Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are – as Bradley Pearson and Hamlet are in The Black Prince and Hamlet respectively and both together in the first) that can only be changed by getting out from under the net of a … More Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

Sequestered:  The art of self-discovery might be no more than facing up to being  locked-in with your own doubts & uncertainty . A reflection after seeing Edward Berger’s film Conclave.

Sequestered:  The art of self-discovery might be no more than facing up to being  locked-in with your own doubts & uncertainty . A reflection after seeing Edward Berger’s film Conclave. [The film is directed by Edward Berger and written by Peter Straughan, based on the 2016 novel by Robert Harris]. There is a truly impressive moment – … More Sequestered:  The art of self-discovery might be no more than facing up to being  locked-in with your own doubts & uncertainty . A reflection after seeing Edward Berger’s film Conclave.

‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

‘Stop saying words, my sister whispered back. I want to hear the story’.[1] The paradox may be that we express our identity in words and names not in the process of telling and hearing our stories. I think Ali Smith thinks that may be true of the configuration of sex/gender too. This is a blog  … More ‘Stop saying words, my sister whispered back. I want to hear the story’. This is a blog  on Ali Smith (2024) ‘Gliff ‘.

A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.

A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music. I have blogged on The Voyage Home in preparation for this event (see the blog at this link) and had it been for the fairly run-of-the mill interview with Barker conducted by Adelle Stripe … More A performance of Pat Barker’s art in ‘The Voyage Home’ merges the voice of the Durham working class and rich music.

Alan Hollinghurst says that even if the first person narrator has a ‘testifying force’, it ‘is also filled with the omission of not knowing everything’. This is a blog on Alan Hollinghurst (2024) ‘Our Evenings’.

Alim Kheraj of GQ magazine starts his interview regarding Our Evenings (2024) with novelist Alan Hollinghurst with a question about  the ‘distinct first-person narrator’, asking: ‘How did that voice develop?’ Hollinghurst’s answer gives the reason why he thought a first person narrator was ‘inevitable’ because the events must be seen by someone ‘racially distinct from … More Alan Hollinghurst says that even if the first person narrator has a ‘testifying force’, it ‘is also filled with the omission of not knowing everything’. This is a blog on Alan Hollinghurst (2024) ‘Our Evenings’.

A note about ‘Bajazet’ by Racine and translated by Alan Hollinghurst and featuring in ‘Our Evenings’

Alan Hollinghurst’s newest novel opens with the memoirist, who is the novel’s focus, Dave Win, thinking about his present life in his 80s. He is ‘two weeks into rehearsals for Bajazet at the Anvil’, where he is ‘playing old Acomat, the grand Vizier, a gift of a part, …’. This blog is a starter before … More A note about ‘Bajazet’ by Racine and translated by Alan Hollinghurst and featuring in ‘Our Evenings’