This is a blog on the translation and interpretation of East European migrant experience to America in Ledia Xhoga (2025) ‘Misinterpretation’.

‘The phrase Çdo gjë është e shrkruar – Everything is already written – came to mind. Albanians usually offered it to an anxious person for comfort, as a reminder that the cogs of some future event had been spinning since the beginning of time’.[1] This is a blog on the translation and interpretation of East … More This is a blog on the translation and interpretation of East European migrant experience to America in Ledia Xhoga (2025) ‘Misinterpretation’.

This is a blog on the role of endings in the modern metafictional novel and the light shed on that role by Maria Reva (2025) ‘Endling’ London, Virago Press.

‘She felt a small pang of resentment: the endling’s last moments on Earth, and it pined over not getting laid. Of course this was normal. If anything, endlings should pine all the louder for the end of their species. … // At least gastropods yearned in silence, …’.[1] This is a blog on the role … More This is a blog on the role of endings in the modern metafictional novel and the light shed on that role by Maria Reva (2025) ‘Endling’ London, Virago Press.

This is a blog on  Benjamin Wood (2025) ‘Seascraper’.

‘Edgar’s almost shrouded by the white swell of the fog. … All of Longferry – the tall spires of the churches and the chimney-tops of the terraces receding to the lights of other towns – has been snuffed out’. I think no other modern novel I know about has such a sense of being near … More This is a blog on  Benjamin Wood (2025) ‘Seascraper’.

This is a blog on Katie Kitamura  (2025) ‘Audition’.

Is the idea that psychosocial or other roles are ‘parts’ played upon the stage a tired metaphor (from the too-often quoted lines of Shakespeare’s jester, Jacques, from As You Like It: ‘All the world’s a stage, …’). Why might modern novels then take up that idea again, other than to keep saying and showing the … More This is a blog on Katie Kitamura  (2025) ‘Audition’.

Let’s answer this prompt as if Thomas Mann were justifying his last novel: the ultimate game – of confidence tricks and roleplay. This blog holds my thoughts on  Thomas Mann (trans. Denver Lindley) [1997 Minerva Paperback from ed. of 1954] ‘Confessions of Felix Krull, Confidence Man: Memoirs Part 1’.

Let’s answer this prompt as if Thomas Mann were justifying his last novel: the ultimate ‘game’ – of confidence tricks and roleplay. In a diary entry from 25th November 1950, Thomas Mann calls his final and unfinished picaresque novel Felix Krull ‘my homosexual novel’. Yet the case for seeing it as that perhaps reduces to … More Let’s answer this prompt as if Thomas Mann were justifying his last novel: the ultimate game – of confidence tricks and roleplay. This blog holds my thoughts on  Thomas Mann (trans. Denver Lindley) [1997 Minerva Paperback from ed. of 1954] ‘Confessions of Felix Krull, Confidence Man: Memoirs Part 1’.

A great novel always takes the trouble to ‘bother me’. The example of Colum McCann (2025) ‘Twist’.

A great novel always takes the trouble to ‘bother me’. The example of Colum McCann (2025) ‘Twist’. In it the narrator talks about his own ‘bother’ about his writing and trying to keep it focused. ‘Tell me about a complicated man, how he wandered and was lost. The story would drift away from repair, which … More A great novel always takes the trouble to ‘bother me’. The example of Colum McCann (2025) ‘Twist’.

Is giving up on a challenge a strategy that ever brings comfort? An example from my reading.

The illustration – by Liz Zonarich/Harvard Staff – is from the Harvard Gazette article cited below, but to give up a book because it makes you uncomfortable may not be to ‘bin’ it but just re-shelve it in your mind (source: https://content.news.harvard.edu/gazette/story/2024/10/when-to-quit-a-book/ ). After all the bin in the illustration has a l;ong shadow – … More Is giving up on a challenge a strategy that ever brings comfort? An example from my reading.

Literally fabulous or confabulated – the dream of romance

As always with WordPress prompts there seems to be an agenda based on how a word is used in the immediate present of culture. After all only that could explain being asked for ‘your definition’ of a word, as if any words were amenable to purely personal definition and its use by that person validated … More Literally fabulous or confabulated – the dream of romance

‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’.  [1] This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’. Some people, and Joanne is one of … More ‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

‘It was  all unfinished and most likely it always would be’. Open, Heaven, which despite having many endings is also truly an unending story, asks us how much we really want our loves to remain open rather than closed to future promise: that ‘life of constant negotiation, movement, agony, bliss’ And we desire this perhaps … More This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

‘The Story of the Stone”: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience.  New short stories by James Kelman.

“The Story of the Stone: Tales, Entreaties & Incantations“: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience.  New short stories by James Kelman I have already referred to this set of stories in a past blog [see this link to read if you wish]. … More ‘The Story of the Stone”: the artist and shaman come nearest to us in sharing an acknowledgement of the opaque density of our experience.  New short stories by James Kelman.

‘Only connect’ said E.M. Forster but what madness results. This blog reflects on Roland Barthes [trans. Richard Howard] (2000) ‘Camera Lucida: Reflections on Photography’.

‘Only connect’ said E.M. Forster but what madness results. Begin by making connections between these two photographs and then with them. Roland Barthes [trans. This blog reflects on Roland Barthes [trans. Richard Howard] (2000:3) Camera Lucida: Reflections on Photography, Vintage Press Edition. Connectivity was always a thing I valued – in the connection for instance … More ‘Only connect’ said E.M. Forster but what madness results. This blog reflects on Roland Barthes [trans. Richard Howard] (2000) ‘Camera Lucida: Reflections on Photography’.