Even if we accept that art owes a debt to truth, what kind of truths must it tell and / or show in order to be great art? Steve reflects on this in the case of cinema films that wear their search for excellence of a kind on their sleeves. The reflection happens around a case study of Kenneth Branagh’s ‘Belfast’ (based on seeing it for the first time on 21st January 2022 at the Odeon, Durham and two reviews).
‘.. a streak of normality and even banality, which assumes its own surreal tone. Love letters to the past are always addressed to an illusion, yet this is a seductive piece of myth-making.’ (Peter Bradshaw, The Guardian 21 January 2022). ‘If Belfast had been rolled round in the dirt and broken glass, it might have … More Even if we accept that art owes a debt to truth, what kind of truths must it tell and / or show in order to be great art? Steve reflects on this in the case of cinema films that wear their search for excellence of a kind on their sleeves. The reflection happens around a case study of Kenneth Branagh’s ‘Belfast’ (based on seeing it for the first time on 21st January 2022 at the Odeon, Durham and two reviews).









![‘You … “as Virginia [Woolf] once told Stephen Spender, ”have to be broken by things before you can write about them”. Can reviews really help us to know the qualities that make a book readable and/or valuable: a case study using Will Loxley’s (2021) ‘Writing In The Dark: Bloomsbury, the Blitz and Horizon Magazine’](https://i0.wp.com/livesteven.com/wp-content/uploads/2021/12/image-45.png?resize=365%2C365&ssl=1)

