Tag: books

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

January 15, 2026

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) The Wolf of Whindale, London. Is it conceivable that, asked to choose an animal you like, you would choose one you consider yourself to be like. There is no certain link or even line of … More ‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

Memories clutter but are dangerous to seek to clear out sometimes.

January 12, 2026

Source: https://observer.co.uk/culture/books/article/the-sunday-poem-burning-car-by-andrew-mcmillan I suppose even physical clutter is the residue of memories, sometimes transmuted into obsessional and repetitive images – the better if repeated with a kind of nuance that varies each token from others in its type of memory. I use the words type and token as in philosophical metaphysics, explained in the link … More Memories clutter but are dangerous to seek to clear out sometimes.

Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.

January 6, 2026

The white literary establishment once considered itself to be colour-blind, dealing equally with all writing free of categories such as ‘Black writing’, as distinguished from ‘White writing’, neither of which this establishment considered valid categorisations of the written literary text. For a literary biographer however it may be possible to tell the story of black … More Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.

‘He’d now the power he ever loved to show, / A feeling being subject to his blow.’ In 1810, a long time ago, a rhyming vicar, George Crabbe, could trace the origins of domestic abuse to the leeway given to men to ‘assert the man’ by the exercise of power and control. Why is it possible to see no end of this leeway in the future?

January 5, 2026

‘He’d now the power he ever loved to show, / A feeling being subject to his blow.’ In 1810, a long time ago, a rhyming vicar, could trace the origins of domestic abuse to the leeway given to men to ‘assert the man’ by the exercise of power and control. Why is it possible to … More ‘He’d now the power he ever loved to show, / A feeling being subject to his blow.’ In 1810, a long time ago, a rhyming vicar, George Crabbe, could trace the origins of domestic abuse to the leeway given to men to ‘assert the man’ by the exercise of power and control. Why is it possible to see no end of this leeway in the future?

You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior, even between reader and writer. This blog uses as a case study Timothy O’Grady (2025) ‘Monaghan’.

December 27, 2025

You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior. Talking about his inspiration in writing To Anthony Cummins … More You get to build your perfect space for reading and writing. What’s it like? I think that for me the only answer I could supply would be that I should build a space that breaks down the boundaries we build around us to define our interior, even between reader and writer. This blog uses as a case study Timothy O’Grady (2025) ‘Monaghan’.

It was this blog, of course! It is on Peter Jefferies & Gregory Jusdanis ‘Alexandrian Sphinx: The Hidden Life of Constantine Cavafy’.

December 20, 2025

It was this blog, of course! How to write on a life, whose archival raw material is ‘marked by two conspicuous gaps – the relative absence of material regarding Constantine’s erotic life and his views of Muslim Egyptians’.[1] This is a blog on Peter Jefferies & Gregory Jusdanis Alexandrian Sphinx: The Hidden Life of Constantine … More It was this blog, of course! It is on Peter Jefferies & Gregory Jusdanis ‘Alexandrian Sphinx: The Hidden Life of Constantine Cavafy’.

Ian McEwan states in his novel’s title a concern with ‘What We Can Know’. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken from the biographer Richard Holmes, implies that biography embodies ‘human truths poised between fact and fiction’ themselves which requires the question of ‘what we can know’ but also goes on to ask ‘what we can believe, and finally what we can love’.

December 11, 2025

Ian McEwan states in his novel’s title a concern with What We Can Know. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken … More Ian McEwan states in his novel’s title a concern with ‘What We Can Know’. Clearly, this concern with the nature and limits of knowledge is central to the conduct of history including predictive history, biography and the study of the art or even counterfactual forms of those things. However, the epigram of this novel, taken from the biographer Richard Holmes, implies that biography embodies ‘human truths poised between fact and fiction’ themselves which requires the question of ‘what we can know’ but also goes on to ask ‘what we can believe, and finally what we can love’.

“It’s not wholly unlike seeing people talk about Faerie”. ‘Do you ever see wild animals?’ is a question trapped in the net of  binaries. This blog takes as its case study Amal El-Mohtar’s ‘The River Has Roots’.

December 6, 2025

“It’s not wholly unlike seeing people talk about Faerie”. [1] ‘Do you ever see wild animals?’ is a question trapped in the net of binaries. This blog takes as its case study Amal El-Mohtar (2025) ‘The River Has Roots’, London, Arcadia, Quercus Books. ‘Wild animals’ possibly don’t exist except as the ‘other’ to two norms … More “It’s not wholly unlike seeing people talk about Faerie”. ‘Do you ever see wild animals?’ is a question trapped in the net of  binaries. This blog takes as its case study Amal El-Mohtar’s ‘The River Has Roots’.

The fever of seeking recognition is at least one of the characteristics in the origin of the social, or aristocratic, vampire in literary myth. We could all do less fame-seeking! A case study based on John William Polidori’s life and writing, OR …

December 5, 2025

The fever of seeking recognition is at least one of the characteristics in the origin of the social, or aristocratic, vampire in literary myth. We could all do fame-seeking! A case study based on John William Polidori’s life and writing, [OR], ‘He watched him; and the very impossibility of forming an idea of the character … More The fever of seeking recognition is at least one of the characteristics in the origin of the social, or aristocratic, vampire in literary myth. We could all do less fame-seeking! A case study based on John William Polidori’s life and writing, OR …

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.

November 28, 2025

‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’.[1]  This beautiful, moving and comic line from Bryan Washington’s Palaver rhymes with one of his chosen epigrams for the novel by Akira the Hustler (ハスラーアキラ, Hasurā Akira) : ‘Our days are demarcated in the repetition of little goodbyes’. Prompt questions are so encouraging of … More ‘For a long time, the mother thought life-changing moments were momentous. Entirely unambiguous’. This blog is a reflection of Bryan Washington (2025) ‘Palaver’ New York, Farrar, Straus & Giroux.

“Boo only comes out at night”, so says Jem Finch in the 1962 film of ‘To Kill A Mocking Bird’. What does it take to make ‘darkness visible’. This is a blog preparing me to see the touring production of the play by Aaron Sorkin at the Lowry Theatre on 22nd January 2026.

November 25, 2025

Thrown to the pit of Hell, Satan in Paradise Lost looks around him: At once as far as Angels kenn he viewsThe dismal Situation waste and wilde,A Dungeon horrible, on all sides roundAs one great Furnace flam’d, yet from those flamesNo light, but rather darkness visibleServ’d onely to discover sights of woe,Regions of sorrow, doleful … More “Boo only comes out at night”, so says Jem Finch in the 1962 film of ‘To Kill A Mocking Bird’. What does it take to make ‘darkness visible’. This is a blog preparing me to see the touring production of the play by Aaron Sorkin at the Lowry Theatre on 22nd January 2026.