‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now Yomi Sode’s ‘Manorism’ [2025].
In an earlier blog post (see it at this link if you wish) about Oluwaseun Olayiwola’s Strange Beach, I ended it with a promise, or is it a threat, that: ‘I want to return to them. Maybe I will, for I have more to say of the brilliant things in Andrew McMillan’s book blurb on … More ‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now Yomi Sode’s ‘Manorism’ [2025].
![‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now Yomi Sode’s ‘Manorism’ [2025].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/20250314_1618552760751617397570621.jpg?resize=365%2C365&ssl=1)


![‘Would You Let Yourself In’ : Leigh Bowery’s inclusively exclusive or exclusively inclusive dilemma and other contradictions inside Leigh’s outside keeps us outside his inside. This is my blog reflecting on visiting the new Leigh Bowery exhibition at Tate Modern with the help of it the Tate’s publication Alice Chasey (Ed.) [2025] ‘Leigh Bowery!’](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/image.jpeg?resize=365%2C338&ssl=1)







