A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.

A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music. I have blogged on The Voyage Home in preparation for this event (see the blog at this link) and had it been for the fairly run-of-the mill interview with Barker conducted by Adelle Stripe … More A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.

Alan Hollinghurst says that even if the first person narrator has a ‘testifying force’, it ‘is also filled with the omission of not knowing everything’. This is a blog on Alan Hollinghurst (2024) ‘Our Evenings’.

Alim Kheraj of GQ magazine starts his interview regarding Our Evenings (2024) with novelist Alan Hollinghurst with a question about  the ‘distinct first-person narrator’, asking: ‘How did that voice develop?’ Hollinghurst’s answer gives the reason why he thought a first person narrator was ‘inevitable’ because the events must be seen by someone ‘racially distinct from … More Alan Hollinghurst says that even if the first person narrator has a ‘testifying force’, it ‘is also filled with the omission of not knowing everything’. This is a blog on Alan Hollinghurst (2024) ‘Our Evenings’.

A note about ‘Bajazet’ by Racine and translated by Alan Hollinghurst and featuring in ‘Our Evenings’

Alan Hollinghurst’s newest novel opens with the memoirist, who is the novel’s focus, Dave Win, thinking about his present life in his 80s. He is ‘two weeks into rehearsals for Bajazet at the Anvil’, where he is ‘playing old Acomat, the grand Vizier, a gift of a part, …’. This blog is a starter before … More A note about ‘Bajazet’ by Racine and translated by Alan Hollinghurst and featuring in ‘Our Evenings’

‘Maybe it wasn’t true that there were no arts of living’. This is a blog on Garth Greenwell (2024) ‘Small Rain’.

There are no answers in this novel about ‘how to live’ other than the possibility that there might be, but possibly  too there aren’t,  ‘provisional truths’. Sometimes wisdom looks like the realisation that: ‘Maybe it wasn’t true that there were no arts of living’.[1] In this novel Garth Greenwell leaps from the queered description of … More ‘Maybe it wasn’t true that there were no arts of living’. This is a blog on Garth Greenwell (2024) ‘Small Rain’.

I need a plan for doing daily blogs. The task gets harder as my capacity for invention diminishes.

I need a plan for doing daily blogs. The task gets harder as my capacity for invention diminishes. Verses about how the daily blogs started ‘A blog a day Keeps blues away’. At first it was a need To find in chaff a seed Through diversion of that rumination Into futures planned by my creation. … More I need a plan for doing daily blogs. The task gets harder as my capacity for invention diminishes.

“Much depends on it being a story that people will listen to greedily and be desperate to pass on”. This is a blog on Mark Haddon’s ‘Dogs and Monsters’ (2024).   

In the first story of Mark Haddon’s Dogs and Monsters (2024), named The Mother’s Story, a wily inventor and engineer, capable perhaps of only inventing dangerous fictions says of a story he is in the process of telling: “Much depends on it being a story that people will listen to greedily and be desperate to … More “Much depends on it being a story that people will listen to greedily and be desperate to pass on”. This is a blog on Mark Haddon’s ‘Dogs and Monsters’ (2024).