This blog prepares me for the first exhibition of Bacon devoted solely to the concept of portraiture with the help of Rosie Broadley (ed.) [2024] ‘Francis Bacon: Human Presence’.

At the heart of Rosie Broadley’s beautiful National Portrait Gallery catalogue is a brief essay by James Hall about artist’s studios as self –expression called ‘Corners of Filth & Fantasy’. Hall tells us that Bacon saw his studio as a ‘dump’, and this appears no exaggeration, quoting Bacon as saying: ‘I feel at home here … More This blog prepares me for the first exhibition of Bacon devoted solely to the concept of portraiture with the help of Rosie Broadley (ed.) [2024] ‘Francis Bacon: Human Presence’.

“If you can get the balls in, you will”. This blog prepares to revisit Yorkshire Sculpture Park to re-see their Frink collection after reading Stephen Gardiner (1998) ‘Frink: The Official Biography of Elisabeth Frink’.

“If you can get the balls in, you will”. Elisabeth Frink quoted her mother as saying to her of sculptural work  to her official biographer, Stephen Gardiner. She used this to illustrate her love of symbolic and embodied passion, imagined as entirely male, that is quite ‘the opposite of passive … somebody who can be … More “If you can get the balls in, you will”. This blog prepares to revisit Yorkshire Sculpture Park to re-see their Frink collection after reading Stephen Gardiner (1998) ‘Frink: The Official Biography of Elisabeth Frink’.

The current Exhibition at The National Gallery promises to make you see Van Gogh differently. I see it on Thursday 25th October I read: Cornelia Homburg (ed.) (2024) ‘Van Gogh: Poets & Lovers’.

Cornelia Homburg cites  a letter of 1888 in which Van Gogh saw a coal-barge on the quays of the Rhone river that was ‘a grand subject’ and was ‘pure Hokusai’, but it was a subject that he needed to think about painting very differently because, he says: “I’m beginning to see more and more to … More The current Exhibition at The National Gallery promises to make you see Van Gogh differently. I see it on Thursday 25th October I read: Cornelia Homburg (ed.) (2024) ‘Van Gogh: Poets & Lovers’.

Agnes must have miscalculated’: The math that we get wrong in art, perhaps deliberately. This is a blog on Victoria Chang (2024) ‘With My Back To the World’

‘Agnes must have miscalculated’:[1]  The math that we get wrong in art, perhaps deliberately. This is a blog on Victoria Chang (2024) With My Back To the World London, Corsair Poetry. Ekphrasis is an exercise in written words, used in poetry since Ancient times, to describe visual art in a way that tests whether words … More Agnes must have miscalculated’: The math that we get wrong in art, perhaps deliberately. This is a blog on Victoria Chang (2024) ‘With My Back To the World’