Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are – as Bradley Pearson and Hamlet are in The Black Prince and Hamlet respectively and both together in the first) that can only be changed by getting out from under the net of a … More Many of Iris Murdoch’s characters feel they are in a drama not of their own scripting (which, of course they are) that can only be changed by getting out from ‘under the net’ of a web of false relationships. This blog contains some thoughts on reading a play I had neglected by the great novelist.

A blog stating a case for a ‘queer’ reading of the classic play by Samuel Beckett ‘Waiting for Godot: A tragicomedy in two Acts’. Seeing Ben Whishaw at the Haymarket 25th October 2024

‘[The moon rises at back, mounts in the sky, stands still, shedding a pale light on the scene.] …. ESTRAGON: “Pale for weariness” VLADIMIR: “Eh?” ESTRAGON: Of climbing heaven and gazing on the likes of us.” A blog about feeling not worthy of ‘its constancy’, and a case for a ‘queer’ reading of a classic … More A blog stating a case for a ‘queer’ reading of the classic play by Samuel Beckett ‘Waiting for Godot: A tragicomedy in two Acts’. Seeing Ben Whishaw at the Haymarket 25th October 2024