The queer confidence of a shy man: George Mackay Brown (GMB) and his late novel ‘Vinland’, where “boys love to range freely in the country of their imagination, and there they are captains and jarls”.

What is it to be confident? Usually mythologies are based around what ‘confidence’ should mean. The Viking sea captains and jarls of the Orkneyninga Saga are a strong subject for a literature in which boys dream of the men they might become but adolescence was a fraught and painful thing for George Mackay Brown (GMB), … More The queer confidence of a shy man: George Mackay Brown (GMB) and his late novel ‘Vinland’, where “boys love to range freely in the country of their imagination, and there they are captains and jarls”.

This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

‘I don’t think I can write about my own life yet, but I’ve written it all down. … It’s funny how I’ve been writing stories about other people until now …’, says ‘Mambro’, the middle generation of the queer men as named by his nephew, in one Bangladeshi family. However, when Mambro told the story … More This blog discusses Santanu Bhattacharya’s 2025 wonderful queer novel, ‘Deviants’.

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’.[1] When certainties fail us, as they must in time, there may be no alternative to … More ‘I’ve done worse things, things I am not proud of including standing here in the dark with David, I know there’s a little bit of hypocrisy there, there are shades of hypocrisy in everything. Our principles stretch like elastic bands’. This is a blog on Nicola Dinan (2025) ‘Disappoint Me’.

A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

‘Everything moves. Everything passes.  Threads tangle so easily, so completely. It is their nature to knot. …/…/ The truth is you must be everyone in a story to understand the story. …’.[1]  A reader who comes to The Night Alphabet looking for a linear story and quickly understood connections between the novel’s sub-narratives  (or some … More A reader falls into Joelle Taylor’s fabulous ‘The Night Alphabet’.

‘EAT YOUR OWN HOUSE, WITCH! I don’t even like candy, darling! (But Candy Darling is another matter entirely) : “Hey, sugar / Take a walk on the wild side”

Now here’s a blog prompt that I never ever thought I would answer. My usual recourse to etymology to find a nuance in the question has already reached a block. In the UK we use the term ‘candy’, only because we see and hear the word in USA cultural imports, The UK word for candy … More ‘EAT YOUR OWN HOUSE, WITCH! I don’t even like candy, darling! (But Candy Darling is another matter entirely) : “Hey, sugar / Take a walk on the wild side”

In the self-published memoir-cum-novel ‘poof: a curriculum vitae’, James, the narrator, generalises on the background human condition assumed in the work. He says, for instance: ‘Despair over our own existences certainly makes us bury obvious truths. Masochistic for meaning, we give ourselves over to existing powers so easily’.  At another point, James says: ‘Now I have become a master of fieldwork psychology’. Yet we cannot know the full context in which  that naming of a role has meaning. This blog tries to read this analytic novel’s study of the lives of masters and slaves, and a world where power seems all there is in relationships, in a way that makes sense to me.

In the self-published memoir-cum-novel poof: a curriculum vitae, James, the narrator, generalises on the background human condition assumed in the work. He says, for instance:  ‘Despair over our own existences certainly makes us bury obvious truths. Masochistic for meaning, we give ourselves over to existing powers so easily’.[1]  At one point, James says: ‘Now I … More In the self-published memoir-cum-novel ‘poof: a curriculum vitae’, James, the narrator, generalises on the background human condition assumed in the work. He says, for instance: ‘Despair over our own existences certainly makes us bury obvious truths. Masochistic for meaning, we give ourselves over to existing powers so easily’.  At another point, James says: ‘Now I have become a master of fieldwork psychology’. Yet we cannot know the full context in which  that naming of a role has meaning. This blog tries to read this analytic novel’s study of the lives of masters and slaves, and a world where power seems all there is in relationships, in a way that makes sense to me.

Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

First published in Open university blog Tuesday, 10 July 2018, 15:06 Visible to anyone in the world Edited by Steve Bamlett, Wednesday, 11 July 2018, 07:42 Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador. I read every word of Tim Winton as it falls (in the UK) from the press. … More Fables for the age: The ambition of Tim Winton’s (2018) The Shepherd’s Hut London, Picador.

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are – as Bradley Pearson and Hamlet are in The Black Prince and Hamlet respectively and both together in the first) that can only be changed by getting out from under the net of a … More Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

We called it the Leonardo cartoon. We visited it every week.

Leonardo da Vinci (about 1499-1500) The Burlington House Cartoon.Charcoal (and wash?) heightened with white chalk on paper, mounted on canvas, 141.5 x 104.6 cm. Purchased with a special grant and contributions from the Art Fund, The Pilgrim Trust, and through a public appeal organised by the Art Fund, 1962. NG6337. Available at: https://www.nationalgallery.org.uk/paintings/NG6337 There were … More We called it the Leonardo cartoon. We visited it every week.

‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

‘Stop saying words, my sister whispered back. I want to hear the story’.[1] The paradox may be that we express our identity in words and names not in the process of telling and hearing our stories. I think Ali Smith thinks that may be true of the configuration of sex/gender too. This is a blog  … More ‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

This blog ponders on the latest John Banville crime novel:  John Banville (2024) ‘The Drowned’ London, Faber.

Do we guess when Detective St. John Strafford’s consciousness notices that there ‘was something odd about him today’  with regard a long standing character in the Quirke stories by Benjamin Black and the Quirke and Strafford stories of John Banville, Chief Inspector John Hackett,  that Hackett is about to depart his place in the series … More This blog ponders on the latest John Banville crime novel:  John Banville (2024) ‘The Drowned’ London, Faber.

Ekow Eshun (2024) ‘The Strangers: Five Extraordinary Black Men and the Worlds That Made Them’. Black and Queer masculinity in the life-story of Justin Fashanu.

‘The fear of being powerless. The fear of being watched and judged. The fear of infection. They blur together. The mysterious American disease has grown larger and more ominous in your imagination as it begins to spread in Britain. … You read about it in the Mirror and you kept the paper afterwards, hiding it … More Ekow Eshun (2024) ‘The Strangers: Five Extraordinary Black Men and the Worlds That Made Them’. Black and Queer masculinity in the life-story of Justin Fashanu.