I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.
I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s (2025) short stories in The American No London, Abacus Books. This blog is mainly on his Oscar for A Last Season The American No is a new set of short stories by … More I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.





![‘When I were five, I wore a plastic sword’: my child hero then, not Hugh MacDiarmid’s hero in his ‘Hymn to Lenin’ [but confused with Shakespeare’s ‘Richard III’ in my childish brain].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/image-70.png?resize=365%2C365&ssl=1)

![‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now Yomi Sode’s ‘Manorism’ [2025].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/20250314_1618552760751617397570621.jpg?resize=365%2C365&ssl=1)


![‘Would You Let Yourself In’ : Leigh Bowery’s inclusively exclusive or exclusively inclusive dilemma and other contradictions inside Leigh’s outside keeps us outside his inside. This is my blog reflecting on visiting the new Leigh Bowery exhibition at Tate Modern with the help of it the Tate’s publication Alice Chasey (Ed.) [2025] ‘Leigh Bowery!’](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/image.jpeg?resize=365%2C338&ssl=1)
