There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’. It’s always on our ‘to-do list’ but ‘never get’s done’. This is a blog on the urgent new (2026) novel by Ali Smith, ‘Glyph’.

There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’.[1]  It’s always … More There has never been a greater need to critique the assumption that ‘our world has changed’, than when it is used ‘to justify massive expenditure on the weapons industry again to keep us safe in the new era, the doorway, or threshold, of which is already blocked up with the brand new dead’. It’s always on our ‘to-do list’ but ‘never get’s done’. This is a blog on the urgent new (2026) novel by Ali Smith, ‘Glyph’.

What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s ‘Plastic’.

What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s Plastic. Perhaps the most intriguing poetry publication of this year is Matthew Rice’s volume, a narrative in a series of lyrics each dedicated to a single passing minute of a 12 hour night shift in a … More What if it were a Sandretto plastic injection moulding machine …? Some initial thoughts on first reading Matthew Rice’s ‘Plastic’.

Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

Yesterday I put online an admiring blog on the new (well!, newly translated to be accurate) biography of Louise Bourgeois (see it at this link) which in this translation is entitled Knife-Woman: The Life of Louise Bourgeois. There is no photograph of the artwork referenced by the title (‘Femme-Couteau’) which is meant to connote knfe … More Feel the Fear but do it anyway! Confront ‘Femme-Couteau’: Louise Bourgeois on the ‘bad’, ‘good’ and ‘good-enough’ mother.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’. New Haven & London, … More Deconstructing a life that seems to circle around complaints by a creative woman about ‘family’: Is that the function of biography about a ‘knife woman’? This is another blog on the challenging art of the biographer with reference to Marie-Laure Bernadac [trans Lauren Elkin] (2026) ‘Knife-Woman: The Life of Louise Bourgeois’.

From irresponsibility to organized competitive play (and / or choreographed display).

When I was but a child, the sport that filled those small flickering monochrome and then early colour TV screens was wrestling. It was killed off as a ‘sport’ when it was revealed that most of it was engineered for purposes of exciting spectators with over-exaggerated characters (‘Big Daddy’ and ‘Giant Haystacks’ for instance) with … More From irresponsibility to organized competitive play (and / or choreographed display).

There is a point in reading trees, not just as somewhere – buried in the sense of the word or the product we call ‘paper’ – that contains writing. They bear the scars of human presence and the latter’s need to appropriate nature with alien systems of possession.

In an earlier answer to this question I concentrated on ambiguities in the word ‘read’, wherein I inferred (rather than stating directly perhaps) that just because our eyes pass over text, they cannot be really said to ‘read’ that text. I used a passage from a yet to be published book to show that reading … More There is a point in reading trees, not just as somewhere – buried in the sense of the word or the product we call ‘paper’ – that contains writing. They bear the scars of human presence and the latter’s need to appropriate nature with alien systems of possession.

‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

Have you ever felt that so much depended on a reading of what is in front of you? I have just made a first reading – fast and furious – through the proof text of a novel not due for publication until, I think, September 2026, Derek Owusu’s The Recovery House, which will be published … More ‘I’m not sure how I ended up here … and I see only blocks of text that are unclear like each word is fused into the next …’. Reading is an aspiration towards a communion.

From making myself feel better by expressing my suffering to finding a means of redress for a grievance.

In reading this question, the contemporary and most frequent use of the word ‘complaint’ will be uppermost, which is mainly related to an expression of grievance or satisfaction leading to seeking a means of redress from the person or institution providing those goods or services which are found faulty or dangerous. It is part of … More From making myself feel better by expressing my suffering to finding a means of redress for a grievance.

Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

Worthwhile modern readings which root Peter Grimes in the experience of Benjamin Britten as a queer man may be available, although I think Phillip Brett’s Cambridge monograph on the opera may have served as a last word on why it both requires that perspective and why it is insufficient to provide a satisfactory reading on its … More Is there a rationale or purpose for a queer reading of Benjamin Britten’s operatic drama, ‘Peter Grimes’?

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) The Wolf of Whindale, London. Is it conceivable that, asked to choose an animal you like, you would choose one you consider yourself to be like. There is no certain link or even line of … More ‘without transformation / Men become wolves on any slight occasion’. This blog takes as its starting point, Jacob Kerr (2025) ‘The Wolf of Whindale’, London, Serpent’s Tail.

Memories clutter but are dangerous to seek to clear out sometimes.

Source: https://observer.co.uk/culture/books/article/the-sunday-poem-burning-car-by-andrew-mcmillan I suppose even physical clutter is the residue of memories, sometimes transmuted into obsessional and repetitive images – the better if repeated with a kind of nuance that varies each token from others in its type of memory. I use the words type and token as in philosophical metaphysics, explained in the link … More Memories clutter but are dangerous to seek to clear out sometimes.

Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.

The white literary establishment once considered itself to be colour-blind, dealing equally with all writing free of categories such as ‘Black writing’, as distinguished from ‘White writing’, neither of which this establishment considered valid categorisations of the written literary text. For a literary biographer however it may be possible to tell the story of black … More Despite the literary establishment, biography can be done differently. Reflections on James Campbell (1991) ‘Talking at the Gates: A Life of James Baldwin’.