Jonah Raskin says that Nino Strachey’s new book on the extended life of the Bloomsbury generation has ‘opted to focus on gender and sex …. In an era of LGBTQIA+ that might be an opportunistic choice in terms of publication and readership’. This blog shows why we still need to deplore the sad need of academic values to seek to prolong its hegemony over the priorities for human development and growth and the even more sorrowful (to me) sectarianism of a sexual politics that is ‘LGB without the TQI+’. It praises the simple honesty of Nino Strachey (2022) ‘Young Bloomsbury: The Generation that re-imagined love, freedom and self-expression’.
Jonah Raskin in a waspish review in The New York Journal of Books says that Nino Strachey’s new book on the extended life of the Bloomsbury generation has ‘opted to focus on gender and sex …. In an era of LGBTQIA+ that might be an opportunistic choice in terms of publication and readership’.[1] This blog … More Jonah Raskin says that Nino Strachey’s new book on the extended life of the Bloomsbury generation has ‘opted to focus on gender and sex …. In an era of LGBTQIA+ that might be an opportunistic choice in terms of publication and readership’. This blog shows why we still need to deplore the sad need of academic values to seek to prolong its hegemony over the priorities for human development and growth and the even more sorrowful (to me) sectarianism of a sexual politics that is ‘LGB without the TQI+’. It praises the simple honesty of Nino Strachey (2022) ‘Young Bloomsbury: The Generation that re-imagined love, freedom and self-expression’.




![Are either or both a gay Lorca and a queer Lorca what Alan Contreras might mean by ‘Unreachable Lorca’ in his review [in ‘Gay and Lesbian Review’] of a new book on Lorca? This blog examines the troubling and resistible voice in Lorca’s monologue about what makes the love of men by male poets acceptable in his ‘Oda a Walt Whitman’ [‘Ode to Walt Whitman’]? Along the way, Steven, the queer-identified blogger, queries his own ‘dark (or obscure) love’ for Lorca and why he still needs to understand what ‘amor oscuro’ means to him, even if it is not necessarily the same as what it meant to Lorca. This blog reflects on Valis’ readings of the poet in a queer light (with reference to Noël Valis (2022) ‘Lorca After Life’.](https://i0.wp.com/livesteven.com/wp-content/uploads/2023/02/image-9.png?resize=365%2C365&ssl=1)




![The narrator, of James Kelman’s 2022 novel, ‘God’s Teeth and Other Phenomena’, Jack Proctor, a writer who identifies as working class, says of his experience as a resident writer in ‘The House of Art and Aesthetics’ in the USA: ‘I had a glorified view not just of art departments but colleges and universities, as intellectual hotbeds. When I discovered the truth the disappointment of that stayed with me and it’s with me right now’.[1] A great author summarises his disappointment with the notion of elite culture and the pretence of knowing what art is without working hard to do it.](https://i0.wp.com/livesteven.com/wp-content/uploads/2023/01/image.png?resize=365%2C365&ssl=1)

