The ‘Nostos’ theme absorbs all the energy we ought to have for thinking about our responsibility for creating ‘homelessness’

The ‘Nostos’ theme absorbs all the energy we ought to have for thinking about our responsibility for creating ‘homelessness’ I wonder if the magic associated with the film E.T. – The Extraterrestrial is not a version of the staple myth of the Western world – the Homecoming or Nostos theme. It is the stuff of … More The ‘Nostos’ theme absorbs all the energy we ought to have for thinking about our responsibility for creating ‘homelessness’

As always I searched for material to illustrate my blogs. Here is an example: Seeing Liz Duffy Adams’ ‘Born With Teeth’ in a production at Wyndham’s Theatre.

As always I searched for material to illustrate my blogs. Here is an example: Seeing (before reading) Liz Duffy Adams’ Born With Teeth in a production at Wyndham’s Theatre, Charing Cross Road, London on the 20th August 2025, 2.30 p.m. The photographs from the production are taken from: Photos: Born With Teeth starring Ncuti Gatwa … More As always I searched for material to illustrate my blogs. Here is an example: Seeing Liz Duffy Adams’ ‘Born With Teeth’ in a production at Wyndham’s Theatre.

This is a blog on the translation and interpretation of East European migrant experience to America in Ledia Xhoga (2025) ‘Misinterpretation’.

‘The phrase Çdo gjë është e shrkruar – Everything is already written – came to mind. Albanians usually offered it to an anxious person for comfort, as a reminder that the cogs of some future event had been spinning since the beginning of time’.[1] This is a blog on the translation and interpretation of East … More This is a blog on the translation and interpretation of East European migrant experience to America in Ledia Xhoga (2025) ‘Misinterpretation’.

It was Jenny Saville’s new exhibition at the National Portrait Gallery in London, ‘The Anatomy of Painting’.

In an interview with Sarah Howgate in the catalogue of the 2025 exhibition The Anatomy of Painting, Jenny Saville says that some part of her decisions and choices of method and technique as a painter is about freeing ‘up time to think about the way I’m applying paint – the mark-making, paint consistency and colour. … More It was Jenny Saville’s new exhibition at the National Portrait Gallery in London, ‘The Anatomy of Painting’.

The limits of telelogical thinking with or without the concept of personal agency.

How do you plan your goals? Let’s unpack the question today, for it is culture-defining. Behind it lie three assumptions about modern humanity: The study of goal-orientated thinking arise in the history of philosophy arise from rather mixed sources in defining the paradigm that we call teleology. Originally the issues it covered stemmed from core … More The limits of telelogical thinking with or without the concept of personal agency.

Art is a great motivator and a comprehensive one: my London trip today.

The answer must be that art motivates me. Here I am testing ideas and prejudices about the supposed rivalries between great artists! This might be the reason that I am here anticipating a trip to London today (20th August 2025) to look again at Jenny Saville at the National Portrait Gallery and to see a … More Art is a great motivator and a comprehensive one: my London trip today.

This is a blog on Ben Markovits (2025) ‘The Rest Our Lives’ London, Faber.

Thinking of his father, John Layward, who has ‘He is gone into the world of light,’ inscribed on his flat grave, the protagonist and narrator, Tom Layward, of Ben Markovits’ Booker-longlisted novel wonders whether that proud man’s ‘hatred of religion’ ‘was only important to him in the context of the battle with my mother’. So … More This is a blog on Ben Markovits (2025) ‘The Rest Our Lives’ London, Faber.

Somehow twilight at evening draws us to favour it. Why? After all it promises us nothing but the night, unless we hope to make the next day the first of the ‘rest of our life’!

Somehow twilight at evening draws us to favour it. Why? After all it promises us nothing but the night, unless we hope to make the next day the first of the ‘rest of our life’! When I was a student at University College London, I used to find myself walking through Russell Square to and … More Somehow twilight at evening draws us to favour it. Why? After all it promises us nothing but the night, unless we hope to make the next day the first of the ‘rest of our life’!

If I use the verb ‘to write’, do I really mean that what I write must or should endure

The best known quatrain of Persian Poetry, in stolid Victorian translation is that from what The Poetry Foundation calls the ‘Rubáiyát, his collection of hundreds of quatrains (or rubais), was first translated from Farsi into English in 1859 by Edward Fitzgerald’, attributed to Omar Khayyam. There are versions on versions of the quatrains translated, not least by Fitzgerald . … More If I use the verb ‘to write’, do I really mean that what I write must or should endure

This is a blog on the role of endings in the modern metafictional novel and the light shed on that role by Maria Reva (2025) ‘Endling’ London, Virago Press.

‘She felt a small pang of resentment: the endling’s last moments on Earth, and it pined over not getting laid. Of course this was normal. If anything, endlings should pine all the louder for the end of their species. … // At least gastropods yearned in silence, …’.[1] This is a blog on the role … More This is a blog on the role of endings in the modern metafictional novel and the light shed on that role by Maria Reva (2025) ‘Endling’ London, Virago Press.

This is a blog on  Benjamin Wood (2025) ‘Seascraper’.

‘Edgar’s almost shrouded by the white swell of the fog. … All of Longferry – the tall spires of the churches and the chimney-tops of the terraces receding to the lights of other towns – has been snuffed out’. I think no other modern novel I know about has such a sense of being near … More This is a blog on  Benjamin Wood (2025) ‘Seascraper’.