‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’.  [1] This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’. Some people, and Joanne is one of … More ‘… something between me and the picture felt poised on an edge waiting to happen, the verge of something wild’. This blog is for Joanne, who loves and understands Ali Smith, relating to that author’s republished essay on Munch in book form, ‘So In The Spruce Forest’.

This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

‘It was  all unfinished and most likely it always would be’. Open, Heaven, which despite having many endings is also truly an unending story, asks us how much we really want our loves to remain open rather than closed to future promise: that ‘life of constant negotiation, movement, agony, bliss’ And we desire this perhaps … More This blog is a reflective take on Seán Hewitt’s 2025 novel ‘Open, Heaven’ New York, Alfred A. Knopf.

Heather Christle‘s (2025)  ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.

In Heather Christle‘s (2025)  In The Rhododendrons many people (with effects of pleasure and pain or hope and despair) continually strike ‘the same pose’ that made images of a possible past recur. Christle tells us that is what family albums do, but that recurrence or repetition within them can, and perhaps should,  be perceived ‘differently’. … More Heather Christle‘s (2025)  ‘In The Rhododendrons’: thank you Kaveh Akbar for your recommendation on the book’s jacket that made me buy this. You have great friends.

‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) ‘The Boyhood of Cain’.

‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) The Boyhood of Cain London, Faber & Faber. I sighed … More ‘But there is no sign of the boy.’ The coming to age of a queer boy told in the third person captures the alienation possible in that experience but that may be all it seeks to show! This is a blog on Michael Amherst (2025) ‘The Boyhood of Cain’.

‘… caught in improper possession of another person’s property’.  Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

‘… caught in improper possession of another person’s property’.[1] This blog examines the sensibility of the outsider’s desire to belong and have no belongings. Abdulrazak Gurnah (2025) ‘Theft‘ is a novel in a great tradition of ‘David Copperfield‘ & ‘Great Expectations’. Karim, whose growth to total self-possession makes him the main contender pretender to be … More ‘… caught in improper possession of another person’s property’.  Abdulrazak Gurnah (2025) ‘Theft’ is a novel in a great tradition of ‘David Copperfield’ & ‘Great Expectations’.

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in Turner’s Secret Sketches edited by Ian Warrell (2012) Tate Publishing. I am still cataloguing my books, abandoning many along the way, and have reached book number 3744 of the books I am keeping. The book is Turner’s Secret Sketches, edited and … More Visualising passion – approaching J.M.W. Turner’s  attempt to capture the embodiment of desire in ‘Turner’s Secret Sketches’ edited by Ian Warrell (2012).

Tash Aw’s ‘The South’ focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño.

Growth and hunger create awareness of ‘hollow spaces that never existed before’: Tash Aw’s The South focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño. But are both responding to an extraordinary and new  ‘physical evolution stronger than’ any of us or merely to ‘the effect … More Tash Aw’s ‘The South’ focuses upon the lives of queer ‘angry young men’, and even boys grown as wild as El Niño.

Racism, Sexism, and British writing at the end of the colonial period and the knotty problem of point of view.

We sometimes think racism was inevitable in post-colonial Britain, but looking for evidence of it in writing is sometimes an issue that needs thought. I have a good, if incomplete collection of Robin Jenkins’ novels amongst my library which I once read avidly and all the time. I still prize above above many other novels … More Racism, Sexism, and British writing at the end of the colonial period and the knotty problem of point of view.

The queer confidence of a shy man: George Mackay Brown (GMB) and his late novel ‘Vinland’, where “boys love to range freely in the country of their imagination, and there they are captains and jarls”.

What is it to be confident? Usually mythologies are based around what ‘confidence’ should mean. The Viking sea captains and jarls of the Orkneyninga Saga are a strong subject for a literature in which boys dream of the men they might become but adolescence was a fraught and painful thing for George Mackay Brown (GMB), … More The queer confidence of a shy man: George Mackay Brown (GMB) and his late novel ‘Vinland’, where “boys love to range freely in the country of their imagination, and there they are captains and jarls”.

This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

‘I don’t think I can write about my own life yet, but I’ve written it all down. … It’s funny how I’ve been writing stories about other people until now …’, says ‘Mambro’, the middle generation of the queer men as named by his nephew, in one Bangladeshi family. However, when Mambro told the story … More This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’.[1] When certainties fail us, as they must in time, there may be no alternative to … More ‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

‘Everything moves. Everything passes.  Threads tangle so easily, so completely. It is their nature to knot. …/…/ The truth is you must be everyone in a story to understand the story. …’.[1]  A reader who comes to The Night Alphabet looking for a linear story and quickly understood connections between the novel’s sub-narratives  (or some … More A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.