Tag: travel

Considered from the abyssal plain, beaches are but stages of plateaus’; ‘raised beaches’ becoming remoter from the sea that defines them, on the ascent of a mountain to an unreceptive sky. Considered from the holidaymaker’s planning efforts they are colonies to go to when the world is too hot from the engine oil of busy-ness being burnt in the polluted skies.

November 20, 2025

Considered from the abyssal plain, beaches are but stages of plateaus; ‘raised beaches’ becoming remoter from the sea that defines them, on the ascent of a mountain to an unreceptive sky. Considered from the holidaymaker’s planning efforts they are colonies to go to when the world is too hot from the engine oil of busy-ness … More Considered from the abyssal plain, beaches are but stages of plateaus’; ‘raised beaches’ becoming remoter from the sea that defines them, on the ascent of a mountain to an unreceptive sky. Considered from the holidaymaker’s planning efforts they are colonies to go to when the world is too hot from the engine oil of busy-ness being burnt in the polluted skies.

What could I do more of? I could allow art and ways of seeing it to challenge me more: a preview of what I expect from the ‘Theatre Picasso’ exhibition at Tate modern, which I see on October 21st 2025.

September 23, 2025

What could I do more of? I could allow art and ways of seeing it to challenge me more: a preview of what I expect from the ‘Theatre Picasso’ exhibition at Tate modern, which I see on October 21st 2025. There is nearly always a debate these days – though perhaps there always was before … More What could I do more of? I could allow art and ways of seeing it to challenge me more: a preview of what I expect from the ‘Theatre Picasso’ exhibition at Tate modern, which I see on October 21st 2025.

Do we give up on one or all of the ‘words that bind us’ at our peril? It might be better to understand why words are multivalent: this is a blog on visiting the Magna Carta exhibition at Durham Cathedral on Wednesday 3rd September 2025.

September 3, 2025

Do we give up on one or all of the ‘words that bind us’ at our peril? It might be better to understand why words are multivalent: this is a blog on visiting the Magna Carta exhibition at Durham Cathedral on Wednesday 3rd September 2025. The exhibition runs from July 11 to November 2, 2025. “To no … More Do we give up on one or all of the ‘words that bind us’ at our peril? It might be better to understand why words are multivalent: this is a blog on visiting the Magna Carta exhibition at Durham Cathedral on Wednesday 3rd September 2025.

Being curious about questions you never thought you’d ask! A way of preparing to see a new play: seeing James Graham’s ‘Make It Happen’ at The Festival Theatre Edinburgh on the 9 August 2025, 2.30 p.m.

August 1, 2025

Being curious about questions you never thought you’d ask! Can the ghost of an eighteenth-century Scottish liberal moral philosopher save capitalism from its own contradictions and from the reputation cast back on him by neoliberal followers from Margaret Thatcher to Fred ‘The Shred’ Goodwin, the notorious Chief Executive of the Royal Bank of Scotland and … More Being curious about questions you never thought you’d ask! A way of preparing to see a new play: seeing James Graham’s ‘Make It Happen’ at The Festival Theatre Edinburgh on the 9 August 2025, 2.30 p.m.

If we assume that ‘work’ is something we can do whilst our attention is divided in listening to something quite unrelated to it, what really is the value of our work? This blog reflects on the exhibition ‘With These Hands’ at the Laing Gallery Newcastle seen on 15th July 2025.

July 16, 2025

If we assume that ‘work’ is something we can do whilst our attention is divided in listening to something quite unrelated to it, what really is the value of our work? This blog reflects on the exhibition ‘With These Hands’ at the Laing Gallery Newcastle seen on 15th July 2025. Raing at the Laing yesterday … More If we assume that ‘work’ is something we can do whilst our attention is divided in listening to something quite unrelated to it, what really is the value of our work? This blog reflects on the exhibition ‘With These Hands’ at the Laing Gallery Newcastle seen on 15th July 2025.

Future plans are a kind of ‘bridging project’ for  possible migrations. It reflects on visiting the exemplary exhibition at Tate Modern, London Bankside, on 9th July 2025.

July 15, 2025

Future plans are a kind of ‘bridging project’ for possible migrations. This blog is about naming the space we travel through in the art of Do Ho Suh. It reflects on visiting the exemplary exhibition at Tate Modern, London Bankside, on 9th July 2025. “But what exactly do you mean by space?” I remember the … More Future plans are a kind of ‘bridging project’ for  possible migrations. It reflects on visiting the exemplary exhibition at Tate Modern, London Bankside, on 9th July 2025.

Unexpected pleasures on my London trip: I find Louise at home in the Turbine Hall inviting me to see her ‘Maman’.

July 12, 2025

Unexpected pleasures on my London trip: I find Louise at home in the Turbine Hall  inviting me to see her Maman – being the second day of my London trip (July 2 2025) This is the first of three accounts of my second day of my two days away referenced in the blog at this … More Unexpected pleasures on my London trip: I find Louise at home in the Turbine Hall inviting me to see her ‘Maman’.

Retiring? Never and always simultaneously and repetitively is the only answer, however contradictory that is!

June 14, 2025

In the Elizabethan theatre a secluded space off stage and curtained, or otherwise partitioned off, and called a ‘tiring house’ acted as as a place in which actors went when they left the stage on which they performed their role or roles: it served two purposes. It was a place in which actors changed their … More Retiring? Never and always simultaneously and repetitively is the only answer, however contradictory that is!

The problems of expression with exactitude: how to start thinking about Gertrude Stein as a meta-writer [a writer who writes mainly about the nature of writing].

June 13, 2025

Describe your dream chocolate bar. Used as an adjective here, the word ‘dream’ is usually thought to have the equivalent meaning as, to some extent, clearer adjectives like ‘perfect’ or ‘ideal’, but the force of the meaning of the noun persists, which describes an event that occurs entirely within the person, and with the same … More The problems of expression with exactitude: how to start thinking about Gertrude Stein as a meta-writer [a writer who writes mainly about the nature of writing].

Dis/Placed: meanings in the art metamorphose, and the variant contexts are at base space and time

June 3, 2025

Dis/Placed: meanings in the art of Anselm Keifer metamorphose in association with the variant contexts contingent on the ‘placement’ in space and time This blog post is a sequel to one on Part One of the Anselm Kiefer exhibition in Amsterdam at this link. Just a glance at the new work at the top of … More Dis/Placed: meanings in the art metamorphose, and the variant contexts are at base space and time

Anselm Kiefer sees Van Gogh in Amsterdam, and the confrontation is world-changing.

May 31, 2025

Anselm Kiefer said in a lecture in Tate Britain in 2019 (abridged for the new Van Gogh exhibition in Amsterdam in 2025 as an introduction to the catalogue): ‘Van Gogh’s composition is minimalist. There is no shimmering light dissolving the material world into pointillistic touches of colour. Van Gogh builds the landscape like a bricklayer, … More Anselm Kiefer sees Van Gogh in Amsterdam, and the confrontation is world-changing.

The Van Gogh Museum: Preface to seeing Van Gogh through the eyes of Anselm Kiefer

May 27, 2025

The Van Gogh Museum: Preface to seeing Van Gogh through the eyes of Anselm Kiefer The pictures above were by other tourists than us. This blog is an intrusion into the three-part set of blogs, in effect a fourth added to them but to preface the ones on the joint exhibition of Anselm Kiefer, both … More The Van Gogh Museum: Preface to seeing Van Gogh through the eyes of Anselm Kiefer