Steve_Bamlett_blog

2020 Booker Shortlist & Longlist below. – The Books I read this year. FINAL update – 16th Sept. (history: 24th Aug, 1st Sept., 2nd Sept, 9th Sept (x 2.), 15th Sept (SHORTLIST DAY). Publication material in italics if NOT on shortlist I’m aiming to keep these lower (perhaps very low) – certainly than the full … More 2020 Booker Shortlist – The Books I read this year. winner IS SHUGGIE BAIN. Yay!

‘… folded up into this language that robs the world of all its honesty. … this oblique shadow-speak’.[1]  Booker 2020 Longlist Selection no. 2: Brandon Taylor (2020) Real Life London, Daunt Book Originals. Brandon Taylor is a black queer writer who feels that some books, like his book, answer a need for black queer men … More ‘… folded up into this language that robs the world of all its honesty. … this oblique shadow-speak’.[1] Booker 2020 Longlist Selection no. 2: Brandon Taylor (2020) Real Life

Queering the plot of the romantic novel: The role of the Rajkumar and other queer doings in Vikram Seth’s (1993) A Suitable Boy (with some reference to the 2020 BBC adaptation). When vast novels like A Suitable Boy are televised we expect cuts, and perhaps compensatory minimal additions, that have an effect on the plot … More Queering the romantic novel: The Rajkumar and other queer doings in Vikram Seth’s (1993) ‘A Suitable Boy’ (with little references to the BBC).

Sense and Nonsense, Determined or Free: Making sense of a subjective project that is the making of Paola Igliori’s (1992) Entrails, Heads & Tails: Photographic essays and conversations on the everyday with contemporary artists New York, Rizzoli International Publications This book could be seen as a map that indicates some extreme point of entrance to … More Sense and Nonsense, Determined or Free: Making sense of a subjective project that is the making of Paola Igliori’s (1992) ‘Entrails, Heads & Tails’.

‘”… we overload summer most out of all the seasons, I mean with our expectations of it.” “… Summers can take it. That’s why they’re called summers.”’ Reflecting on Ali Smith’s (2020) Summer London, Hamish Hamilton How long have we hoped for and expected the arrival of Summer? Since, at least, the Autumn of four … More “… Summers can take it. That’s why they’re called summers.”’ Reflecting on Ali Smith’s (2020) ‘Summer’ London, Hamish Hamilton

The ‘literary event’ and David Mitchell’s (2020) Utopia Avenue London, Sceptre Books, Hodder & Stoughton On the 14th July 2020, on the day of publication of Utopia Avenue , David Mitchell appeared with Claire Armistead, the latter moderating on behalf of The Guardian, in an online literary launch under the then Covid-19 conditions. David Mitchell … More The ‘literary event’ and David Mitchell’s (2020) ‘Utopia Avenue’

‘On borrowed time always, …. but every moment ae it pure electricity’.[1] A ‘heavy gay’ look at redeeming time in Graeme Armstrong’s (2020) The Young Team London, Picador. This is a difficult novel to talk about appropriately. My own training, which I often regret, in the reading and teaching of the tradition of the novel … More ‘On borrowed time always, …. but every moment ae it pure electricity’. A ‘heavy gay’ look at redeeming time in Graeme Armstrong’s (2020) ‘The Young Team’

PLEASE NOTE: This review contains spoilers. If you haven’t read the novel, and prefer discovering how the narrative unfolds for yourself, don’t read it. ‘I’d be like your girlfriend, or summat. I’d look after ya’.[1] Exploring what intersectional identity might mean in the queer novel. Paul Mendez’s (2020) Rainbow Milk London, Dialogue Books. Intersectional identity … More ‘I’d be like your girlfriend, or summat’. Exploring what intersectional identity might mean in the queer novel. Paul Mendez’s (2020) ‘Rainbow Milk’ London, Dialogue Books.

NOTE TO SELF: I’ve got this as far as I can and I doubt I’ll revise. Yet I do sense lots of problems remaining in my own prose. Still it is enough for what I want – to write out how this book seemed to me to work for my own understanding. If anyone else … More ‘”Queerness has an especially vexed relationship to evidence”’. Reflecting on why Mark Doty, a queer poet, insists on the queerness of the body of Walt Whitman’s verse in his reflection on the poet’s influence. (Doty, M. (2020) ‘What is the Grass: Walt Whitman in My Life’

“In low-class circles, more often than Latin, Greek was associated with extreme, other-worldly, intellectual prowess and arcane, even sinister arts”.[1]  A reader reflecting on themselves, why pearls shouldn’t be cast before swine and the world of the classics – reflexive reading of Edith Hall & Henry Stead (2020) A People’s History of Classics: Class and … More “In low-class circles, more often than Latin, Greek was associated with extreme, other-worldly, intellectual prowess and arcane, even sinister arts”.[1] A reader reflecting on themselves, why pearls shouldn’t be cast before swine and the world of the classics – reflexive reading of Edith Hall & Henry Stead (2020) A People’s History of Classics: Class and Greco-Roman Antiquity in Britain and Ireland 1689 to 1939

“Says he can’t believe how much I  look like her.” (εϊδωλον “image, likeness, simulacrum, replica, proxy, idol”): Reflecting on Anne Carson’s (2019) Norma Jeane Baker of Troy London, Oberon Books. A very waspish review of this play by Maya Phillips in The New York Times says that: … while Carson’s writing feels innovative and thematically … More “Says he can’t believe how much I look like her.” (εϊδωλον): Reflecting on Anne Carson’s (2019) ‘Norma Jeane Baker of Troy’ London, Oberon Books.

‘[D]etails, chopped up finely, reduced to the state of impalpable dust and arranged … as to multiply their effect many times over and together form an impression of a landscape’.[1] Visualising space in reading and recreating Guiseppe Tomasi di Lampedusa’s The Leopard. This blog is not what I intended, although it does try to look … More ‘[D]etails, chopped up finely, reduced to the state of impalpable dust and arranged … as to multiply their effect many times over and together form an impression of a landscape’. Visualising space in reading and recreating Lampedusa’s ‘The Leopard’.