinary art form in their current touring production that ended in Bishop Auckland Town Hall last night (Wednesday 19th March 2025). But what a wonderful gift to every sense and to the co-interpretation it invited between audience and the … More My head is in a shed after seeing Northern Rascals play out their wondrous multi-genre and multidisciplinary art form in their current touring production that ended in Bishop Auckland Town Hall last night.