Tag: art

The queer artist, Charles Ricketts, wrote: ‘There is something Latin in the fibre of Titian, in his sense of reality and sense of control. … he belongs to a patrician people to whom experience is met by the force equal to control it’. Could such a judgement relate to the experience of queer life in a Britain certain of its Imperial pretensions?

January 18, 2025

The queer artist, Charles Ricketts, wrote: ‘There is something Latin in the fibre of Titian, in his sense of reality and sense of control. … he belongs to a patrician people to whom experience is met by the force equal to control it’. [1] Could such a judgement relate to the experience of queer life … More The queer artist, Charles Ricketts, wrote: ‘There is something Latin in the fibre of Titian, in his sense of reality and sense of control. … he belongs to a patrician people to whom experience is met by the force equal to control it’. Could such a judgement relate to the experience of queer life in a Britain certain of its Imperial pretensions?

‘Street Kids’ Joan Eardley (c. 1950): Townhead in Glasgow

January 11, 2025

I first saw this painting painted about 1950 at an Eardley retrospective at the Scottish Gallery of Modern Art in a Joan Eardley retrospective called ‘A Sense of Place’ in 2017. Though often reduced to statements of the ‘strong identification with the poor and deprived’ type, these paintings do not seem to me to call … More ‘Street Kids’ Joan Eardley (c. 1950): Townhead in Glasgow

To have ‘flung a pot of paint in the public’s face’ is the dynamic of beauty in painting and proceeds when done properly as if it were done by the painting itself: the case of James McNeill Whistler’s ‘Nocturne in Black and Gold: The Falling Rocket’, 1875.

December 19, 2024

‘Nocturne in Black and Gold: The Falling Rocket’, 1875, which earned Ruskin’s scorn. Oil on panel, by Whistler, James Abbott McNeill (1834-1903); 60.2×46.7 cm; Detroit Institute of Arts, USA; © Detroit Institute of Arts ; Gift of Dexter M. Ferry Jr.; American, out of copyright. Credit: Bridgeman Images One of the strangest aspects of my … More To have ‘flung a pot of paint in the public’s face’ is the dynamic of beauty in painting and proceeds when done properly as if it were done by the painting itself: the case of James McNeill Whistler’s ‘Nocturne in Black and Gold: The Falling Rocket’, 1875.

Exhibiting the subject of ‘the local’ locally. What is local art? What do its images capture? A subject or a viewer?

December 15, 2024

Geoff and I are confined these days following Geoff’s serious illness, and we don’t  think we can visit the great art exhibitions, theatre, or even cinema in the cities we would take pains to go to: Edinburgh, London,  Manchester,  Liverpool, or even the nearest of the great cities, Newcastle-upon-Tyne. Macbeth knowing that his agents have … More Exhibiting the subject of ‘the local’ locally. What is local art? What do its images capture? A subject or a viewer?

Reissue: A set Of Tall Building blogs from an old course.

December 13, 2024

A. Le Corbusier’s Tall Building Unité d’Habitation, Marseilles (1945-52) A844 Open Studio Set Exercise First issued in another place Friday, 12 Oct 2018, 10:00 Le Corbusier’s Tall Building Unité d’Habitation, Marseilles (1945-52) A844 Open Studio Set Exercise Photograph below: Roof level pool and children’s play areas at Unité d’Habitation, Marseilles (1945-52) from Jenkins, D. (1999) … More Reissue: A set Of Tall Building blogs from an old course.

The total absurdity of the phrase ‘less is more’! An example of ‘overthinking’ on that theme.

December 2, 2024

Mies Van Der Rohe thought the phrase ‘less is more’ a defence of the refusal of embellishments in architecture that are both non-functional and decorative rather than part of a basic form or formal concept expressed by a building, but the phrase is a kind of pleasing nonsense that the love of binaries makes possible. … More The total absurdity of the phrase ‘less is more’! An example of ‘overthinking’ on that theme.

We called it the Leonardo cartoon. We visited it every week.

December 1, 2024

Leonardo da Vinci (about 1499-1500) The Burlington House Cartoon.Charcoal (and wash?) heightened with white chalk on paper, mounted on canvas, 141.5 x 104.6 cm. Purchased with a special grant and contributions from the Art Fund, The Pilgrim Trust, and through a public appeal organised by the Art Fund, 1962. NG6337. Available at: https://www.nationalgallery.org.uk/paintings/NG6337 There were … More We called it the Leonardo cartoon. We visited it every week.

Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

November 9, 2024

Bridging Gaps in Personal Learning No. 3: Bacon claimed that the role of art was not to create a ‘likeness’ of what meets the eye in looking at his sitter but to discover ‘a deeper sense of the reality of the image; by finding a way to ‘unlock the areas of feeling’ that lead to … More Bridging Gaps in Personal Learning No. 3: The Bacon portraits at the National Portrait Gallery as acts of love & beauty.

Bridging Gaps in Personal Learning No. 2 : This blog is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist.

November 5, 2024

Bridging Gaps in Personal Learning No. 2: This blog is yet again an attempt to understand my own process of  learning. It is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist. I start with the configuration of that debt by Rosie Broadley … More Bridging Gaps in Personal Learning No. 2 : This blog is based on thinking about the debt of influence of Francis Bacon to his painting hero, Vincent Van Gogh, as a portraitist.

Bridging Gaps in Personal Learning: This blog is an attempt to understand my own process of  learning. It is based on a highly situated reading of Émile Zola’s ‘The Sin of Abbé Mouret’, translated by Valerie Minogue

November 2, 2024

Bridging Gaps in Personal Learning: This blog is an attempt to understand my own process of  learning. It is based on a highly situated and contextualised reading of Émile Zola’s The Sin of Abbé Mouret (La faute de l’abbé Mouret) translated by Valerie Minogue (Oxford World Classics ed.) Oxford, Oxford University Press, an edition recommended … More Bridging Gaps in Personal Learning: This blog is an attempt to understand my own process of  learning. It is based on a highly situated reading of Émile Zola’s ‘The Sin of Abbé Mouret’, translated by Valerie Minogue

In lieu of a blog in a time of confusion: The Next blogs – the plan.

October 31, 2024

The Next blogs – the plan: I intend to keep up the blogs, lest the pin of my mental world is withdrawn in the present crisis in my husband’s health. For Geoff has become increasingly breathless over a week or so – the GP surgery thinking that at 83 all that was required was consultation … More In lieu of a blog in a time of confusion: The Next blogs – the plan.

‘On reflection the use of impasto is as good a place as any to start with Van Gogh’. Random thoughts about the current National Gallery exhibition.

October 30, 2024

In the second part of my blog on my birthday visit to London, I predicted what I might write about when I wrote a second blog on it  [the first is at this link] based on seeing the work ‘in the flesh’.  Saying it was ‘almost certainly the strongest art exhibition I have ever seen’ … More ‘On reflection the use of impasto is as good a place as any to start with Van Gogh’. Random thoughts about the current National Gallery exhibition.