Considered from the abyssal plain, beaches are but stages of plateaus’; ‘raised beaches’ becoming remoter from the sea that defines them, on the ascent of a mountain to an unreceptive sky. Considered from the holidaymaker’s planning efforts they are colonies to go to when the world is too hot from the engine oil of busy-ness being burnt in the polluted skies.

Considered from the abyssal plain, beaches are but stages of plateaus; ‘raised beaches’ becoming remoter from the sea that defines them, on the ascent of a mountain to an unreceptive sky. Considered from the holidaymaker’s planning efforts they are colonies to go to when the world is too hot from the engine oil of busy-ness … More Considered from the abyssal plain, beaches are but stages of plateaus’; ‘raised beaches’ becoming remoter from the sea that defines them, on the ascent of a mountain to an unreceptive sky. Considered from the holidaymaker’s planning efforts they are colonies to go to when the world is too hot from the engine oil of busy-ness being burnt in the polluted skies.

This is a blog on Murdoch’s Queer Poetry. Is it a layer of Queer History or the record of  a Psychosocial Anomaly? It is based on Iris Murdoch (ed. Anne Rowe, Miles Leeson, Rachel Hirschler & Frances White) [2025] ‘Poems from an Attic: Selected Poems 1936 – 1995’

One line in a poem of complicated love between women, written to Brigid Brophy, by Iris Murdoch reads: ‘Don’t  make of sex a basic category’. To her journal she committed the following reflection about herself: ‘It’s no good being a female queer, one must be a male one’: This is a blog on Murdoch’s Queer … More This is a blog on Murdoch’s Queer Poetry. Is it a layer of Queer History or the record of  a Psychosocial Anomaly? It is based on Iris Murdoch (ed. Anne Rowe, Miles Leeson, Rachel Hirschler & Frances White) [2025] ‘Poems from an Attic: Selected Poems 1936 – 1995’

Most of us favour only one animal – humans, and pretend to enjoy instead the slavery of the animals we willingly harm and subjugate to our will in order to feed, in every sense, our needs! Why are we so wrong?

Most of us favour only one animal – humans, and pretend to enjoy instead the slavery of the animals we willingly harm and subjugate to our will in order to feed, in every sense, our needs! Why are we so wrong? We all think we have a favourite animal and assume when we say this … More Most of us favour only one animal – humans, and pretend to enjoy instead the slavery of the animals we willingly harm and subjugate to our will in order to feed, in every sense, our needs! Why are we so wrong?

Learning from the irritant of ‘ethnographic naïveté’: Truth, method and openness to awareness of myths of sex/gender.

When, in Act V, Scene 3 of King Lear, Lear carries in the body of his youngest daughter who had, unlike her sisters refused in the first scene to say enough to prove her love of her father to win his favour, he points out that women are to be preferred who speak hardly at … More Learning from the irritant of ‘ethnographic naïveté’: Truth, method and openness to awareness of myths of sex/gender.

‘A pervasive pattern of instability of relationships, self-image, and affects and marked impulsivity, …’: Are DSM-5-TR Categorical Criteria means of describing a person, a character, an author, or a reading experience ever? This blog reflects on Derek Owusu (2025) ‘Borderline Fiction’, Edinburgh, Canongate.

‘A pervasive pattern of instability of relationships, self-image, and affects and marked impulsivity, …’: Are DSM-5-TR Categorical Criteria means of describing a person, a character, an author, or a reading experience ever? This blog reflects on Derek Owusu (2025) Borderline Fiction, Edinburgh,  Canongate. As yet, I have discovered no ‘professional’ critical view of this book, … More ‘A pervasive pattern of instability of relationships, self-image, and affects and marked impulsivity, …’: Are DSM-5-TR Categorical Criteria means of describing a person, a character, an author, or a reading experience ever? This blog reflects on Derek Owusu (2025) ‘Borderline Fiction’, Edinburgh, Canongate.

Never trust my Booker predictions! Yet ‘Flesh’ is a great winner of the 2025 prize.

Never trust my Booker predictions! Yet ‘Flesh’ is a great winner of the 2025 prize. In my last go at a prediction of the 2025 Booker [see this link], I placed David Szalay’s novel Flesh , 3rd out of the 6th. And now we find it has won. It is more than a worthy winner, … More Never trust my Booker predictions! Yet ‘Flesh’ is a great winner of the 2025 prize.

Making your mark from the offset: the fallacy of control. This blog is a reflection on Benjamin Myers’ new work, ‘Jesus Christ Kinski: A Novel about a Film about a Performance about Jesus’.

Making your mark from the offset: the fallacy of control. This blog is a reflection on Benjamin Myers’ new work, ‘Jesus Christ Kinski: A Novel about a Film about a Performance about Jesus‘. A quiet man reflects on a loud one, whose mouth is full of hubristic pretension and loudly scored swear words. How does … More Making your mark from the offset: the fallacy of control. This blog is a reflection on Benjamin Myers’ new work, ‘Jesus Christ Kinski: A Novel about a Film about a Performance about Jesus’.

My favourite subject was ‘Fainting in Coils’, of course!

The saddest character in Lewis Carroll’s repertoire of tragi-comic characters is the Mock-Turtle. While his friend the Gryphon carries his working-class aura abroad with him, making him feel himself  to be the equal of tyrannical Queens, the Mock-Turtle tries to blame his education for never rising from the great unwashed because ‘Washing’ was an ‘extra’ … More My favourite subject was ‘Fainting in Coils’, of course!

To the memory of John Burnside and in dear friendship for Joanne, I contemplate. the poet’s posthumous lines: ‘and everything they loved / is erstwhile, in the empire of forgetting: / …’

To the memory of John Burnside and in dear friendship for Joanne, I contemplate. the poet’s posthumous lines: ‘and everything they loved / is erstwhile, in the empire of forgetting: /  …’ [*] There is nothing that once were the objects of our lives that can be remembered in their entirety, hence the fact that … More To the memory of John Burnside and in dear friendship for Joanne, I contemplate. the poet’s posthumous lines: ‘and everything they loved / is erstwhile, in the empire of forgetting: / …’

‘Anticipating time with starting courage’. Lines from ‘Troilus and Cressida’ Act 4, Scene V woven into a dialogue between an old man (Chronos) and his son (Kairos).

‘Anticipating time with starting courage’. Adapted lines from ‘Troilus and Cressida‘ Act 4, Scene V woven into a fantasy dialogue between an old man (Chronos) and his son (Kairos). AN OLD MAN TO HIS QUEER SON ABOUT TAKING ON A HUSBAND:These things take time, young man. It’s not for you,Anticipating time with starting courage.THE YOUNG … More ‘Anticipating time with starting courage’. Lines from ‘Troilus and Cressida’ Act 4, Scene V woven into a dialogue between an old man (Chronos) and his son (Kairos).

In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel ‘Objects Of Desire’, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, and no one will dare challenge them’.

In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel Objects Of Desire, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, … More In a historical novel, you can ‘meet’ people supposed in those fictions to be famous AND those who are or ‘were’ so in ‘real’ life simultaneously. In Neil Blakemore’s 2025 novel ‘Objects Of Desire’, the character named Christopher Isherwood says that people want fame: ‘So that they can become monsters and make others feel bad, and no one will dare challenge them’.