‘The School Play’: Growing up Queer amid so many manly performances. The poet James Merrill on the perils of a “small part”, “but an important one”, when: ‘What was not important to the self / At nine or ten’.

As I sort my library, I come across writers I have long meant to read. Such a one is the poet James Merrill, who I came across in relation to reading novels of his period some years ago. I know nothing really of Merrill.  I read through the selection I have in the Everyman Library … More ‘The School Play’: Growing up Queer amid so many manly performances. The poet James Merrill on the perils of a “small part”, “but an important one”, when: ‘What was not important to the self / At nine or ten’.

‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now  Yomi Sode’s ‘Manorism’ [2025].

In an earlier blog post (see it at this link if you wish) about Oluwaseun Olayiwola’s Strange Beach, I ended it with a promise, or is it a threat, that: ‘I want to return to them. Maybe I will, for I have more to say of the brilliant things in Andrew McMillan’s book blurb on … More ‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now  Yomi Sode’s ‘Manorism’ [2025].

Today I found a poem.

Before you turn off completely in fear that the poem I found was actually found inside me and written out in my usual sadly mechanical verse style, I need to say that this poem, typed (clearly on a typewriter) and on flimsy looking but actually quite tough semi-transparent parchment paper (or at least this is … More Today I found a poem.

‘I eat his friends’  /                applause’: a poem on ‘a compliment’, perhaps: Oluwayseun Olayiwola’s ‘There is Nothing Like That Black Voice’

The poet is visiting Lighthouse Bookshop in Edinburgh on 11th March 7 p.m. I have enjoyed very much reading the debut volume of poetry by a new queer Black poet, Oluwayseun Olayiwola, called Strange Beach. For this blog, perhaps the first of two, I will concentrate on one poem because it centres on a compliment … More ‘I eat his friends’  /                applause’: a poem on ‘a compliment’, perhaps: Oluwayseun Olayiwola’s ‘There is Nothing Like That Black Voice’

Being ‘other than the things I touch’

The ‘intentional fallacy’ was proposed by Wimsatt and Beardsley in 1954 in The Verbal Icon. It suggested that no work of art, especially a literary one, should be read with an assumption that the author’s ‘intention’ with regard to the poem’s meaning or function as discourse should or indeed can be made. Yet scholarship remained … More Being ‘other than the things I touch’

“They say retirement’s a time for leisure / But not necessarily for pleasure”.

They say retirement’s a time for leisureBut not necessarily for pleasure. The little iambic couplet I composed, with obligatory soft and feminine rhymes (don’t blame me though for the sexist nomenclature of the discourse of poetic technique where double rhymes are named both feminine and weak), for this sad blog is meant to look at … More “They say retirement’s a time for leisure / But not necessarily for pleasure”.

A ‘wild surmise’ whilst ‘Silent, upon a peak in Darien’.

Let’s wait for a moment on a peak in Darién Province in Panama in South America. Why are we waiting? We got to Darién Province, not through its history of colonisation, though it is a fairly interesting story, having seen off the ill-fated Scottish mercantile project of subsuminf it to Scottish rule in the eighteenth   … More A ‘wild surmise’ whilst ‘Silent, upon a peak in Darien’.

… to sleep, / To Sleep: perchance to dream: ay, there’s the rub! (‘Hamlet’, Act 3, Scene 1, lines 72 – 73) – and a prompt question!

What part of your routine do you always try to skip if you can? … to sleep, / To Sleep: perchance to dream: ay, there’s the rub! Hamlet Act 3, Scene 1, lines 72 – 73). [1] Iris Murdoch had long before written her wonderful novel based on the model of Hamlet, The Black Prince, … More … to sleep, / To Sleep: perchance to dream: ay, there’s the rub! (‘Hamlet’, Act 3, Scene 1, lines 72 – 73) – and a prompt question!

And, as for our destination; ‘there ‘is a place’ but that’s ‘my own / somewhere far from your knowing’. This is a blog concerning Danez Smith (2024) ‘Bluff’.

In Danez’s Smith’s latest collection, Bluff, one way of reading the course of history lies in the poem made from footnotes within a longer poem, rondo:‘freedom was a door into a bigger cage & when they couldn’t shackle the necks anymore, their metal met the mind, they chained time, chained the money, chained the dreams … More And, as for our destination; ‘there ‘is a place’ but that’s ‘my own / somewhere far from your knowing’. This is a blog concerning Danez Smith (2024) ‘Bluff’.

The living deadness of the static ‘I’ infects our pride in self.

Joseph Addison Anyone who attempts this question will soon get caught in a trap, for the first word of their answer will be their downfall: ‘I am most proud of …….’, they start and then describe a quality of their personality or appearance in the world, or perhaps some past action undertaken that they feel … More The living deadness of the static ‘I’ infects our pride in self.

Forward Poetry Prize fills the stage with meaning, truth, beauty and not a little fun.

The Forward Poetry Prize is probably the most prodigious of prizes for a working poet and I have followed the short list for best collection with joy , mounting interest and some intense feeling generated by superb works of which I could not predict the winner (see my blog at this link) for I enjoyed … More Forward Poetry Prize fills the stage with meaning, truth, beauty and not a little fun.