Thoughts Before my Seventieth Birthday on Thursday 24th October 2024: An Acrostic: ‘Does Steven Fear Being Seventy‘

Thoughts Before my Seventieth Birthday on Thursday 24th October 2024: An Acrostic: ‘Does Steven Fear Being Seventy‘ Do larks ascending raise up such volumeOf song as the rich racket in his heartEach time Steven’s shaken with sonic boomSome tolling bells of time, seem to shock-start;Surprised, that such a sage and serious Timorous soul has reached an … More Thoughts Before my Seventieth Birthday on Thursday 24th October 2024: An Acrostic: ‘Does Steven Fear Being Seventy‘

The ‘White Heat’ of WES or the STREETING of the ‘Blair Witch Project’.

The White Heat of WES or the STREETING of the Blair Witch Project  Two days ago Wes Streeting outlined the approach the Starmer government will take to implementing its key pledge to voters – the relaunch of the project called The National Health Service, although it is yet to be seen how clear are the … More The ‘White Heat’ of WES or the STREETING of the ‘Blair Witch Project’.

This blog prepares me for the first exhibition of Bacon devoted solely to the concept of portraiture with the help of Rosie Broadley (ed.) [2024] ‘Francis Bacon: Human Presence’.

At the heart of Rosie Broadley’s beautiful National Portrait Gallery catalogue is a brief essay by James Hall about artist’s studios as self –expression called ‘Corners of Filth & Fantasy’. Hall tells us that Bacon saw his studio as a ‘dump’, and this appears no exaggeration, quoting Bacon as saying: ‘I feel at home here … More This blog prepares me for the first exhibition of Bacon devoted solely to the concept of portraiture with the help of Rosie Broadley (ed.) [2024] ‘Francis Bacon: Human Presence’.

A whimsical response from Old Father William to being asked his ‘favourite form of physical exercise’, implicitly at least, by his son.

My lovely husband who is 83 is ill of the lurgy-thing I seemed to be sloughing off, as I approach 70 next Friday. I  am in the guest bed trying to let him rest and not able to sleep. I hope using a nonsense poem he loves from Alice’s Adventures in Wonderland  to answer this … More A whimsical response from Old Father William to being asked his ‘favourite form of physical exercise’, implicitly at least, by his son.

And, as for our destination; ‘there ‘is a place’ but that’s ‘my own / somewhere far from your knowing’. This is a blog concerning Danez Smith (2024) ‘Bluff’.

In Danez’s Smith’s latest collection, Bluff, one way of reading the course of history lies in the poem made from footnotes within a longer poem, rondo:‘freedom was a door into a bigger cage & when they couldn’t shackle the necks anymore, their metal met the mind, they chained time, chained the money, chained the dreams … More And, as for our destination; ‘there ‘is a place’ but that’s ‘my own / somewhere far from your knowing’. This is a blog concerning Danez Smith (2024) ‘Bluff’.

Supporting the negative risks in positive risk-taking is working collaboratively and in the interest of all.

Would this man have jumped if you knew the sea contained underground rocks and dangerous currents, or if he did not know there were emergency services to redeem what to him was personal failure? When I worked in mental health roles in both or either NHS and social work roles the concept of positive risk-taking … More Supporting the negative risks in positive risk-taking is working collaboratively and in the interest of all.

“If you can get the balls in, you will”. This blog prepares to revisit Yorkshire Sculpture Park to re-see their Frink collection after reading Stephen Gardiner (1998) ‘Frink: The Official Biography of Elisabeth Frink’.

“If you can get the balls in, you will”. Elisabeth Frink quoted her mother as saying to her of sculptural work  to her official biographer, Stephen Gardiner. She used this to illustrate her love of symbolic and embodied passion, imagined as entirely male, that is quite ‘the opposite of passive … somebody who can be … More “If you can get the balls in, you will”. This blog prepares to revisit Yorkshire Sculpture Park to re-see their Frink collection after reading Stephen Gardiner (1998) ‘Frink: The Official Biography of Elisabeth Frink’.

The current Exhibition at The National Gallery promises to make you see Van Gogh differently. I see it on Thursday 25th October I read: Cornelia Homburg (ed.) (2024) ‘Van Gogh: Poets & Lovers’.

Cornelia Homburg cites  a letter of 1888 in which Van Gogh saw a coal-barge on the quays of the Rhone river that was ‘a grand subject’ and was ‘pure Hokusai’, but it was a subject that he needed to think about painting very differently because, he says: “I’m beginning to see more and more to … More The current Exhibition at The National Gallery promises to make you see Van Gogh differently. I see it on Thursday 25th October I read: Cornelia Homburg (ed.) (2024) ‘Van Gogh: Poets & Lovers’.

Regions, towns, cities, identities and village people: Determining the nature of Community. This is a blog about seeing Andrew McMillan & Tawseef Khan.

“Do your parents know you are gay?” “They’re village people.” “People can surprise you. …”.[1] My name for this blog is Regions, towns, cities, identities and village people: Determining the nature of Community. In this blog I interrogate the decision of the Durham Book Festival to entitle a session on new novels by Andrew McMillan … More Regions, towns, cities, identities and village people: Determining the nature of Community. This is a blog about seeing Andrew McMillan & Tawseef Khan.

The living deadness of the static ‘I’ infects our pride in self.

Joseph Addison Anyone who attempts this question will soon get caught in a trap, for the first word of their answer will be their downfall: ‘I am most proud of …….’, they start and then describe a quality of their personality or appearance in the world, or perhaps some past action undertaken that they feel … More The living deadness of the static ‘I’ infects our pride in self.

A perhaps-too-bitter little poem about fanciful giving.

If you had a million dollars to give away, who would you give it to? If all I had was mine to give away,I might give it. My choice,left with nothingTo be or not to be: being alone,Not having, might be solely my purposeWere life ever to be that abstract thingSuch questions tend to assume … More A perhaps-too-bitter little poem about fanciful giving.

A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.

A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music. I have blogged on The Voyage Home in preparation for this event (see the blog at this link) and had it been for the fairly run-of-the mill interview with Barker conducted by Adelle Stripe … More A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.