Paul Fisher makes an unanswerable case for abandoning the labelling of complicated multidimensional traits in the life of this artist in favour of liberating the ‘opulent complexities, which transcend simplistic categories and remain fused with his lived experiences’. This blog reflects on Paul Fisher (2022) ‘The Grand Affair: John Singer Sargent in His World’.
How do we re-discover the ‘fraught private life’ of a man ‘fond of sitting back and obscuring himself in the fog of his endless cigarettes’?[1] Paul Fisher makes an unanswerable case for abandoning the labelling of complicated multidimensional traits in the life of this artist in favour of liberating the ‘opulent complexities, which transcend simplistic … More Paul Fisher makes an unanswerable case for abandoning the labelling of complicated multidimensional traits in the life of this artist in favour of liberating the ‘opulent complexities, which transcend simplistic categories and remain fused with his lived experiences’. This blog reflects on Paul Fisher (2022) ‘The Grand Affair: John Singer Sargent in His World’.




![The narrator, of James Kelman’s 2022 novel, ‘God’s Teeth and Other Phenomena’, Jack Proctor, a writer who identifies as working class, says of his experience as a resident writer in ‘The House of Art and Aesthetics’ in the USA: ‘I had a glorified view not just of art departments but colleges and universities, as intellectual hotbeds. When I discovered the truth the disappointment of that stayed with me and it’s with me right now’.[1] A great author summarises his disappointment with the notion of elite culture and the pretence of knowing what art is without working hard to do it.](https://i0.wp.com/livesteven.com/wp-content/uploads/2023/01/image.png?resize=365%2C365&ssl=1)






![‘Transgression and deviance are no longer universal but local, temporary and up for debate. / … / The bawdy human, indulging in an excess of all these biological functions, addresses the threshold between how things are and how they could be if only we could get over the hang ups and let downs of daily life’. This is a blog exploring, from my own point of view, the limits of using the biological or ‘animal’ functions, especially in relation to sex, as an argument for liberation of the oppressed and marginalised, however much fun that approach yields. It uses the book / catalogue of a Tate Britain exhibition in 2010: Tim, Batchelor, Cedar Lewisohn & Marin Myrone (eds) [2010] ‘Rude Britannia: British Comic Art’.](https://i0.wp.com/livesteven.com/wp-content/uploads/2022/11/image-49.png?resize=365%2C365&ssl=1)