‘Would You Let Yourself In’ : Leigh Bowery’s inclusively exclusive or exclusively inclusive dilemma and other contradictions inside Leigh’s outside keeps us outside his inside. This is my blog reflecting on visiting the new Leigh Bowery exhibition at Tate Modern with the help of it the Tate’s  publication Alice Chasey (Ed.) [2025] ‘Leigh Bowery!’

‘Would You Let Yourself In’ : Leigh Bowery’s inclusively exclusive or exclusively inclusive dilemma and other contradictions inside Leigh’s outside keeps us outside his inside. This is my blog reflecting on visiting the new Leigh Bowery exhibition at Tate Modern with the help of it the Tate’s  publication Alice Chasey (Senior Ed.) [2025]  Leigh Bowery! … More ‘Would You Let Yourself In’ : Leigh Bowery’s inclusively exclusive or exclusively inclusive dilemma and other contradictions inside Leigh’s outside keeps us outside his inside. This is my blog reflecting on visiting the new Leigh Bowery exhibition at Tate Modern with the help of it the Tate’s  publication Alice Chasey (Ed.) [2025] ‘Leigh Bowery!’

Lapse and the Upward Spiral of Change, sometimes!

The model of behavioural change promoted by Prochaska and DiClemente to describe the usual process of escaping addiction provides the best model of how success occurs and is more durable in nature. It applies to any human behavioural task and suggests that only when serial occurrences of apparent failure in the task occur (failures which … More Lapse and the Upward Spiral of Change, sometimes!

Being ‘other than the things I touch’

The ‘intentional fallacy’ was proposed by Wimsatt and Beardsley in 1954 in The Verbal Icon. It suggested that no work of art, especially a literary one, should be read with an assumption that the author’s ‘intention’ with regard to the poem’s meaning or function as discourse should or indeed can be made. Yet scholarship remained … More Being ‘other than the things I touch’

Drinking to ‘leave the world unseen’ or drinking ‘life to the lees’

Hippocrene source on Mount Helicon By GOFAS – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=11613794 Like everyone else I fancy a sip of the Hippocrene. Above is a photograph claiming to be the real source of the river on Mount Helicon, long famed in mythology as the haunt of the Muses – those nymphs responsible for … More Drinking to ‘leave the world unseen’ or drinking ‘life to the lees’

“They say retirement’s a time for leisure / But not necessarily for pleasure”.

They say retirement’s a time for leisureBut not necessarily for pleasure. The little iambic couplet I composed, with obligatory soft and feminine rhymes (don’t blame me though for the sexist nomenclature of the discourse of poetic technique where double rhymes are named both feminine and weak), for this sad blog is meant to look at … More “They say retirement’s a time for leisure / But not necessarily for pleasure”.

Why offer me a dream of doing what might be better never done.

The idea of winning the lottery – or winning the pools as was the norm when when I was a child and before the advent of a state lottery in the UK – may have appealed once as an means of evoking impossible resolutions to real problems – real or relative poverty, economic insecurity and … More Why offer me a dream of doing what might be better never done.

2025. What’s New about it? What we might think tomorrow when the booze abaits into split head, hopefully only your own?

The eve of this New Year, again, dangerFlows fluid, booze’s fast flux in venousVain channels, popping in the throat and thenThe flood follows. Scars of dependent bloodFrom ‘kiddies’ too, fallen near that flawed tree.Hogmanay wishes for that newer thingBound, as they know, to be nothing newer Than  subsequent pain, just that bit older Than is … More 2025. What’s New about it? What we might think tomorrow when the booze abaits into split head, hopefully only your own?

“If there were no time there would still be some / Sometimes, …. / :Cocooned in comfort where there’s no splendour”.

If there were no time there would still be someSometimes, wherein we would find time containedIn some special relationship with us:Cocooned in comfort where there’s no splendour. It does not surprise me that when I think of time I type some plangent iambic pentameters like those I typed above with echoes of the moment in … More “If there were no time there would still be some / Sometimes, …. / :Cocooned in comfort where there’s no splendour”.

A ‘wild surmise’ whilst ‘Silent, upon a peak in Darien’.

Let’s wait for a moment on a peak in Darién Province in Panama in South America. Why are we waiting? We got to Darién Province, not through its history of colonisation, though it is a fairly interesting story, having seen off the ill-fated Scottish mercantile project of subsuminf it to Scottish rule in the eighteenth   … More A ‘wild surmise’ whilst ‘Silent, upon a peak in Darien’.

‘It was like everything you thought you knew could be rewritten. / like learning that time can sing and that it’s old and young, …’. (Brice in Ali Smith’s ‘Gliff’) What song might time sing?

They were dancing to the music of timein those days, gliding through the moleskin hours,or so it seemed to us. Our vocal chordsbroken now, each song we sing lacks the air that my love struggles to take. Raking backthe sound that coughs all night: the rasping hackthat like Lear’s hand smells of mortality.The air that … More ‘It was like everything you thought you knew could be rewritten. / like learning that time can sing and that it’s old and young, …’. (Brice in Ali Smith’s ‘Gliff’) What song might time sing?

… to sleep, / To Sleep: perchance to dream: ay, there’s the rub! (‘Hamlet’, Act 3, Scene 1, lines 72 – 73) – and a prompt question!

What part of your routine do you always try to skip if you can? … to sleep, / To Sleep: perchance to dream: ay, there’s the rub! Hamlet Act 3, Scene 1, lines 72 – 73). [1] Iris Murdoch had long before written her wonderful novel based on the model of Hamlet, The Black Prince, … More … to sleep, / To Sleep: perchance to dream: ay, there’s the rub! (‘Hamlet’, Act 3, Scene 1, lines 72 – 73) – and a prompt question!