A note on the limitation to (although not of) the male body in Queer(y)ing Keith Vaughan
Relating this to the issue of the ‘homosexual’ will not only rely on the immediate context of historical discourse but also on André Gide’s literary models. The enemy is a Zola-like naturalism. The latter’s use of a pre-natured world which art represents is set against fictive and imagined worlds, such as those of Gide, where … More A note on the limitation to (although not of) the male body in Queer(y)ing Keith Vaughan



