Forward Poetry Prize fills the stage with meaning, truth, beauty and not a little fun.

The Forward Poetry Prize is probably the most prodigious of prizes for a working poet and I have followed the short list for best collection with joy , mounting interest and some intense feeling generated by superb works of which I could not predict the winner (see my blog at this link) for I enjoyed … More Forward Poetry Prize fills the stage with meaning, truth, beauty and not a little fun.

“… and when I love thee not, chaos is come again.” it takes ‘Othello’ to be played on a shoestring to see it as a drama of predictable personal breakdown of a man who lives only in his self-image. This is a blog on seeing Elysium Theatre play ‘Othello’ at Bishop Auckland Town Hall on Friday September at 7.30 p.m.

“,,. and when I love thee not, chaos is come again.” it takes ‘Othello’ to be played on a shoestring to see it as a drama of predictable personal breakdown of a man who lives only in his self-image. This is a blog on seeing Elysium Theatre play ‘Othello’ at Bishop Auckland Town Hall on … More “… and when I love thee not, chaos is come again.” it takes ‘Othello’ to be played on a shoestring to see it as a drama of predictable personal breakdown of a man who lives only in his self-image. This is a blog on seeing Elysium Theatre play ‘Othello’ at Bishop Auckland Town Hall on Friday September at 7.30 p.m.

A blog stating a case for a ‘queer’ reading of the classic play by Samuel Beckett ‘Waiting for Godot: A tragicomedy in two Acts’. Seeing Ben Whishaw at the Haymarket 25th October 2024

‘[The moon rises at back, mounts in the sky, stands still, shedding a pale light on the scene.] …. ESTRAGON: “Pale for weariness” VLADIMIR: “Eh?” ESTRAGON: Of climbing heaven and gazing on the likes of us.” A blog about feeling not worthy of ‘its constancy’, and a case for a ‘queer’ reading of a classic … More A blog stating a case for a ‘queer’ reading of the classic play by Samuel Beckett ‘Waiting for Godot: A tragicomedy in two Acts’. Seeing Ben Whishaw at the Haymarket 25th October 2024

Get used to feelings, including our fears, that occur in time and embrace them whilst within the flow of time itself – in the varying heartbeat of a poet’s verse.

In my blog on Victoria Chang, I spoke of her use of largely regular iambic pentameter lines of verse in Section II of her new volume With My Back To The World, in an elegy or obit called Today, and based on the Date Paintings of On Kawara. Do schools teach metre and basic metrical … More Get used to feelings, including our fears, that occur in time and embrace them whilst within the flow of time itself – in the varying heartbeat of a poet’s verse.