Saturday, 4 Aug 2018, 14:03Visible to anyone in the worldEdited by Steve Bamlett, Sunday, 5 Aug 2018, 18:58 Steve’s 2018 Booker Longlist Readings 3. Robertson, Robin. The Long Take or A Way to Lose More Slowly London, Picador Poetry. This year I’ve decided not to set out to read all of the longlist but just those of which … More Steve’s 2018 Booker 3. Robertson, Robin. The Long Take
Wednesday, 8 Aug 2018, 19:10Visible to anyone in the worldEdited by Steve Bamlett, Wednesday, 8 Aug 2018, 20:14 Steve’s 2018 Booker Longlist Readings 4. Michael Ondaatje. Warlight London, Jonathan Cape. This year I’ve decided not to set out to read all of the longlist but just those of which I had not acquired some prejudice (I’m not going … More Steve’s 2018 Booker 4. Michael Ondaatje. ‘Warlight’
Thursday, 9 Aug 2018, 16:14Visible to anyone in the worldEdited by Steve Bamlett, Thursday, 9 Aug 2018, 16:24 Classifying or ‘classing’ the metaphors of a Painter’s Relationship to their Canvas: Reflecting on Düchting, H. (2002) Paul Klee: Painting Music Munich, Prestel Verlag. Düchting’s work is a scholarly examination of the varied uses of references to music as … More Social Class, Classifying and Descriptions in Art – Paul Klee to start with!
Sunday, 19 Aug 2018, 08:11Visible to anyone in the worldEdited by Steve Bamlett, Sunday, 19 Aug 2018, 08:29 Since writing a retrospective of Crowe was shown at City Art Gallery. Saw it: it was magnificent. Changed my ideas but neglected to blog those changes. A pity. Victoria CroweThis exhibition is described in the following website: https://www.nationalgalleries.org/exhibition/victoria-crowe-beyond-likeness. … More Victoria Crowe exhibition National Portrait Gallery of Scotland
Monday, 20 Aug 2018, 08:47Visible to anyone in the world Queer theory and Rupert Thomson’s Never Anyone But You, London, Corsair Books Queer is by definition whatever is at odds with the normal, the legitimate, the dominant. There is nothing in particular to which it necessarily refers. It is an identity without an essence. ‘Queer’ then, demarcates … More Queer theory and Rupert Thomson’s ‘Never Anyone But You’
Thursday, 30 Aug 2018, 17:02Visible to anyone in the worldEdited by Steve Bamlett, Thursday, 30 Aug 2018, 17:09 A queer approach to sexual preference labelling in art-history: looking at case studies in British mid-twentieth century art: 1. John Minton The aim of this group of blogs is to look critically at some of the publications relating … More A queer approach to sexual preference labelling in art-history:1. John Minton
Monday, 3 Sep 2018, 17:16Visible to anyone in the worldEdited by Steve Bamlett, Monday, 3 Sep 2018, 17:32 A queer approach to sexual preference labelling in art-history: looking at case studies in British mid-twentieth century art: 2. Keith Vaughan The aim of this group of blogs is to look critically at some of the publications relating … More A queer approach to: 2. Keith Vaughan, artist
Tuesday, 4 Sep 2018, 20:01Visible to anyone in the worldEdited by Steve Bamlett, Thursday, 6 Sep 2018, 08:49 A queer approach to sexual preference labelling in art-history: looking at case studies in British mid-twentieth century art: 3. Christopher Wood The aim of this group of blogs is to look critically at some of the publications … More A queer approach to 3. Christopher Wood
Thursday, 6 Sep 2018, 19:20Visible to anyone in the worldEdited by Steve Bamlett, Friday, 7 Sep 2018, 20:05 Pat Barker (2018) The Silence of the Girls London, Hamish Hamilton. I saw Pat Barker at the Edinburgh Literary Festival on the 26 August where she launched this remarkable book. To tell truth, I had become a rather tired … More Reviewing Pat Barker (2018) ‘The Silence of the Girls’
Sunday, 9 Sep 2018, 18:51Edited by Steve Bamlett, Tuesday, 11 Sep 2018, 17:11 Labyrinth IV: The way in to Anselm Kiefer – a labyrinth with no end has, of course, no way out. This is a later addition to the labyrinth blogs (listed below) that comes from following up an interest (not yet matured into … More The way in to Anselm Kiefer – a labyrinth with no end has, of course, no way out.
Thursday, 13 Sep 2018, 19:06Edited by Steve Bamlett, Thursday, 13 Sep 2018, 19:11 A queer approach to sexual preference labelling in art-history: looking at case studies in British mid-twentieth century art: 5. John Craxton The aim of this group of blogs is to look critically at some of the publications relating to gay male artists … More A queer approach to: 5. John Craxton
Friday, 21 Sep 2018, 19:12Edited by Steve Bamlett, Friday, 21 Sep 2018, 19:29 A queer approach to sexual preference labelling in art-history: looking at case studies in British mid-twentieth century art: 6. Reflecting on Edward Burra through new material from Minton The aim of this group of blogs is to look critically at some of … More A queer approach: 6. Reflecting on Edward Burra through new material from Minton
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