Do poets revel in the ways and means of attaining health? The Royal College of Surgeons’ Sarah Gillam, in a piece published in 2019 points us to the fact that Keats spent his years as a student rather dissolutely and ‘unhealthily’ by the standards of maintaining optimal lasting health, even then: Keats apparently enjoyed his … More ‘The pursuit of health is a symptom of unhealth’, don’t you think?
Perhaps poetry has it both ways. The Golden Lads of Peter Forster, a Queer Engraver in Wood, seek adventure: Byron like Batman as we shall see. They do so though only in the ‘security’ that the poem that embodies them will last against wear and other thefts of time. Forster’s Golden lads haunt The Folio … More Perhaps poetry has it both ways. The Golden Lads of Peter Forster, a Queer Engraver in Wood, seek adventure: Byron like Batman as we shall see. They do so though only in the ‘security’ that the poem that embodies them will last against wear and other thefts of time.
How should we view the fall of a great man in a post-patriarchal age? A blog on preparing to see Lila Raicek’s ‘My Master Builder‘ on Tuesday 8th July at Wyndham’s Theatre, London. I consider some ways in which her play re-sees what Raicek calls Henrik Ibsen’s ‘autobiographical play’, ‘The Master Builder’ [‘Bigmester Solness’]. My … More This is a blog in which I prepare to see Lila Raicek’s ‘My Master Builder’ on Tuesday 8th July at Wyndham’s Theatre, London.
The First Folio of Shakespeare’s plays could be termed to give an authoritative statement of Shakespeare’s Plays. It does not. We think of authoritative things as things that can’t change. They do and must and authoring statements does not guarantee their infinite extension into wisdom that all must take on as belief. This is the … More Authority is a passing thing: The Story of one copy of the First Folio and an exhibition of its story in Durham
‘The linoleum, too, … is blue. So blue you’ll have the feeling of being swept away because you are, into a current of corridors intentionally too narrow to turn around in’.[1] Queer writers have so long challenged the false universals of heteronormative stability, and perhaps privileged the discourse of sexual interaction as a panacea for … More I am passionate about the role of reading and the redemption of material life it carries with it. This is a blog on Ocean Vuong (2025) ‘The Emperor of Gladness’
It would be: ‘He tried to notice the underlying things!’ Is this a case in point: This blog looks at a discovered copy of the 75th anniversary issue of ‘Granta’ from 1964 [Volume 68, No 1233]. In it a poet speaks of another much earlier poet: ‘Going, he carefully left his words behind’. My husband … More It would be: ‘He tried to notice the underlying things!’ Is this a case in point?: This blog looks at a discovered copy of the 75th anniversary issue of ‘Granta’ from 1964 [Volume 68, No 1233].
In Heather Christle‘s (2025) In The Rhododendrons many people (with effects of pleasure and pain or hope and despair) continually strike ‘the same pose’ that made images of a possible past recur. Christle tells us that is what family albums do, but that recurrence or repetition within them can, and perhaps should, be perceived ‘differently’. … More Heather Christle‘s (2025) ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.
Why does Simon Armitage dwell on dwelling? A blog on Simon Armitage (2025) [with illustrations by Beth Munro} Dwell London, Faber & Faber. The new poems by Simon Armitage that were published yesterday are inextricably linked to the Lost Gardens of Heligan, ‘Europe’s largest garden restoration project’, in Cornwall. They will also be ‘manifested physically … More Why does Simon Armitage dwell on dwelling? A blog on Simon Armitage (2025) ‘Dwell’ London, Faber & Faber.
‘… caught in improper possession of another person’s property’.[1] This blog examines the sensibility of the outsider’s desire to belong and have no belongings. Abdulrazak Gurnah (2025) ‘Theft‘ is a novel in a great tradition of ‘David Copperfield‘ & ‘Great Expectations’. Karim, whose growth to total self-possession makes him the main contender pretender to be … More ‘… caught in improper possession of another person’s property’. Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.
I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s (2025) short stories in The American No London, Abacus Books. This blog is mainly on his Oscar for A Last Season The American No is a new set of short stories by … More I decided never to rely on my very first impressions of what is likable or not. Why I persevered then with Rupert Everett’s short stories in ‘The American No’. This blog is mainly on his Oscar for A Last Season.
As I sort my library, I come across writers I have long meant to read. Such a one is the poet James Merrill, who I came across in relation to reading novels of his period some years ago. I know nothing really of Merrill. I read through the selection I have in the Everyman Library … More ‘The School Play’: Growing up Queer amid so many manly performances. The poet James Merrill on the perils of a “small part”, “but an important one”, when: ‘What was not important to the self / At nine or ten’.
Fritz Schein lives entirely in, and on as his means of living, ‘the art world’ of ‘spectacularity’ – a world of apparently random images and appearances that eschews the privacy of inner reflection by being in love with the still surface of mirrors. When the ‘great recluse’ Thomas Haller turns up at a show Schein knows … More Thomas Haller’s resurrection is his ‘lilac renaissance, his violet hour’.
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