This is a blog about the emergent meanings of family, home and the endurance of relationships in a global multicultural queer world where those categories no longer have a simple meaning. It discusses Bryan Washington (2023) ‘Family Meal’.

‘I close my eyes, just for a moment, and I think about tomorrow. / And the days afterward. / And what it’ll mean to step through a home, in a brand-new place, where my people aren’t’.[1] This is a blog about the emergent meanings of family, home and the endurance of relationships in a global … More This is a blog about the emergent meanings of family, home and the endurance of relationships in a global multicultural queer world where those categories no longer have a simple meaning. It discusses Bryan Washington (2023) ‘Family Meal’.

‘Eyeless in Gaza, at the mill with slaves’: The dream of a permanent home or the choice of a luxury setting?

If you could live anywhere in the world, where would it be? Daily prompt? I have seen this question come and go and shuddered at the assumptions that I feared were its motives. Today, I want to confront it, in the light of my visceral response to it, for the world is too much with … More ‘Eyeless in Gaza, at the mill with slaves’: The dream of a permanent home or the choice of a luxury setting?

To meet and part and then travel on. ‘Nothing beside remains’.

If you could meet a historical figure, who would it be and why? Daily prompt – laptop options We turned a corner off that street halfway Between the library and museum. The day was already in its decay So present was the past that had Priam stood as if in metal made, Trojan brass, we … More To meet and part and then travel on. ‘Nothing beside remains’.

“Everything I had willingly drawn was female. But here, through these coal-mine drawings, I discovered the male figure and the qualities of the figure in action”. How a concern with sex / gender manifest itself in Moore’s mining drawings. This blog looks at Chris Owen (2022) ‘Drawing In The Dark: Henry Moore’s Coalmining Commission’.

“Everything I had willingly drawn was female. But here, through these coal-mine drawings, I discovered the male figure and the qualities of the figure in action. As a sculptor I had previously believed only in static forms, that is, forms in repose”.[1] Henry Moore said this when talking to James Sweeney in 1947. It suggests … More “Everything I had willingly drawn was female. But here, through these coal-mine drawings, I discovered the male figure and the qualities of the figure in action”. How a concern with sex / gender manifest itself in Moore’s mining drawings. This blog looks at Chris Owen (2022) ‘Drawing In The Dark: Henry Moore’s Coalmining Commission’.

“I’m nobody! Who are you? / Are you nobody, too?”

Who is the most famous or infamous person you have ever met? Daily prompt Emily Dickinson is quite ‘somebody’ nowadays. I haven’t met her though I read her work frequently and THAT IS A KIND OF MEETING. I think it is unlikely that you, dear Reader (surely there’s one of you! La!) have met her … More “I’m nobody! Who are you? / Are you nobody, too?”

To be a palimpsest of impressions.

What’s the first impression you want to give people? Daily prompt Codex ephremi (The S.S. Teacher’s Edition-The Holy Bible – Plate XXIV).Source is Public Domain, https://commons.wikimedia.org/w/index.php?curid=36972 Ancient manuscripts were written on parchment (though an even more ancient writing surface – the wax-coated tablet of stone was the origin of the idea of writing as making … More To be a palimpsest of impressions.

‘Even if I knew all the causes determining a need to act in a certain way, it would be wrong to trust any one of them without reflection and planning my decision-making’.

Do you trust your instincts? Daily writing prompt I have tried in my long-winded rewritten title to re-frame this question in a way that allowed me to answer it. There were two problems for me in its terms and a larger one in its possible assumptions. Let’s take the terms first: These images tell you … More ‘Even if I knew all the causes determining a need to act in a certain way, it would be wrong to trust any one of them without reflection and planning my decision-making’.

What are the issues related to the representation or not of cis queer men in contemporary novels that make the representation of young male working class in terms of their cis masculine heterosexual development a focus? From Graeme Armstrong’s (2020) ‘The Young Team’ to Michael Magee’s (2023) ‘Close to Home’.

What are the issues related to the representation or not of cis queer men in contemporary novels that make the representation of young male working class in terms of their cis masculine heterosexual development a focus? From Graeme Armstrong’s (2020) The Young Team to Michael Magee’s (2023) Close to Home (with a bow to queer … More What are the issues related to the representation or not of cis queer men in contemporary novels that make the representation of young male working class in terms of their cis masculine heterosexual development a focus? From Graeme Armstrong’s (2020) ‘The Young Team’ to Michael Magee’s (2023) ‘Close to Home’.

Life is ‘a pathway literally strewn with “subjects”. … It must do us good – it’s all so hideous,” …

What was your favorite subject in school? I take my title from Henry James’ What Maisie Knew, a wondrous novel in which a little girl (Maisie of course) is exposed to the hidden facts of illicit adult sexual liaisons and the secret knowledge about adult life they normatively occult from children in the interests of … More Life is ‘a pathway literally strewn with “subjects”. … It must do us good – it’s all so hideous,” …

In an interview with Anthony Cummins, Teju Cole says that: ‘… what I wanted was the maximal complexity of thinking in the clearest language that would support that thinking. Being avant garde isn’t about being unreadable’. Teju Cole is clearly a novelist for whom complex thought matters. This blog is on Teju Cole (2023) ‘Tremor’.

In an interview with Anthony Cummins, Teju Cole says that: ‘… what I wanted was the maximal complexity of thinking in the clearest language that would support that thinking. Being avant garde isn’t about being unreadable’.[1] Teju Cole is clearly a novelist for whom complex thought matters. Let’s ask ourselves how and why thinking in … More In an interview with Anthony Cummins, Teju Cole says that: ‘… what I wanted was the maximal complexity of thinking in the clearest language that would support that thinking. Being avant garde isn’t about being unreadable’. Teju Cole is clearly a novelist for whom complex thought matters. This blog is on Teju Cole (2023) ‘Tremor’.