The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s ‘Queer as Folklore: The Hidden History of Myths and Monsters’.

The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s (2024) ‘Queer as Folklore: The Hidden History of Myths and Monsters‘, Manchester, Manchester University Press. Sacha Coward is a beautiful man (even dressed as a Nordic mer-creature) and … More The notion that I must have a book in me and write it. Some thoughts prompted by giving up on completing reading the whole of Sacha Coward’s ‘Queer as Folklore: The Hidden History of Myths and Monsters’.

‘Sometimes home is a place you have to discover or construct’. (p. 170). This blog is a reflection on a memoir by Mark Haddon (2026) ‘Leaving Home’.

‘Sometimes home is a place you have to discover or construct’ [1]. This blog is a reflection on a memoir by Mark Haddon (2026)’Leaving Home’, London, Chatto & Windus. I have blogged on Mark Haddon before, use the links to read these blogs if you wish: on the first chapter of The Porpoise, on The … More ‘Sometimes home is a place you have to discover or construct’. (p. 170). This blog is a reflection on a memoir by Mark Haddon (2026) ‘Leaving Home’.

If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ (trans. John Lambert, 2026).London, Harvill, Vintage.

If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ … More If Édouard Louis were to answer this question, he would date his age and that of his parents not in conventional space or time but in the never-to-be-ended phenomenon of the ‘escape’ of each from the determination of the other, should that ever be possible. This is a blog on Édouard Louis (2024) ‘Monique Escapes’ (trans. John Lambert, 2026).London, Harvill, Vintage.

Losing interest in ‘the double’ in the interests of the polymorphous. Do some themes in psycho-pathological fiction get overworked?: Using as a test case Graeme Macrae Burnet’s 2025 novel ‘Benbecula’.

Losing interest in ‘the double’ in the interests of the polymorphous. Do some themes in psycho-pathological fiction get overworked: Using as a test case Graeme Macrae Burnet’s 2025 novel Benbecula, Edinburgh, Polygon. I used to be fascinated by duality – that a thing we thought of as one thing was, in fact, two things: even … More Losing interest in ‘the double’ in the interests of the polymorphous. Do some themes in psycho-pathological fiction get overworked?: Using as a test case Graeme Macrae Burnet’s 2025 novel ‘Benbecula’.

There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’. It’s always on our ‘to-do list’ but ‘never get’s done’. This is a blog on the urgent new (2026) novel by Ali Smith, ‘Glyph’.

There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’.[1]  It’s always … More There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’. It’s always on our ‘to-do list’ but ‘never get’s done’. This is a blog on the urgent new (2026) novel by Ali Smith, ‘Glyph’.

Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

Yesterday I put online an admiring blog on the new (well!, newly translated to be accurate) biography of Louise Bourgeois (see it at this link) which in this translation is entitled Knife-Woman: The Life of Louise Bourgeois. There is no photograph of the artwork referenced by the title (‘Femme-Couteau’) which is meant to connote knfe … More Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’. New Haven & London, … More Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

Have you ever felt that so much depended on a reading of what is in front of you? I have just made a first reading – fast and furious – through the proof text of a novel not due for publication until, I think, September 2026, Derek Owusu’s The Recovery House, which will be published … More ‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

Worthwhile modern readings which root Peter Grimes in the experience of Benjamin Britten as a queer man may be available, although I think Phillip Brett’s Cambridge monograph on the opera may have served as a last word on why it both requires that perspective and why it is insufficient to provide a satisfactory reading on its … More Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) The Wolf of Whindale, London. Is it conceivable that, asked to choose an animal you like, you would choose one you consider yourself to be like. There is no certain link or even line of … More ‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

You can’t breathe? Let me sell you some ‘air’. You have no money. That means you have no ‘demand’ for our air supply effectively. Can I sell your relatives a funeral?

Our ideas of what might be sold at a cost that allows for profit to its investors, rather than just payment for the technicians that discover and refine it from sources, has been deeply influenced by water. Consider this blog post (full post linked here) which posits that some people already pay to breathe air, … More You can’t breathe? Let me sell you some ‘air’. You have no money. That means you have no ‘demand’ for our air supply effectively. Can I sell your relatives a funeral?