“It’s a poetic way of thinking about history, where materials themselves tell the story of power, fragility, and change”. Ali Cherri speaks of his art as ‘speaking through materiality’ in order to ‘reclaim the space of storytelling’. Losing ‘track of time’ is really a phrase we use when we track time not by the clock but by the qualitative meaure of its process in the way we tell stories, even hi-story.
“It’s a poetic way of thinking about history, where materials themselves tell the story of power, fragility, and change”. Ali Cherri speaks of his art as ‘speaking through materiality’ in order to ‘reclaim the space of storytelling’. [1] Losing ‘track of time’ is really a phrase we use when we track time not by the … More “It’s a poetic way of thinking about history, where materials themselves tell the story of power, fragility, and change”. Ali Cherri speaks of his art as ‘speaking through materiality’ in order to ‘reclaim the space of storytelling’. Losing ‘track of time’ is really a phrase we use when we track time not by the clock but by the qualitative meaure of its process in the way we tell stories, even hi-story.







![The problems of expression with exactitude: how to start thinking about Gertrude Stein as a meta-writer [a writer who writes mainly about the nature of writing].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/06/9614100f-7a11-4d97-a722-d855d4a26fc62553602394836912982.jpg?resize=365%2C365&ssl=1)
![It would be: ‘He tried to notice the underlying things!’ Is this a case in point?: This blog looks at a discovered copy of the 75th anniversary issue of ‘Granta’ from 1964 [Volume 68, No 1233].](https://i0.wp.com/livesteven.com/wp-content/uploads/2025/06/image_editor_output_image-1778076222-17487631189323696691320926878389.jpg?resize=365%2C365&ssl=1)


