Heather Christle‘s (2025) ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.
In Heather Christle‘s (2025) In The Rhododendrons many people (with effects of pleasure and pain or hope and despair) continually strike ‘the same pose’ that made images of a possible past recur. Christle tells us that is what family albums do, but that recurrence or repetition within them can, and perhaps should, be perceived ‘differently’. … More Heather Christle‘s (2025) ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.









![‘The poetic phrase is constantly thinking, is forever rebuilt and remade on the shifting sands of language’. Rethinking new poetry, including Oluwaseun Olayiwola’s ‘Strange Beach’ again, and now Yomi Sode’s ‘Manorism’ [2025].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/03/20250314_1618552760751617397570621.jpg?resize=365%2C365&ssl=1)

![Of a ‘chert the size of an olive pit’, that travels with the narrator through the spaces and times of the novel ‘Juice’ [2024] by Tim Winton, the narrator says that ‘… a stone is an expression of the earth, a signal of time. … but its journey isn’t over, and neither is its destiny fixed’. In the dystopia imagined by Tim Winton whether destiny is fixed or not at any point in the globe’s political and environmental history is the central ethical problem of the novel.](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/01/slide2-4.jpg?resize=365%2C365&ssl=1)