What’s the most fun way to exercise? Laocoön (/leɪˈɒkoʊˌɒn, -kəˌwɒn/; Ancient Greek: Λαοκόων, romanized: Laokóōn, IPA: [laokóɔːn], gen.: Λαοκόοντος) is a figure in Greek and Roman mythology and the Epic Cycle. For that perfect mix of fun and pain, without which latter there is no gain and no grace, spend time Dancing with Sea Serpents. … More Sea Sepent Dancing! Well, you asked!
What Olympic sports do you enjoy watching the most? Why do we watch sport? The question presumes an answer: we watch it for enjoyment, for pleasure! Since, however, I don’t watch sport if I can help it (yes I know that fulfills all the stereotypes of queer men), this must mean that the pleasure sport … More Why do we watch sport?
As I work through my library, some books that startled me when I bought them have startled me again, for I have forgotten how novel they seemed. Such a one is that catalogue from an exhibition in the Newcastle Polytechnic in 1980 and related to the Newcastle Festival. The book was published in 1984. Organised … More It ‘s all in the making: reconstructing Munch.
As I sort my library, I come across writers I have long meant to read. Such a one is the poet James Merrill, who I came across in relation to reading novels of his period some years ago. I know nothing really of Merrill. I read through the selection I have in the Everyman Library … More ‘The School Play’: Growing up Queer amid so many manly performances. The poet James Merrill on the perils of a “small part”, “but an important one”, when: ‘What was not important to the self / At nine or ten’.
As I was sorting out my books again, I came across a book I bought at the Laing (pronounced ‘Laine’) Gallery in Newcastle when I visited the wonderful permanent exhibition there. It’s a huge book – the size newspapers used to be and made of a similar kind of paper. But how do you look … More Do Roads answer questions? In honour of a great photographer, Chris Killip
When Alexander Pope warned that ‘a little learning is a dangerous thing,’ he was warning that, since error lies everywhere, we need exposure to all the evidence that supports the one and only version of knowledge of the world that is the truth. The real danger is that there are so many statements that claim … More ‘For the Mesopotamians, truth was not contained ….’: was their culture such a one that norms existed alongside happily alongside their contradiction, and repression was unnecessary. This blog reflects on a first reading of Selena Wisnom [2025] ‘The Library of Ancient Wisdom: Mesopotamia and the Making of History’.
Fritz Schein lives entirely in, and on as his means of living, ‘the art world’ of ‘spectacularity’ – a world of apparently random images and appearances that eschews the privacy of inner reflection by being in love with the still surface of mirrors. When the ‘great recluse’ Thomas Haller turns up at a show Schein knows … More Thomas Haller’s resurrection is his ‘lilac renaissance, his violet hour’.
How have you adapted to the changes brought on by the Covid-19 pandemic? GAVI is a public-private partnership created to enable the vaccination of more of the vulnerable populations of the globe. And yet, even so, its research implicates the need for change in the approach of both sectors to their belief in growth as … More Has anyone truly adapted? Pandemics and the global extinction of livable environments are the wilful product of a world obsessed with growth and competitive domination.
I still have not got myself ready to write on James Cahill’s wonderful novel The Violet Hour, though I have started, but today one part of it sticks out as usable in answer to this question. One particularly character in the novel, Fritz Schein represents what the ‘art world’ is increasingly meant to mean for … More When knowledge is reduced to appearance and those appearances animate ‘legends’ so that the experience is ‘epic’, there is no room for a book to ‘read over and over again’.
I am still sorting my books. I have reached George Mackay Brown (GMB), and I read as I go. He wrote a version of the Orpheus myth as it had been translated into Shetland Islands myth in medieval times with the poet Orpheus with his lyre now translated as in other medieval takes on the … More Urge them to Fall in love with ambiguity
‘A taste for the poetry of William Empson may always have to be queer one’, or so spoke my thoughts as I get to cataloguing my few books (alas the critical texts – even the wondrous Milton’s God disappeared under an earlier cull, a misadvised one, of my library). Empson felt poetry was about emotion … More The queer poetry of William Empson
I could be Dante because, as yet, I have read only extracts of what is considered by some the greatest poem of the modern world. Moreover, I have been preparing to read it for so long that the task of cataloguing these volumes is raising my cultural guilt to new and higher levels than ever. … More Let’s be Dante!
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